review

Signatory Vintage Tormore 1995

Reviewed by: Nick

Tormore sig 2

So, you’ve tried a single malt from every Scottish distillery you can get your grubby little mitts on and are now feeling slightly deflated and wondering what to do next? Good news, the answer is at hand: you can find some independent releases and go around again!

Independent bottlings are a wonderful x-factor in the whisky world – they amuse whisky nerds and confuse whisky noobs in equal measure – from a dusty old ‘Douglas Laing’ bottle right through to some ‘That Boutique-y Whisky Company’ with a comical and yet fitting label. Additionally, they also provide an opportunity to access some of the whisky made at lesser known distilleries; in this instance: Tormore.

Tormore is a vast monolithic-looking distillery a kilometre south of the river Spey, and is known mostly for providing spirit for Chivas-related blends. It was one of the very few distilleries built in the mid-20th century and is tricky to find iterations of outside of duty free. Unless, of course, it’s been independently bottled!

My particular independent bottler is Signatory Vintage, which I know next-to-nothing about – and freely confuse its logo with a bottle of Springbank. It would certainly fail to stand out on a shelf in a bar, which is why I think I have unearthed a bit of a hidden gem.

Stats! Something every whisky nerd can’t live without (no wonder we haven’t handled the transition to NAS releases particularly well)! This bottle of Tormore sat in ex-bourbon hogsheads between 1995 and 2016, making it 20 years old and is a marriage of cask 3907 and 3908. My particular bottle is number 394 and sits at a gentle 43%. And it’s rather tasty.

Tormore sig deets 2

The nose is oozing with sweet caramel alongside barley sugar and stewed figs. It subtly hints at oak, along citrus and melon notes. The palate is as surprising as it is delicious, full of tropical fruit characteristics. Banana stands out the most, as well as creamy vanilla and chopped nuts – it’s basically a banana split in whisky form! The finish is medium in length and gently earthy – not smoky but at least slightly cured – while vanilla custard flavours delicately linger.

This is a lovely little drop; one that perfectly accompanied the Tasmanian summer and BBQs that ensued and if it were not for an independent bottler setting aside a cask here or there, it’s not one many of us would be able to enjoy. So, if you’ve been holding back and sticking to the distillery’s own releases – well, maybe it’s time to give something independent a try.

★★★★

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Glenlivet Nἁdurra Oloroso

Reviewed by: Nick

Glenlivet Nadurra WW

Speyside: home to smooth, elegant, subtle and well-balanced whiskies. Whiskies that represent the graceful and sophisticated flavours that this Scottish spirit has to offer.

And then there’s this one.

The Glenlivet name their cask strength range ‘Nadurra’, Gaelic for natural. While they have made bourbon-aged versions, the one that is most widely available is matured in first fill Oloroso casks and it has rapidly carved out a niche in the market previously dominated by Aberlour A’bunadh and Glenfarclas 105. This is possibly because The Glenlivet, being a huge distillery even by Scotland’s standards, can put out a good quantity of bottles at a reasonable price. What this means, however, is that the product released is quite young and… um… what’s the opposite of subtle?

If most Speyside drops are a Haydn violin concerto, the Glenlivet Nadurra is the Arctic Monkeys first album. It’s like bringing home to meet your mother that guy with tattoos, piercings and parole conditions.

The nose is probably the most refined aspect of the whisky; grape notes dominate alongside butter, apricots and leather car seats. It smells like it could be a cheap brandy, although having had very few expensive brandys in my life, I suppose it could smell like them, too.

The palate is where you get kicked in the face. The sherry is clearly the biggest factor at play here with rich dark fruits coating your tongue while elements of chocolate fudge, liquorice and oak try in vain to keep up. The finish is long, spicy and full of fire, and contains stewed apple flavours and a bitter piney note.

“So we get that it’s rough,” I hear you cry “but check the label, you berk – it’s freaking 60.3%! Surely a drop of water will fix this?”. I did try, fellow wafflers, I promise – and it actually didn’t help much. It lessened the burn, sure, but it was still heavy and volatile, confirming my suspicions about the youthful nature of the whisky.

Having read all the way through this review, you are probably expecting me to give it a fairly negative score. But, in a shocking Christie-esque twist, I’m actually not. I definitely think there is a place for an angsty teenage whisky on my shelf. It’s doesn’t skimp on flavour, it warms your entire insides, and goes well in a hipflask on a fishing trip (or cricket match if you’re sneaky enough). Although it’s far from being objectively good, there’s something to like about it. It’s a cheeky puppy that is so adorable that you don’t mind when it won’t come when it’s called. Don’t kid yourself that it’s a work of art – just drink it…

…in small doses.

