Whisky Waffle

Thus Spake Jim Murray – 2018: A Whisky Bible

Posted by: Ted

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Daaah…. daaah…. daaah………. DA DAAAAAAHHHHH!!!!!!!!!!! bom bom bom bom bom bom…

Sunlight oozed slowly across the darkling plain and up the face of the towering monolith. It’s surface was like the purest of amber and there was a strange feeling of energy surrounding it. A group of primitive whisky writers, bloggers and critics lounged and tousled nearby, random, semi-intelligible cries like ‘bold coastal flavours’, ‘herbal undertones’ and ‘it has notes of sour plums’ punctuating the air.

One of the bloggers suddenly whipped his head up and stared intently at the monolith, before hesitantly creeping towards it. His companions quietened, the fibres of their tweed vests glinting in the sunlight as they watched their brother’s progress. The blogger halted nervously at the base of the monolith and carefully stretched up his hand toward the surface.

As soon as the blogger’s fingers brushed the unnaturally smooth amber surface, images poured into his mind, burning like distilled fire. Strange bulbous glassware… odd metal cylinders plunging into barrels to feed off their liquid hearts… infinitely high stacks of experimental casks with cryptic names like ‘gaja barolo’, ‘tokay’ and ‘sauternes’… fractal distillers endlessly chanting ‘Phenol quercus lacotone alba aldehyde robur’… towering columns of smoke that reeked of the sea… a tumultuous barrage other images too hard to describe, let alone understand.

Finally the terrible visage of a golden-eyed god appeared, his corona of white hair crowned by a panama hat. The god spoke, terrible, thunderous tones lancing into the mind of the blogger:

“Behold, these three releases shall be the best whiskies on earth in 2018:

1.Colonel E.H. Taylor Four Grain Bourbon

Winner2. Redbreast 21 Year Old

Second winner3. Glen Grant 18 Year Old

Third winner

This is the decree of Jim Murray, heed it and remember.”

Suddenly the raging tempest of images assaulting the blogger stopped, like the fabric of the universe had been sundered by a knife. As he withdrew his hand he felt a sudden feeling of purpose, a clarity of mind that pierced to the very centre of his spirit. He swung around and stalked with intent towards the biggest critic in the group, who was pontificating forcefully that ‘while other styles have certain merits, it is the sheer complexity derived from its long and rich history that elevates Scotch above all other forms.’

Daaah…. daaah…. daaahhh…. Ba BAAAAAAHHHH!!!!!! bom bom bom bom bom bom…

With a wild cry of ‘Bourbon is the new king!’, the blogger struck the critic a terrible blow and smote him to the ground, while the other wordsmiths hammered on their keyboards, hooting and gibbering in excitement. The blogger stood panting for a moment, then turned and strode away from the great amber monolith, his companions trailing behind their new leader, a sudden sweet, rich, punchy sensation pervading their minds.

Finally, the only thing left in the dying light was the monolith, the mysterious energy surrounding it holding a sensation of waiting, of expectation and anticipation, like somehow it knew that one day this would all happen again…

Fin

(To find out Jim Murray’s other decrees for his 2018 Whisky Bible, head over to The Whisky Exchange blog)

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“We’ve never claimed they’re going to taste the same”: A musing on single barrel releases

Posted by: Ted

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I am sitting on a comfy leather chair in a cosy private tasting room. I have just tasted some whisky. Actually, it’s the second glass I have tried and I am feeling a mixture of surprise, curiosity and intrigue – not in a bad way mind you, I’ve just been caught a bit off guard. I put down my glass on the table which is crafted from half a 100L barrel and glance to my left at Nick. He raises his eyebrows, his expression reflecting my own inner turmoil. I turn to face our host, Fred, who flashes a broad smile and comments “We’ve never claimed they’re going to taste the same.”

To provide some more context, we were visiting Sullivans Cove Distillery in southern Tasmania. We had been invited down as part of Tasmanian Whisky Week 2017 to meet with Fred Siggins, Strategy Manager for Sullivans Cove, and tour their facility. After exploring the distillery Fred had invited us to sit down try some of their releases, where this particular story picks up.

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The reason for our intrigue was that we had just tried two glasses of the Sullivans Cove American Oak Cask (that’s the one with the black label for those who are interested). “And? What’s so weird about that?” I hear you ask. The funny thing was, despite being the same expression, the first glass had tasted very different to the second. The secret to the trick was that the drams had been poured from two different bottles, which in turn had been filled from two different barrels.

