aussie

Catto’s Blended Scotch Whisky

Reviewed by: Nick

Catto's Blended Scotch

I’m not going to lie to you, fellow Wafflers. I bought this bottle of distinctly bottom-shelf blended scotch for numerous reasons – none of which concerned actually drinking the whisky. Firstly, it was the most Aussie sounding bottle I’ve ever seen (try saying it in an Australian accent – it’s very satisfying); secondly, you can’t look past a $30 price tag; and lastly because there was a sick masochistic part of me hoping I could label it the ‘worst whisky in the world’!

I was left rather disappointed. For the first time in my life I was disappointed that a whisky was better than I had thought. Instead of being completely putrid, it was merely rather awful.

Sweet honeyed notes accompany the alcohol burn on the nose while vanilla toffee struggles to break through. The palate is rough; spicy and leafy with flavours of barley sugar amid the burn. The finish is unpleasant and too long for my liking with a lingering sweetness that I found myself longing for it to dissipate.

There you have it folks. Who would have thought, a blend called Catto’s is simply dreadful rather than being soul-destroyingly disgusting. And despite all my criticism and complaining, if you have a look at the photo, you’ll see the bottle is nearly empty. Sometimes a bit of rubbish bottom shelf is exactly what you need.

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Return to Redlands

Posted by: Nick and Ted

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They grow up so fast, don’t they? When we last visited paddock-to-bottle distillery Redlands in 2014, their spirit was still too young to be released and head distiller Dean Jackson was only just filling barrel number 42.

Fast forward two years and the shelves are stocked with elegant (cuboid) bottles of Redlands paddock-to-bottle Tasmanian single malt and Dean is busy filling bottle number 271. Oh, and did we mention that the distillery has moved 50km up the road to a new site?

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Knock knock! Wafflers at the door.

After the sale of the Redlands Estate property in late 2015, the distillery was faced with the challenge of finding a new home in just 21 days. After several weeks of stress-filled searching, they eventually settled on what they hoped would be the perfect venue: the heritage listed Dysart House in the small southern-midlands town of Kempton.

From the moment you push open the (heavy) front door you can tell that Redlands has fallen on its feet. The main house is built from beautiful sandstone blocks and the dark timbered interior houses the cellar door, kitchen, a sitting room with high backed leather chesterfields (careful not to slide off – Brigitte likes to keep them well polished) and a glorious blackwood table (which only made its way inside with help from Whisky Waffle’s muscle).

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The sitting (and drinking whisky) room

The distillery and bond store can be found in a red-bricked outbuilding off the side of the main house. Redlands’ continued growth is evidenced by the addition of a new still, with the (now) wash still, Heather, joined by new spirit still, affectionately known as the Mad Hatter. The bond store continues to expand, now housing hundreds of 20 and 100 litre barrels that once contained pinot noir, port, sherry and even Tokay.

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Heather and the Hatter

These days if you visit Redlands, you will be able to try some of the most elegant, drinkable and delicious whisky Tasmania has to offer. Redlands’ signature release is aged in Tasmanian ex-pinot noir barrels and is like drinking apricot jam. The unusual ex-tokay barrel release is broad and full across the palate, oozing with dark berries, while the ex-port barrel, which we tried at cask strength, offers marmalade, honey and vanilla.

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A wonderful room to drink wonderful whisky

Redlands has changed so much in the last two years, but they have even grander plans afoot for the near future. While the old brick outbuildings are charming and old-worldy, they simply don’t have any space for expansion as the distillery scales up production. The solution to this problem is the construction of a facility in the adjacent field, with work scheduled to begin in 2017. The new distillery will allow for a greater output, allowing the Redlands single malt to be enjoyed by a much larger audience.

The sale of the old Redlands estate could have easily spelled the doom of the distillery; instead it luckily seems to have made it stronger. Who knows what the future will bring, but you can be certain that Whisky Waffle will be back to find out.

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…and next time we’ll bring Dean a box to stand on in the photo!

Limeburners Infinity Solera Cask

Reviewed by: Nick

Limeburners Infinity Solera

The thing about the Australian Whisky scene is that we are unquestionably small-fry. It is a quantifiable fact that we produce less whisky per annum than Glenfiddich sloshes from its barrels. Size, or rather lack thereof, is the overriding factor in most Aussie distilleries’ tendencies to release single barrel expressions – they simply don’t produce enough product to have an alternative. This is great if you happened to own an unopened bottle of HH525 Sullivans Cove in 2014. If you did, I hope your new private yacht is treating you well.

