Month: September 2019

Glenfiddich Experimental Series #04: Fire & Cane 43%

Reviewed by: Ted

While it may hold the title of best selling single malt in the world, Glenfiddich can also be pretty divisive. I think that people tend to fall into one of five broad camps:

  1. People who don’t know any better and for whom single malt = Glenfiddich (this is what they get if they want to be posh and step up from the Johnnie Walker). Products of William Grant & Sons’ decades of advertising or ‘Mad Men’ fans, they will definitely ask for it served on the rocks.
  2. Fence sitters who don’t really care one way or the other. Would probably drink with coke if you let them (Philistines).
  3. Mad haters who loathe Glenfid because it’s ‘big whisky’ and ‘such a cliche’. Probably wears a moustache and likes single origin American ryes that you’ve never heard of or underground independent release.
  4. Tourists, because when in Scotland, the UK… (“Waidammit, hey honey, is Scotland in the Ewe-naa’ded Kingdom?” “Ah honestly don’t know Earl, is that the same as Enga-land?” Scots: “Not for long if we can help it!” #brexit #bullshit #freedom!)
  5. People who genuinely like Glenfiddich and recognise that while they might be a cliche, they actually make some pretty decent drams. Are probably fans of the 18yo, have eyed off an Age of Discovery in duty free and will half-heartedly defend the 12yo against the haters.

I definitely fall into the latter category and in addition to the above, I also like to keep an eye on what’s going on outside of the core range. In recent years Glenfid have been releasing what they have dubbed their ‘Experimental Series’, which they claim to be ‘game changing’ and ‘ground breaking’ (as mentioned previously, they’re also quite good with the marketing guff).

Once you get past the superlatives, the Experimental Series is all about interesting finishes, barrel combinations and playfulness. Brain child of Master Malter Brian Kinsman, past alumni include the IPA Experiment (of which I own a bottle and really must get around to reviewing), Project XX v1&2 and Winter Storm. The most recent release, #4, is called Fire & Cane and it’s a dram that is blatantly provocative.

Why? Because it says it right there on the bottle: “Fire & Cane – the whisky that will divide you”. Glenfid claims the reason for this is the two warring flavour profiles in the spirit, which splits people into two distinct camps, much like the great blue/gold dress debate of 2015 (just so you know, it was definitely blue, so there).

Team Fire: unusually for a Glenfid, the Fire & Cane is smoky (a fact you probably guessed from the name), a vatting of peated whisky and malts aged in ex-bourbon casks. Glenfid uses Highland peat in this, giving it a softer, friendlier profile than the medicinal/elemental Island peats.

Team Cane: What do you make out of cane? Wicker chairs of course! Oh, and rum. To give the release a big, sweet and spicy kick, Mr Kinsman used a variety of rum casks sourced from across South America to finish off the spirit for three months, thus creating the coal-ramel slice that is the Fire & Cane.

Glenfiddich are so conviced that people either taste the smoke or the sweet that they actually provide two sets of tasting notes with the bottle, offering you a choice depending on which side you fall. So where do I fall?

The nose is a suprisingly complex melange of tropical fruits like pineapple, guava, feijoa, papaya and banana, as well as caramel, straw and hot metal. That Highland peat is not really present as smokiness (“Toto, I’ve a feeling we’re not on Islay anymore”), but more of a savoury note that sits underneath the fruit. It’s kind of like a fresh fruit salsa on some smoky BBQ Caribbean jerk meat.

The peat is much more obvious on the palate, starting off as a tingly, ashy layer with pepper and cured meats before giving way to sharp and sour notes of mead, lemon, and underripe plums. The finish is bright and fairly dry, with a burnt-herb linger and a tickle of orange at the end.

Rather than falling squarely into one camp or the other and staying there like the Glenfid marketing team wants me to, I kind of feel like Harvey Dent/Two-Face flipping his coin. Sometimes I go one way and sometimes I go the other, getting smoky or sweet notes on different tries (whereas if I was Rozencrantz or Guildenstern, I’d be wondering why I kept getting the same flavour every time #obscuremoviereferences).

The Fire & Cane is a really good demonstration of how you can mess around with one of the best known whisky flavour profiles in the world to create something interesting and new. Traditionalists will probably turn their noses up, but for me, I like it. It’s zesty and fresh with a smoky twist and puts me in mind of camping at the beach in the tropics. If you can find a bottle, take a crack and see which side of the fence you fall on.

***

Let us know if you’re #TeamFire or #TeamCane

Signatory Vintage Tormore 1995

Reviewed by: Nick

Tormore sig 2

So, you’ve tried a single malt from every Scottish distillery you can get your grubby little mitts on and are now feeling slightly deflated and wondering what to do next? Good news, the answer is at hand: you can find some independent releases and go around again!

Independent bottlings are a wonderful x-factor in the whisky world – they amuse whisky nerds and confuse whisky noobs in equal measure – from a dusty old ‘Douglas Laing’ bottle right through to some ‘That Boutique-y Whisky Company’ with a comical and yet fitting label. Additionally, they also provide an opportunity to access some of the whisky made at lesser known distilleries; in this instance: Tormore.

Tormore is a vast monolithic-looking distillery a kilometre south of the river Spey, and is known mostly for providing spirit for Chivas-related blends. It was one of the very few distilleries built in the mid-20th century and is tricky to find iterations of outside of duty free. Unless, of course, it’s been independently bottled!