When we think about whisky (ie Scotch), we tend to think about consistency. For instance, I might buy a bottle of, say, Balvenie 12 Year Old and really like it. The next time I buy a bottle, I expect it to taste exactly the same as the first one. I am buying it based on a particular flavour profile that represents that expression. The problem for distilleries is that natural variation occurs between whisky barrels for all sorts of reasons, meaning that even if you start with exactly the same spirit and barrel variety, the end product will be slightly different. To get around this, the master distiller will mix (or ‘marry’) different barrels together in a tank (‘vatting’) until they achieve the particular flavour profile they are after. It must be pretty stressful trying to hit that same mark every time.

Sullivans Cove, like other Tasmanian distilleries, goes in completely the opposite direction. Consistent flavour profile be damned, let’s keep everyone on their toes by doing single barrel releases (excluding their Double Cask expression, which is a marriage of American and French oak)! Instead of vatting together a whole range of barrels, once a particular cask is determined to have reached optimal maturity it is decanted and bottled.

As we’ve already discussed though, the result of this approach is that any variations between barrels are laid wide open. Its not just down to the barrels either – thanks to the design of the Sullivans Cove still, which has a stainless steel bowl and a negative lyne arm, the relatively low copper contact means that the resulting spirit is big and meaty and full of character, which carries through into the final product. The ‘ready-when-it’s-done’ philosophy also means that each successive release will vary in age.

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Hence why when it came to the tasting, Fred had provided two bottles each of the American Oak and French Oak expressions, each representing a different barrel. Very handily, Sullivans Cove actually include the origin barrel on the side of the bottle, so you can tell exactly what you’re drinking.

Stepping up to the mark for team American Oak were barrels HH603 (16yo) and TD0056 (12yo), both bottled at 47.5%. On the nose HH603 had notes of aged apples, leatherwood honey, timber, beeswax and a rich bourbon characteristic running underneath. The palate was oaky and nutty, with a finish of oranges. In contrast TD0056 was slightly marine in nature, with a certain fresh, salty, fishy characteristic, mingled with notes of lavender and wood dust. The palate was grainy and bright, with flavours of pear, strawberries and coriander.

Vying for supremacy on team French Oak were barrels TD117 (11yo) and HH400 (15yo), also at 47.5%. TD117 was smooth and refined, with hints of chocolate, raisins and a whisper of sandalwood. The palate had a good chewy mouthfeel and left a dryness on the finish. In comparison HH400 was rich and luxurious, oozing white chocolate, peach, vanilla cake, ginger and leather. The mouth was fat and filling initially, then tapering off to a gentle finish with a nice linger.

Of course, we weren’t naive to the potential for this difference in flavour. We hear things, man, we’re down with the whisky geeks. We’ve had Sullivans Cove plenty of times before… but only in isolation. We’d never sampled different bottlings next to each other like that. It’s not like the bottles were from entirely different planets, there was still a certain Sullivans Cove-ness running through them all, but it really opens your eyes to how much variation can exist between barrels.

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Some people may be a bit put off by this approach or feel a bit cheated. “This isn’t what I had last time!?” “But I wanted barrel HH525!” they’ll huff. I on the other hand tend to think it keeps things fresh and interesting. Heck, there’s hundreds of whiskies in the world that will keep doing the same old thing every time, so it’s good to have something a bit challenging once in a while. Fred agrees: “I couldn’t imagine working at a distillery where I had to taste and talk about the same thing day in, day out. I’d get bored! The awesome thing with Sullivans Cove is that every time we do a bottling it’s going to be a new experience.”

 

Catto’s Blended Scotch Whisky

Reviewed by: Nick

Catto's Blended Scotch

I’m not going to lie to you, fellow Wafflers. I bought this bottle of distinctly bottom-shelf blended scotch for numerous reasons – none of which concerned actually drinking the whisky. Firstly, it was the most Aussie sounding bottle I’ve ever seen (try saying it in an Australian accent – it’s very satisfying); secondly, you can’t look past a $30 price tag; and lastly because there was a sick masochistic part of me hoping I could label it the ‘worst whisky in the world’!