Single barrels are not as good however, when the aim of your whisky game is consistency of flavour. You know, that old chestnut of getting one bottle of your standard release to mildly resemble the taste of another one. The best way to achieve this is to blend (or more romantically, ‘marry’) a range of casks together – thus ironing out any ‘bumps’ in flavour. Even better still, is if you can use a Solera vat, which are only ever half empty (or full. Not sure which is the most optimistic phrasing in this case.)

With this groundbreaking new technology (invented c.1790), distilleries are suddenly able to better define their flavour and ensure that a bottle you buy this year is (pretty much) the same as the one you purchase at a later date.

One of the first distilleries in Australia to adopt the Solera technique is the wonderfully-named Great Southern Distilling Company based in Albany, Western Australia. They market their wares under the label ‘Limeburners’ and in their short history, have released some stellar drams.

While director/distiller Cameron Syme is a huge fan of the variety found in single barrel releases, he acknowledges the need for a consistent product and an entry level into the Limeburners range, resulting in the creation of the Limeburners Infinity. Cameron says that his distillery’s key commitment is “to make Australian whisky which can compete and hold its own at the highest international levels. Infinity is certainly capable of that.”

This particular release contains 8 year old whisky matured in several 500L South Australian port puncheons. The infinity name is appropriate, as the Solera system will always leave at least a teeny tiny fraction of these original whiskies in the mix.

Eager to support the distillery, I stumbled upon this bottle’s first release on Dan Murphys and promptly blew my savings for the week. So what exactly is the Infinity Solera Reserve like?

On the nose there are immediate traces of the port influence – ripe oranges dominate alongside zesty citrus and vanilla, bringing to mind cupcakes with lemon icing. The palate is complex – certainly not smooth, but well balanced with flavours of strawberry jam, honey and malt biscuits. In the finish I spotted hints of the bitter soapiness I sometimes detect in wine-matured whisky (yes, I know, this is port matured and therefore I sound crazy). However, this vague disagreeable note dissipates quickly and is replaced by an intriguing dryness which contrasts pleasantly with the initial flavours.

Usually I find it pretty counterintuitive adding water to my whisky, but in the case of this one, it takes on a whole new character with a splash of H20. Suddenly, large dollops of gooey caramel dominate the palate and the flavours morph from undeniably Australian to slightly Speysidey.

This whisky is a significant step for Australian whisky. Lack of consistency is one argument the Cynical Scot has always held over me in our heated whisky-fuelled debates about the validity of non-Scottish drams. It seems that, at least in Limeburners’ case, I will be able to return to the bottle shop in a year, in two years, or even in ten and get this same drop. Or alternatively, I could save my pennies and buy one of their delicious cask strengths…

★★★

Great Outback Rare Old Australian Single Malt

Reviewed by: Mooresy

Great Outback Rare Old

This is weird story worthy of a waffle. Australian whisky has a generally agreed history, the modern chapter of which begins in the 1980s with the Lark family overturning a century and a half of legislative prohibition on distilling in Tasmania. This led to a resurgence of distillers and, as a very appropriate homage to whisky’s very beginnings, some people who had no doubt been fooling around as bootleggers went legitimate. The Great Outback Rare Old Australian Single Malt – a mouthful of descriptors, almost as if someone took all the best buzzwords that make whisky seem exclusive and put them all into the name – is a mystery in that history.

From what I can gather from my Poirot-esque deductions is that it was distilled somewhere between 1960 and 1985, that it is either from a now forgotten Tasmanian still (the bottle indicates it was produced at the Tasman Distillery, which no-one can find) or a Western Australian still pretending to be Tasmanian, and that it is pretty rare. Some rumours include that it is the reject stock of the closed Corio Distillery or that it is not Australian and was just labelled that way to hide an origin that would have been less palatable. It is a confirmed fact, however, that this single malt has a blended variety that can still be found so maybe these rumours of reject stock and foreign distillation are accurate for the blended version.

Something that is more than rumour is that this whisky is actually very good. With a label that looks like a knock-off product sold by some people who’ve refilled an empty bottle with some water and caramel colour, it is about as far from that as you can imagine. The colour is a nice pale gold suggesting there is a straight bourbon cask maturation and on the nose I think that is correct but there is also a vivid complexity I was not expecting. It’s fresh and grassy, with a little toffee and vanilla, but also a lovely tropical fruit and pineapple citrus alongside an orange smell that is actually reminiscent of Lark. Not only that, but there are some interesting botanicals with fresh thyme and something peppery thrown into the mix.

The other brilliant thing about it, which transfers over to the palate, is it is devoid of the ethanol kick that can permeate and drown out the subtleties. The relatively low alcohol content helps this, but it is also just a very clean and crisp spirit. There is certainly some tropical fruit – brilliant passion fruit – and the malty vanilla really comes out to balance against the toasted oak flavours. It is unsurprising that it is not peated, as this was presumably created before peat bogs were officially uncovered in Tasmania or peated barley was imported. Or before peat even existed anywhere in the world, who knows.