★★★

The bottle I reviewed was part of Batch OLO615

Whisky Waffle Podcast Episode 10

We return to the airwaves with another whisky-fuelled ramble about the big topics in the whisky world – specifically: what’s in our glass!

This episode contains:
– The Waffle, where we discuss how to actually make the spirit we love!
– The whisky, where we look at a new Aussie whisky with a specific tasting note; and
– From the Spirit Sack, where we consider entry level whiskies from a variety of countries

Whipper Snapper Project Q Batch 1 46.5%

Posted by: Ted

What does a South American superfood with a weird name have to do with WWII bomber pilots? Well, in a round-about way: whiskey. Before we get into why though, let’s take a slight tangent.

Project Q is part of the new Dalek masterplan

By definition, whisk(e)y is a grain based spirit. In terms of the most common grains that are used, the holy quaternity is barley, corn, rye and wheat. Alone or in combination, these four star in the vast majority of whiskies. Beyond that, there is a whole panoply of random grains that rarely (if ever) get a look-in due to reasons such as rarity, expense and difficulty of use.

One such grain is quinoa. You know, the one that you think is pronounced ‘kwinoa’ until some posh git swans by and says “no no, it’s ‘keeen-wah’ daahling”. A staple native grain in South American, quinoa can now be found lurking in expensive salads in the West. To be fair, it is very good for you. Turns out it has other uses beyond feeding hipsters though.

Most of the established whisk(e)y distilling cultures wouldn’t dream of going anywhere near something like quinoa. Tradition is tradition after all. You need to go somewhere where the industry is fresh and young and willing to experiment with new things. Like Australia for example.

Whipper Snapper Distillery, based in Perth, Western Australia (WA), is an outfit that is not afraid to mess around. The roots of the distillery go back to WWII, where an Aussie and a US pilot bonded over a love of bombers and making whiskey. Vic, the Aussie half of the duo, took the recipe they had developed home and continued to distil in his back shed. The recipe was eventually passed onto his young neighbour Al and his mate Jimmy and thus Whipper Snapper was born. Keeping with the American connection, the distillery’s flagship release is the Upshot, a bourbon-style whiskey with an Aussie twist.

Sounding rather like a top-secret WWII program, Project Q is Whipper Snapper’s experimental quinoa-based whisky, only the second ever quinoa release world wide (the other is from Corsair Distillery in America). We first heard about it here at Whisky Waffle HQ a few years ago when they released an early test version, but sadly we were never able to get our mitts on a sample. Fast forward to 2019 and the lads have refined their process and unleashed their first official batch on an unsuspecting world.

Made using a mash bill of 65% quinoa, 25% corn and 10% malted barley, all the grains are locally sourced from WA. The Project Q is aged for just under three years in the distillery’s own ex-Upshot barrels and bottled at (at least for Batch 1) 46.5%.

Flavour-wise, the Project Q is like no other whisk(e)y I have ever tried. I sprang it on m’colleague blind and he almost broke his brain trying to work it out. The first guess was rye, which actually wasn’t entirely ridiculous as there is an earthy, nutty (quinoa-y?) quality to the nose that remindes me a bit of Belgrove’s Brown Rye. Beyond that though, there’s this weird combo of rose-water and what I can only describe as tobacco-infused old car. It’s like leather and oil and ciggies and sun-aged dash. My dad’s old MKII Jag or my 1985 BMW 325i.

The mouth has tannic sweetness underneath that I reckon comes from the corn, while over the top sits this ashy, spicy grain layer. The finish is fruity, a distilled cherry/plums/grapes feel that kind of brings to mind brandy or cognac. There is a lingering wisp of incense that coils around the tongue for a little while after.

Batch 1 people, get in quick for some quirky quinoa action

To be honest I’m not really sure what to make of it. The Project Q is definitely not a beginner’s whiskey, that’s for sure, with its complex melange of flavours. Due to the high cost and relatively low local production levels of quinoa, the Project Q is unlikely to be anything more than a quirky rarity, but one I think is worth tracking down to experience something unusual. It won’t be to everyone’s taste for sure, but I certainly think it still deserves its moment in the sun. I hope Whipper Snapper, and others, continue to experiment with new grains and flavours that challenge our palates and minds.

FYI, it’s still totally kwinoa.

***

Killara Single Malt

Reviewed by: Nick and Ted

Killara pic WW

For many years now, Bill Lark has been the public face of Tasmanian whisky – for good reason too, as he is rightly credited with kickstarting the modern Tasmanian whisky industry. However, while he may be the most visible member of the Lark clan, Bill certainly isn’t the only distiller in the family; wife Lyn shares as much DNA in the original distillery as he does, son Jack has worked with several other whisky makers and daughter Kristy (now Booth-Lark) was Lark head distiller for a time, helping lead the way for female distillers in a historically male dominated industry.