I was left rather disappointed. For the first time in my life I was disappointed that a whisky was better than I had thought. Instead of being completely putrid, it was merely rather awful.

Sweet honeyed notes accompany the alcohol burn on the nose while vanilla toffee struggles to break through. The palate is rough; spicy and leafy with flavours of barley sugar amid the burn. The finish is unpleasant and too long for my liking with a lingering sweetness that I found myself longing for it to dissipate.

There you have it folks. Who would have thought, a blend called Catto’s is simply dreadful rather than being soul-destroyingly disgusting. And despite all my criticism and complaining, if you have a look at the photo, you’ll see the bottle is nearly empty. Sometimes a bit of rubbish bottom shelf is exactly what you need.

Deviant Distillery: this is not whisky

Posted by: Nick and Ted

Launch poster

Deviant (diːvɪənt): departing from usual or accepted standards

John Hyslop would like it to be known that he has not set out to destroy the Tasmanian whisky industry. In fact he is a big fan of Tasmanian whisky, having worked for a year at a well known Tasmanian distillery, and he respects the craftsmanship and skill that goes into its creation. However, he felt that he couldn’t look past the environmental impacts of the traditional method of producing whisky and so he set out to find a solution.

Drawing on his background as an industrial chemist, John has developed a truly envelope pushing method to create his product. In fact, a fully mature bottle of spirit from Deviant can be made in just 10 weeks… wait, what? 10 weeks you say? But surely that means it’s not legally whisky?

That’s right, it’s not whisky, which in Australia must be aged under oak for a minimum of two years. John makes no bones about this fact, with even the Deviant labels announcing ‘This is not whisky’ in bright lettering. It is not his aim or intention to pass off his product as a corner-cutting Tasmanian whisky, instead he is looking to create an entirely new product. Based on its strictly legal definition, he has elected to call it a ‘Single Malt Spirit’.

That’s not to say that it tastes completely different to an aged whisky. The spirit actually starts life in much the same way as a traditional whisky does, however John then uses the technology that he has developed to rapidly mature the product to a point where it shares many of the characteristics of an aged dram.

The benefit of this process is the efficiency and the lack of waste produced. John is very ethically driven and claims that his method can make 150-200% of the product in 2% of the time with less than 10% of the waste compared to many distilleries. It is his hope in the future to make Deviant carbon neutral, utilising technologies such as solar and bio-energy, converting waste into fertiliser and purchasing carbon credits to offset any shortfalls.

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One of the other advantages of his process is that he can release product at a much lower price point and rapidly expand into new markets. He acknowledges that there will always be a place for premium barrel aged whisky and he is not looking to displace that. Instead he is aiming to capture those who are potentially put off by the relatively high price point of whisky and produce a bottle of Tasmanian spirit that the average consumer does not have to save up for, a point which he feels will particularly appeal to the 24-36 year old demographic.

Naturally Deviant has ruffled a few feathers in the Tasmanian whisky industry and even we Wafflers have our reservations about how the process will affect our beloved whisky scene. When it comes down to it, what will really make or break ‘Single Malt Spirit’ is the taste. Regardless of how ethically the spirit is produced compared to traditional whisky making, if it fails to capture the interest of the market then it will go down in history as just another failed experiment. Having said that, the technology could also succeed and go on to provide an interesting new option for consumers.

The only real way to find out what Single Malt Spirit is like is to try some. Fortunately Deviant Distillery is launching its product next Saturday night at The Chapel in Burnie. The evening will include four tastings of various Deviant products, behind-the-scene knowledge from John and witty banter from the Whisky Waffle boys (that’s us!)

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Tickets are $20 and are available at: www.trybooking.com/RWJC, but hurry, spaces are limited.

Spending Time at Sullivans Cove

Posted by: Nick

Sullivans Cove Whisky Waffle 1

If you’ve only heard of one Tasmanian distillery, chances are that distillery is Sullivans Cove. Based in Hobart and formerly known as Tasmania Distillery, this founding father of Tassie whisky has a chequered and yet ultimately inspiring past and, as we Waffle boys discovered when we visited their site recently, an extremely promising future.