This is not a whisky for people who are looking for a heavy hitter, a peaty belter, or an oak punch. It is certainly not for anyone who wants to be able to sit down with book and look up the dram as they drink it. This one for those who like a crisp and complex confectioner’s creation with a side of Conan-Doyle intrigue to keep them guessing.

If you are the distiller of this fine drop, get in touch. Partly because there are several questions I have for you, but mainly because I am hoping you still have a few bottles of the stuff kicking around the attic you might be willing to offload.

★★★★

New World Projects Ginger Beer Cask

Reviewed by: Mooresy

New World Projects Ginger Beer Cask

There are some interesting experimental drams in the market, often tucked behind the more famous and mainstream variant at a bar, or in old dusty collections held by people who bought a one off bottling at a garage sale. New World Distillery on the other hand is not tucking their experiments behind anything, and the operation is far from dusty being more akin to a well-resourced military installation. Housed in a disused aeroplane hangar is the cross between Willy Wonka’s factory and Area 51, although the focus is on whisky and not chocolate or alien secrets.

Being founded on the principle of showing the world what whisky can be, with a “sky’s the limit” attitude, it is no surprise that the team that brought us Starward would release something that stretches the concept of whisky to new heights.

On the nose, you’d be hard pressed to pick it as a whisky. But the same can be said for other expressions from many different distilleries that have played with different casks. It you’ve only ever drunk a bourbon cask Highland whisky, then putting the nose into a PX finished Islay might create the same level of confrontation and confusion when told that not only is it whisky but it is as single malt as the next dram. The information that can be beaten out of the loyal distillery workers reveals that it is a virgin cask that has been stained with fermented ginger beer that has its own secret recipe. Starward whisky is then aged for three months on top of its normal maturation to soak up the gingery goodness.

Ginger is really the buzz word here. So much ginger. It smells like ginger and when you stare at in your half empty glass it even starts to look like ginger. That might be the half empty element assisting with that. The classic tropical fruit that is a signature of the Starward is still present, however. Nice aromas of pineapple, banana and mango. A good amount of citrus that mixes will with the ginger smell to give it a spicy aroma. It also smells like ginger.

Once tasted it will continue to confuse and delight. The mouthfeel is particularly good and I’m sure the 47.7% alcohol by volume was very carefully chosen with the texture in mind. On the palate, you guessed it: cloves. Also ginger. There is a good combination of spice and fruit to create the feel of a cocktail and it may yet be a mixologist’s inspiration. It is naturally sweet with some light vanilla and the prickle from the spiciness brings that out even more, in the way that sweet and sour emphasise both rather than diminish either. The finish is nice and long, due to the intensity of a dominant flavour and also the not-insubstantial alcohol content.

It is probably plagiarism to sum up this whisky as weird and wonderful, as I am sure that many reviews would use the same phrase. It is something that I would look out for tucked away at a bar or nestled in among the fur stoles and incomplete jigsaws at a markets, but given that this modern and funky take on whisky is in such high demand – evidenced by the fact that this is the second batch – it is probably unlikely to be there. Better to head out to New World Distillery, bonk a cooper on the bonce, and run off with your own bottle.

P.S. Neither Mooresy nor the Whisky Waffle boys advocate violence towards people in the whisky industry. We love those guys. For obvious reasons.

★★★★

The Big Black Cock Single Malt

Reviewed by: Nick

BBC

Crikey! Now I know whisky is made in some pretty far out places but leaning towards the more radical end of the scale would have to be Mt Uncle Distillery in North Queensland. Despite the immense heat and being located on the outskirts of woop-woop, they have managed to produce a grouse little drop.

The 5 Year Old single malt has one of the more dinky-di whisky names going around. The drinks menu I had a gander at when first sampling it read BBC. However, the large rooster on the front of the bottle makes it clear: this whisky is called the Big Black Cock. It is fair dinkum outback whisky. And strewth: it tastes the part.

On the nose there are faint hints of malty Arnotts biscuits – quickly drowned by whiffs of recently slashed sugar cane and double coat tim tams. On the palate there is vanilla – perhaps a little too much – accompanied by Anzac biscuits and cherry ripe. There are also some bitter fruit elements – possibly created by the ex-red wine barrels they were matured in: American oak staves with French oak lids. The finish is warm and a little rough with spicy meaty notes, like snags on a barbie.

If you ever come across the BBC in a whisky bar down under it is certainly worth ordering – if only to be forced to say the name out loud – but also because of the beaut, uniquely Australian flavours to be found. This is true blue outback whisky. It’s unrefined. But a ripper.

★★★