After leaving Lark, Kristy has continued to forge ahead, starting her own distillery, Killara. Named after the street where she grew up, Killara is not only the first second-generation whisky distillery in Australia, but also the first to be fully owned and operated by a female – as Kristy would say, “it’s a one woman show”.

As well as producing a vodka and the acclaimed Apothecary gin range, Kristy is following in the family tradition by crafting single cask whisky. One of the first barrels to be bottled is KD03, a 20L ex-Apera (Australian sherry) cask. Presented in a dark green/black bottle with blue and silver livery and a Gaelic-knotwork style font, the release would almost look more at home on Islay than in Tasmania.

That’s where the similarities with the old country end however, as the spirit is distinctly Tasmania in character. The nose speaks of the small cask size and the Apera origin, with zesty oranges, cherry, nutmeg and glacé ginger. The mouth is savoury and meaty, with marzipan, aromatic spices and an earthy finish that has a subtle smokiness reminiscent of burnt brown sugar.

Having said that, we must remember that KD03 is only the product of one single 20L cask and that each successive Killara release will have its own unique and intriguing nature. This unpredictability doesn’t faze Kristy in the slightest however: “There’s so much variability in the process. That’s what I love about it, there’s a bit of science, a bit of passion and a bit of what we don’t know.” Considering what the Larks have already achieved so far in the short history of our local industry, it will be exciting to see where the new generation of the family takes Tasmanian whisky making next.

★★★★

Kristy BL pic WW

The Whisky Waffle boys with Killara distiller Kristy and her husband Joe

Hellyers Road 15 Year Old

Reviewed by: Nick

hellyers road 15 year old

Since the dawn of Whisky Waffle (way back in the dark ages of 2014) the Tasmanian whisky scene has completely blown up. I don’t mean that Bill Lark dropped a lit cigar in a bond store, I mean that it has taken the world by storm, impressing whisky critics and Jim Murray alike with its creativity, it’s unique flavour and it’s hard-to-buy-ness. The Tassie distilleries have largely achieved this by sticking to the Bill Lark model, using similar stills, grains, yeasts and cuts to those used by the man himself upon returning from his fishing trip. Except, from almost the beginning, there has always been an outlier; one distillery with a flavour profile sticking out like a delicious sore thumb.

That distillery is Hellyers Road from Tasmania’s north west. While many Tassie establishments chase the big broad zesty orange and caramel notes, Hellyers Road has always been about butter and vanilla and shortbread. While this is not necessarily to everyone’s tastes, most will agree it is certainly different and intriguing. And, upon closer investigation, most Hellyers Road critics have only tried the ‘Original before making up their minds and missed out on trying the stellar older releases.

It is one of those aged bottlings to which I turn my attention today, as Hellyers Road has recently released a 15 Year Old. Whisky Waffle have been pre-emptively excited for the release of this one ever since the arrival of the 12, and head distiller Mark Littler agrees, stating he and the Hellyers team are “very proud of what we have achieved”. I grabbed myself a bottle as a Christmas present in the best self-Santa tradition and have finally got a chance to stop and put my thoughts to digital paper.

I’ll start off by saying that it’s the best core-release Hellyers Road have produced. It takes all the good elements of previous Hellyers bottlings and makes them sexier. The nose is alluring, still buttery but with a fat dose of caramel nuttiness oozed over the top like a Belgian dessert. It’s smooth and slinky across the tongue; the vanilla is now accompanied by ginger and nutmeg, while any rougher notes have been ironed out by the extra years in oak. While the Hellyers Road finish has always had a distinct linger – their whisky is normally bottled at 46% or above – this one is subtler and leaves your palate with a Queen of England-style wave of the hand, rather than an energetic high five.

Claiming that the oldest release from a distillery is the best is truly an unoriginal standpoint and there’s a part of me wishing I could say ‘it’s not bad, but will never match the 10 for me’. But I can’t. This is where Hellyers Road is at in 2019 and I suggest you give it a taste before it runs out. That is, until the 18 Year Old is ready…

★★★★

Abomination, The Crying of the Puma 54%

Reviewed by: Ted

Puma dram WW

Come on, if you stumble across a whisky called Abomination, The Crying of the Puma in a bar, there’s no way you’re not going to try it right? I was catching up with some friends at Melbourne whisky-scene stalwart Boilermaker House and we were checking out their new in-house whisky selection app (it’s pretty cool). Pretty much the first thing I clapped eyes on was the Abomination and I was like, you had me at weeping big cats, yes please.