Sullivans Cove is one of Tasmania’s most visitor-friendly distilleries. The viewing platform looking out across the bond store is a proper money-shot (see above!) and in keeping with the establishment’s status as Tassie’s poster-child distillery. This honour was thrust upon Sullivans Cove in 2014 when a bottle of their French Oak Cask won the prestigious World’s Best Single Malt at the World Whiskies Awards and changed the face of Tasmanian whisky forever. But as our generous host, Strategy Manager Fred Siggins, was keen to point out, there is so much more to Sullivans Cove than barrel HH525.

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Consistency in flavour is a difficult task for the fledgling Australian whisky scene. Due to the size of the industry (or rather the lack thereof) most releases are the product of one barrel and therefore the flavours vary from bottle to bottle. While some distilleries choose to conveniently sweep this issue under the carpet, Sullivans Cove embrace it, hand labelling each bottle with a sticker informing the purchaser exactly which cask or casks are contained within. The result is that a dram of one French or American Oak bottling will be unlikely to taste identical to a previous one.

While this approach ensures Fred is continually explaining to customers why their new bottle tastes slightly different to their old one, it also forms one of the most exciting aspects of the distillery. During our visit we were lucky enough to sample not one, but two of the French and American Oak expressions. Had they not featured the distinctive blue and black labels we may not have picked them as the same bottling.

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In each case one dram was smooth and easy drinking and the other vibrant, fresh and zingy. Excitingly, we could not work out which of each we considered to be the better drop – instead deciding that we would prefer one over the other depending on the mood we were in. Fred agreed and recommended that Sullivans Cove customers leave a small amount in one bottle before opening the next, to really appreciate the difference.

The other exciting aspect of the distillery is the age of the whisky in the bond store – and in their bottles. Sullivans Cove head distiller Patrick Maguire has been creating whisky since taking over the company in 1999 and giving it a much-needed new lease on life in the process. This means that some of the barrels are now pushing 18 years old, an incredible age for an Australian spirit.

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Both the French and American Oak releases are usually aged for anywhere between 10 and 17 years while the entry level Double Cask release, a marriage of 2 to 4 American Oak barrels and one French Oak barrel, contains a cross section of particularly mature whisky, unheard of in any other Tasmanian release.

The only drawback of this premium method of whisky creation is the premium price. Sullivans Cove make no bones though about the fact that they make a premium product and are not looking to change that any time soon. Fred did point out, however, that there is a lot of new Australian whisky coming into the market currently demanding a similar (or greater) price to the Sullivans Cove Double Cask. While this new stock is exciting, the whisky is likely to only be 2 to 3 years old. When compared with the potentially 17 year old whisky found in the Double Cask, it really paints the Sullivans Cove price point in a positive light.

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Sullivans Cove is now one of the most recognisable brands in the New World spirits scene, an achievement which is a true testament to the work put in by Patrick Maguire all those years ago. For a very long time, his whisky creation was a labour of love, an unprofitable venture fuelled by passion rather than profit. The rules have now changed, however, and currently there are over twenty distilleries in operation in Tasmania – with more on the way. It is certainly no overstatement to say that this reality may not have come to be if not for Sullivans Cove Distillery.

Sullivans Cove will be open for tours seven days a week, starting in September! Tours depart hourly and can be booked at the Sullivans Cove site.

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Ardbeg add An Oa to the Family

Posted by: Nick

Ardbeg An Oa Whisky Waffle

We’re big Ardbeg fans here at Whisky Waffle so you can image the look on our excited little faces upon hearing the announcement that our equal favourite Ileach distillery is adding a brand spanking new release to its core range. Joining the ever reliable 10 Year Old, the bonfire-in-your-mouth Corryvreckan and the serious contender for world’s best dram Uigeadail will be the An Oa.

Similarly to the other two impossible to spell bottlings, the An Oa is named after a local landmark, in this case the Mull of Oa, a peninsula in the island’s south famous for the iconic (and possibly a little bit phallic) American Monument. The biggest mystery, apart from the pronunciation, is what will this new release taste like?

Early indications suggest it may be lighter on the peat that other Ardbeg bottlings. The distillery describes it as being “singularly rounded whose smoky intensity is softened by a delectable smooth sweetness”. Rounded is probably a good call when you consider the An Oa is a vatting of a vast array of barrel and char types (basically whatever Dr Bill Lumsden has floating around in his back room) married together in Ardbeg’s intriguing sounding Gathering Room.