My particular independent bottler is Signatory Vintage, which I know next-to-nothing about – and freely confuse its logo with a bottle of Springbank. It would certainly fail to stand out on a shelf in a bar, which is why I think I have unearthed a bit of a hidden gem.

Stats! Something every whisky nerd can’t live without (no wonder we haven’t handled the transition to NAS releases particularly well)! This bottle of Tormore sat in ex-bourbon hogsheads between 1995 and 2016, making it 20 years old and is a marriage of cask 3907 and 3908. My particular bottle is number 394 and sits at a gentle 43%. And it’s rather tasty.

Tormore sig deets 2

The nose is oozing with sweet caramel alongside barley sugar and stewed figs. It subtly hints at oak, along citrus and melon notes. The palate is as surprising as it is delicious, full of tropical fruit characteristics. Banana stands out the most, as well as creamy vanilla and chopped nuts – it’s basically a banana split in whisky form! The finish is medium in length and gently earthy – not smoky but at least slightly cured – while vanilla custard flavours delicately linger.

This is a lovely little drop; one that perfectly accompanied the Tasmanian summer and BBQs that ensued and if it were not for an independent bottler setting aside a cask here or there, it’s not one many of us would be able to enjoy. So, if you’ve been holding back and sticking to the distillery’s own releases – well, maybe it’s time to give something independent a try.

★★★★

SMWS ‘Waxing a Hot Woodsman’ 1.209 64.9%

Reviewed by: Ted

In terms of independent whisky societies, the Scotch Malt Whisky Society is the tweed wearing, pipe smoking, large-moustache sporting (great?) uncle of the bunch. Thing is, he’s a pretty cool guy. He’s a seasoned raconteur with a house full of exotic artifacts from around the world and family rumour has it that he was a spy during the war. You know that a visit to Uncle SMWS is always going to be an interesting experience.

The SMWS started off as a group of mates chipping in to buy a barrel of Glenfarclas in the late 70s, before morphing into a full-blown membership society open to the public in 1983 with the purchase of their first property, the famous Vaults in Leith, Scotland.

The M.O. of the SMWS is the purchase of single casks from various distilleries in Scotland and around the world, which are then released to members when deemed ready by a tasting panel. The Society generally doesn’t reveal which distillery a particular release came from, instead using a somewhat arcane two-part numbering system on the bottles.

The first number refers to a particular distillery, while the second is the sequential barrel number from that distillery (eg. 5.12 would be distillery no. 5, barrel no. 12 purchased from there by the Society). If you manage to find out what the first number means, then you know what distillery you are drinking. Simple.

Another thing that the SMWS does is give the releases exotic names such as ‘A coal bucket of marshmallows’ or ‘An Orkney beekeeper’s dram’ along with some often rather whimsical tasting notes. Facing down a wall of green SMWS bottles (the sheer range of bottlings is dazzling) can be a daunting task, but the Society helps by adding a stripe of colour to the labels. Each particular colour relates to a certain flavour profile, such as ‘sweet, fruity & mellow’ or ‘light & delicate’, helping you narrow things down depending on your preferences.

I was checking out the range at the Grumpy Piper in Launceston the other night and entirely on a whim decided to go with a dram of ‘Waxing a hot woodsman’ . The bottle number was 1.209, which if you’ve been paying attention means that it’s from barrel 209 from Glenfarclas Distillery. According to the label it was a 7yo aged in ex-bourbon hogsheads and bottled at a zesty 64.9%, with the yellow stripe indicating it was a ‘spicey & dry’ style.

Is it just me or is it getting rather warm in here?

The spice was certainly front and centre on the nose, reeking of cinnamon, clove, corriander seed, spruce and resin, as well as a daub of beeswax and dark honey. Down lower was a slightly bitter herbal complex, with a few sprigs of oregano and thyme, before a fruity finish of unripe apples and pears.

If the nose claimed the cap for Team Spice, then the mouth was on the side of Team Dry. The start was hot and dry, with a sprinkle of that spice, before going bitter and metallically clean through the mid. The finish was a medley of sour, pithy citrus notes that would probably be too astringent for some people. The whole effect put me in mind of something a bit Japanese, maybe Hakshu?

Ok, so, despite what the label claims, this is not Waxing a Hot Woodsman at all. That’s a sticky, messy, painful and distinctly hair(e)raising experience. No, this comes afterwards when he’s supine and exhausted from the ordeal, his skin all smooth and raw. This is the aftershave lotion that you slap on his burning skin, a tonic to make him feel invigorated and alive and ready to handle some wood in a manly way.

The Hot Woodsman is yet another interesting insight into how single barrel, indpendent releases can mess around with the flavours you’ve become familiar with from a particular distillery. I wouldn’t say it’s to everyone’s taste, but that’s all part and parcel of a visit to Uncle SMWS’s place – there’s always something new and strange to discover.

***

You can sign up to the SMWS here, or if you’re in Australia like us, here.

Whisky Waffle Podcast Episode 12

Big news for listeners of the Podcast – we’re bringing back the old episodes! We’re purchased some more upload space and a remastered back-catalogue will be appearing soon! Keep an eye out in the next few weeks and travel back to where it all begun! In the meantime, however, enjoy our latest episode which includes:

– The Waffle, where we discuss our recent experiences throughout Tasmanian Whisky Week;
– The whisky, where we taste our new bottles of Hobart Whisky and Adams Distillery Slosh Cask; and
– Smash, Session or Savour where we are forced to smash drams we’d otherwise savour