The Abomination TCOTP is released by indie Californian outfit Lost Spirits Co., who import a blend of 12-18 month old heavily peated Islay-origin spirits then put them through their proprietary reactor technology together with shards of charred American oak soaked in late harvest Reisling… WTF? Apparently Australian Border Force were not exactly keen to let it into the country due to the odd nature of its creation and the fact that it’s kinda not really whisky. Like it’s Australian contemporary Deviant Distillery, it’s more of a malt spirit.

The colour of the Abomination TCOTP is super dark red, almost like the Puma is crying blood. The bottle claims no added colouring, so perhaps the ‘redonkulous’ colour is an artefact of the reactor process and the addition of the charred stave shards.

The nose is like a classic 1970’s Holden Sandman – leather, tobacco, salt, a sprinkling of pot pourri on the dash and killer heat rising off the seats. The heady mix is sweet, fruity and smoky, with raisins, apricots, candied orange, cashews, rose petals, an earthy peatiness and so much salt. Oh that sharp, bright salt.

The flavour is like eating raisins in a pool next to the beach in the tropics while a driftwood bonfire burns nearby. The palate is sweet and ashy, with dark honey, peaches and melon and a decent punch thanks to the 54% strength, although the mid-palate is somewhat lacking. The finish is looong and satisfying.

The sweet, peaty flavours are really interesting, and put me in mind of a combination of Ardbrg, Laphroaig, Bunnahabhain and Caol Ila (who knows, I could even be on the money). The Reisling is definitely an out there finishing choice and adds a quirky fruitiness into the mix.

Look, I know it ain’t really whisky and that it was made using dark, heathen technology, but the Abomination TCOTP is great! The rich, punchy flavours working with that salty peat are actually really satisfying, and you totally wouldn’t pick it as being so young straight off. Then again, we do always say that peat does good things with young whisky. If you want to try something that is crazy and different and has a name that sounds like a part of dark Aztec creation story, Abomination, The Crying of the Puma is definitely worth checking out.

★★★

Ted sniffer

Collingwood Toasted Maplewood Stave Finish

Reviewed by: Nick

Collingwood Maple WW

We’ve all been there – at a bottleshop casually perusing the shelves with no intention to buy anything – until one peculiar bottle catches your eye and you end up leaving the shop with a bulging brown paper bag conspicuously tucked under your arm. Upon arriving home, you crack open the bottle, not expecting anything special, and then have your mind blown by this amazing but random whisky you’ve picked up.

This was emphatically NOT the case when I purchased the Collingwood Toasted Maplewood Stave Finish Blended Canadian Whisky (I’m officially NEVER referring to it by its full name ever again, you’ll be pleased to know). My story began in identical circumstances and continued in line with the above story, until the moment that it touched my lips. At this point my path diverged and I discovered I had purchased a bit of a clunker.

It’s a nice colour, I’ll give it that. This might be due to it’s finishing process which sees the spirit spend time in barrels (at least partially) made from not oak, but from Maplewood. Unfortunately, this is also the single biggest factor in the unpleasant flavours on display.

The nose is a hit of sweet rye, accompanied by hints of, you guessed it, maple syrup. The palate follows this path with a sickly sweet cinnamon flavour which is particularly unpleasant in a, dare I say it, Fireball sort of way. The finish is limp and lifeless with only the tangy syrup notes remaining.

I’m aware my tasting notes don’t read particularly well, but I have a feeling I’m being exceedingly scathing as this is far from my kind of whisky. However, eagle-eyed readers (as well as not-so-eagle-eyed readers, to be fair – it’s pretty obvious) will spot that my bottle is very nearly empty. I found a solution – while I didn’t go much on it as a sipper, I found it made a mean Old Fashioned. Handy tip that, people; if you ever buy a bottle on a whim and discover it’s actually a bit rubbish, then there’s always a cocktail out there to spare your blushes.

An evening with Laphroaig’s Dan Woolley

Posted by: Nick

Laphroaig Dinner 1

Dan Woolley only drinks whisky. Not beer, not wine, not vodka. Not even crème de menthe. Some would say he’s obsessed – himself included. His wife made him choose between her and whisky. He’s happily single now.

There is one whisky, however, that he obsesses over above all others: Laphroaig. He is one of the top brand ambassadors for Islay’s peated behemoth and I count myself enormously lucky to have spent an evening in his company as he talked us through seven (yes! Seven!) different drams of Laphroaig. While the majority of guests were enamoured by the smoky sensations in their glasses, not everyone was convinced. This is a fact Laphroaig have not only come to terms with but embraced, forming the theme of the dinner: Opinions. As Dan said: “if we all liked the same thing we’d all be drinking vodka lime and soda and I’d have killed myself a long time ago.”