The other mystery, of course, is why? Ardbeg are famous for putting out more bottlings than any blogger can keep up with while remaining relatively sober. And yet here comes another one. We can only hope that it doesn’t spell the end of the Corry or the Oogie or push their price to unobtainable extremes. Although perhaps these fears are unfounded and the An Oa will prove to be a worthy addition to the range. After all, we can never have too much Ardbeg, can we?*

Find out more about the An Oa at the Ardbeg website.

*This question is rhetorical. Of course we can’t.

 

Waffling at Southern Wild: Tas Whisky Week comes to the North West

Posted by: Nick and Ted

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Who’d have thought 25 years ago that Tasmania would have over 20 distilleries and an entire week dedicated to whisky made in Australia’s southern-most state. Yet here we are in 2017, bearing down fast on nine days worth of events celebrating the art and craft of the Tasmanian distilling scene, with a host of tastings, tours and talks (not to mention lavish, decadent dinners) featuring the folk responsible for crafting Tasmania’s fine cask-aged grain spirits.

However, up here on the North-West Coast, we can’t help but feel a little left out. Tasmania is nothing if not parochial, with most events being held in Hobart and a few in Launceston. Even the dinner run by Burnie’s very own Hellyer’s Road Distillery is being held just outside Launnie.

Luckily, on Thursday the 10th of August, Devonport’s Southern Wild Distillery is stepping up to bring Tasmanian Whisky Week 2017 to the good, whisky loving folk of the North West. Rather excitingly for us, they asked the Tasmanian whisky blogging scene’s answer to Hamish and Andy to host their event (that’s us!).

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This photo is like ‘Where’s Wally’ for Wafflers

Southern Wild, founded by local lad George Burgess, may seem an incongruous venue for TWW’s first NW event, seeing as they are yet to release their own whisky. However, rather than being held back by this fact, Southern Wild have chosen to embrace it as the theme, entitling the event ‘The Birth of Tasmanian Whisky’.

Guests will be guided through a tasting of some of Tasmania’s most renowned drams, led by the witty banter of the Whisky Waffle lads and the industry know-how of George. Each whisky will be expertly paired with gourmet cheese provided by local fromager Euan Wiseman from the Devonport Hill Street Grocer. Additionally, guests will also be provided with two whisky-based cocktails and platters of canapés and light nibbles.

The mouth-watering whisky line-up for the evening will feature Lark Classic Cask, Sullivans Cove new-make spirit and Sullivans Cove Double Cask, Belgrove new-make spirit and Belgrove 100% Rye, and Hellyers Road Peated.

The event promises to be an unforgettable evening, full of laughter, fellowship, conviviality and most importantly of all, whisky (waffle?). Of course, these evenings don’t happen unless there are people coming along to support, so please help us to make it a roaring success and show the rest of the state that the North West coast is just as passionate about whisky as them.

See you there.

Tickets are available at: http://taswhiskyweek.com/events/southern-wild-distillery/

SW 6 Whisky Waffle

Bushmills 10 Year Old

Reviewed by: Nick

Bushmills 10 Year Old

The truth behind the murky origins of whisky varies depending on one simple factor: whether you are Scottish or Irish. While the heartland of the water of life will always be Scotland, the Irish have an equally legitimate claim as to the creation of the spirit.

Ireland’s ace up its sleeve is Bushmills Distillery, by some accounts the world’s oldest (legal) distillery. Bushmills in Northern Ireland was founded in 1608 when they were granted a license to distil by King James I (or VI, again depending whether or not you are Scottish). While they have not been open continuously all this time, they have produced whiskey for a large chunk of it.

Unlike other (and by other I mean cheaper) Bushmills expressions which blend their whisky with grain spirit from Midleton, the Bushmills 10 Year Old is a single malt, distilled three times, as is the tradition in Ireland. This creates a gentle, easy drinking dram which, while bordering on unexciting, is far from uninspiring.

The nose is delicate with light notes of oranges and mandarins. There are stewed apples to be found, and shoe polish, also light and gentle. The palate is not as delicate as the nose, with the oranges making a bold return alongside strong woody notes which give the impression of old floorboards. The finish is spicy with lingering notes of custard and leather. This is an interestingly balanced whiskey – too light to scare anyone away, but with enough depth to keep it interesting.

So who do I believe? Which country was it that created this wonderful spirit? Simple. It depends if I’m talking to an Irishman or a Scotsman!