Laphroaig Dinner 2

The Central in Devonport put on a fabulous event with many amazing courses all created from local ingredients. In particular the natural Spring Bay oysters went down a treat – particularly with a dash of Laphroaig Select cask dribbled on top.

The Select Cask was up first – an entry level for sure – but while sipping it I learned about the fascinating range of casks that went into creating it. A Whisky Waffle favourite was up next, the Quarter Cask, a whisky which spends the final nine months of its gestation in 100L barrels like a chain smoking baby.

Laphroaig Dinner 3

It wouldn’t be a Laphroaig night without the highest selling peated whisky on the planet: the 10 Year Old. Made to an “old family recipe” it packed the required peaty punch and is the ever faithful “backbone” of the Laphroaig flavour. Next up was Dan’s favourite, the Triple Wood. It was sweeter and fruitier than those that went before thanks to two years spent in Spanish Oloroso barrels.

Dan then laid down the Lore, a dram he described as their most ambitious whisky yet. Distillery manager John Campbell attempted to create a bottle of Laphroaig that tasted like what was offered 200 years ago. I can’t vouch for its accuracy, but it was certainly one of the tastiest and smokiest of the night. In the words of Dan, “it makes Port Ellen taste like Johnny Walker Red”.

Laphroaig Dinner 4

The final two drops were particularly special – made even more so by the lack of availability worldwide. Drinking the 18 Year Old and 25 Year Old was a weird experience as by this end of the night my palate had stopped noticing the peat in each dram and I was discovering subtle and nuanced flavours underneath. The 18 was lighter and mysterious, like chasing a nymph through an enchanted wood. The 25 was a Laphroaig dessert whisky – strawberries, white chocolate, whipped cream and other naughty indulgences. The peat was hidden away at the back of the palate and made me wish I could repeat the tasting the next day but in reverse order.

The night concluded in a truly memorable fashion, as every participant in the dinner was presented with a customised Laphroaig bottle to take away. Mine was particularly appropriate considering the tasting notes found within this very article. Dan graciously added his signature to the unique bottle, along with this piece of wisdom: “Do you know what the best whisky in the world is? Free whisky.”

Laphroaig Dinner 5

It was an educational and enjoyable evening, capped with a rousing toast which I can’t help but repeat: “LONG LIVE LAPHROAIG!”

Aultmore of the Foggie Moss 12 Year Old

Reviewed by: Ted

Maker:S,Date:2017-9-13,Ver:6,Lens:Kan03,Act:Lar02,E-Y

As romantic sounding Scotch Whisky names go, Aultmore of the Foggie Moss is definitely up there. You can almost feel the mist swirling around your body as you tread through a Scottish fen on a cool autumn morning.

In fact, the whole distillery is shrouded in an air of mystery, with its locale outside Keith (not a particularly romantic name admittedly) in Banffshire historically being the haunt of smugglers (at least according to the bottle and you can always trust marketing guff right?).

Founded in 1895 by Alexander Edward, owner of the Benrinnes distillery, Aultmore has had a tumultuous history, changing owners and being mothballed several times. For many years Aultmore production was used exclusively in blends, with only the occasional distillery release to excite collectors (apparently if you befriended the right people you could get a wee dram at the local pub too).

In more recent years Aultmore was purchased by Bacardi and placed under the stewardship of its subsidiary Dewars, who had actually previously owned the distillery for a short time during the 20s. In 2014 Dewars released ‘The Last Great Malts’ range, featuring distilleries used in their blends, including Aultmore (I suspect other brands may have a different opinion about Dewars owning the ‘last great malts’ however).

Typical of a Speyside dram, the 12 Year Old is a light gold/straw colour, while the 46% ABV strength is a nice surprise. The nose is light and sweet, with an abundance of grain, apples, grass, honey, lemon and a hint of polished steel at the end.

The flavour is bright and sharp, sparkling around the mouth, initially sweet before transitioning to dry at the end. Timber, grain, spice and lemon grass race across the tongue, while the finish is like Tom Yum soup, hot, sweet and sour all at once.

Thankfully, the experience isn’t like a puff of mist evaporating in the morning sun like some other exclusively bourbon-casked whiskies, with the delicate flavours given some much-needed depth by the higher bottling strength. If you’re looking for a decent drop that really embodies that light, floral Speyside style, then the Aultmore of the Foggie Moss 12 Year Old delivers just that.

★★★