★★★

Hakushu Distillers Reserve

Reviewed by: Ted

Hakushu Distillers Edition

It can be a tricky and expensive task getting hold of age-statement Japanese whisky these days. If you’ve been paying attention to global whisky trends over the last five years-or-so, then you’ll know that Japanese whisky has been bang on-point and very much in demand by the smart set. The boom in sales, both locally and overseas, and a slight lack of foresight around barrel management has seen distillery stocks dwindle, so much so that that the two major players, Suntory and Nikka, have had to temporarily discontinue certain aged releases from their distilleries.

Naturally, the shortage in stocks has caused prices to skyrocket. I mean, just the other week I had the opportunity to buy a Yamazaki 50yo 3rd Edition 2011 Release for the low, low price of $157,763.99USD (I lashed out and got three)! Now, admittedly that is a bit of an outlier on the super-premium end of the scale, but even 12yo releases (if you can find them) are generally no less than $150AUD and more often than not well over $200.

So what does a common-or-garden whisky drinker do if you want to own a Japanese whisky without having to count your kidneys? Well, as it happens, there is an answer. These days most Japanese distilleries offer a Non Age Statement release of their product. While superficially a marketing device, the NAS releases are actually crucial for the ongoing survival of the distilleries, allowing continued market access by marrying dwindling older barrels with younger stock coming online.

An example of this is the Hakushu Distiller’s Reserve. While you can still find the 12yo for around $180, the distillers edition is available for a far more wallet pleasing $110. Located NW of Tokyo near Hokuto, an unusual feature of the Suntory owned Hakushu is that it boasts a bird sanctuary within its leafy grounds at the base of Mt Kaikomagatake in the Southern Japanese Alps.

Apparently the Hakushu Distiller’s Reserve marries younger lightly peated malt and heavily peated malt around the 8yo mark with American oak-aged spirit of around 18yo. Or so the internet, repository of all things, tells me; you certainly wouldn’t pick it as being peated if you tried it blind.

On the nose the Distiller’s Reserve is bright, fresh and zingy, delivering a satisfying bouquet of crunchy green apples, sour plum, lemon grass, mint and citrus (Yuzu if you want to get technical according to Hakushu). The scent is clean and light, like a crisply pressed kimono, although after a bit of breathing time it develops a softer, creamy edge.

On the palate the spirit is sharp, clean and metallic, like a samurai sword across the tongue, and delivers a hit of hard, sour stone fruits and a twist of lemon rind. The finish is lingering and herbal, with perhaps a touch of green tea. Couldn’t find that smoke though I’m afraid, although to be honest, with the flavour profile presented by the Distiller’s Reserve I didn’t miss it either.

People quite often get a bit salty about the concept of NAS releases, considering them to be inferior to age statement releases (often without real justification… although sometimes merited for sure, but we won’t go into that particular Reserve here). I am pleased to say however, that in this case the NAS epithet is not a negative one.

But that’s what the Japanese do isn’t it? They take a thing, study it with care and then make not just a copy, but something that is even better than the original. Which is lucky really seeing as the Distiller’s Reserve will be about all we can reasonably get our hands on from Hakushu for the foreseeable future. In conclusion, if you want to see a NAS done right, then look no further than the Hakushu Distiller’s Reserve.

★★★

Whisky Waffle to Waffle around the world

Posted by: Nick and Ted

Whisky Waffle Around the World

Well we like it we like it we like it we like it we la la la like it. La la la like it. Here we go-oooh! We’re Waffling around the world!

After the roaring success that was our tour of Scotland, we’ve decided to jump on a big old jet airliner and go global.

Our next Waffle Night will occur on the 22nd of July and once again be held at Burnie’s best cafe and whisky tasting venue: The Chapel. We will be sampling whisky (and whiskey) from various exotic countries around the world… and America.

The night will cost $35 and this covers light nibbles, as well as six drams of whisky from different countries. Judging by past events, tickets will sell out fast, so book your place by visiting: www.trybooking.com/QYYZ

What: Whisky Waffle’s World Tour: Wafflin’ Around the World

When: Saturday the 22nd of July at 7.30pm

Where: The Chapel, Burnie

Why: because whisky is good

Who: you guys!

How much: $35 for 6 drams and light food

So giddy up and giddy up and get away. We’re getting Waffly in the best kind of way. Here we go-oooh! We’re Waffling around the world!

Book now!