Dalwhinnie

Dailuaine Flora & Fauna 16yo 43%

Reviewed by: Nick

Goddammit, Diageo has some hidden gems!

Diageo, for those who don’t know, is the largest spirit producer in the western world. Their whisky makers include heavy hitters such as Lagavulin, Dalwhinnie, Talisker and Caol Ila. However, these ‘classic malts’ only constitute part of their collection – there are a number of other distilleries whose spirit you probably would have only tasted mixed into a dram of Johnnie Walker.

Dailuaine is one such distillery, a Speyside establishment known for its heavily sherried style. While you won’t find it in many mainstream bottle shops, it is not impossible to track down an independently aged version and if you find some hidden upon a dusty shelf, then it is well worth picking up. This particular Flora & Fauna bottling is bottled at 43% after aging for 16 years in ex-oloroso barrels, a maturation that has contributed significantly to its flavour.

On the nose, the taster is immediately presented with the classic fruitcake aromas typical of its cask type. Hints of cinnamon doughnuts follow, alongside fresh fruit such as apples and melon. On the palate there are tangy orange juice flavours alongside buttery shortbread and chocolate coated raisins. The finish is long and chewy with toffee-almonds and a hint of lingering oak.

While Dailuaine may not be the most famous of Diageo’s stable, it proves that there’s a lot of exciting whiskies to try if you stray from the well-worn path. Next time it might be a Strathmill or an Inchgower, or perhaps a Blair Athol or a Mannochmore…

***

Dadwhinnie

Posted by: Ted

It’s my Dad’s birthday today. I suppose this day tends to make me a bit introspective because he died in 2013. Since then I’ve been finding my way through life in certain aspects without the guiding hand of a father, a fact that I regret more as I grow older and one that I didn’t appreciate enough as a callow youth. History and literature warn us of this condition of course, but I suppose it’s hard to understand at the time… and by then it’s too late.

The reason I first started this musing, over breakfast, as you do, was that I was trying to decide what dram would be best to toast to his health tonight (ironic as that is). I’ve mentioned this before, but for some reason I always associate him with Dalwhinnie 15 (whisky-wise at any rate). It’s a bit of a mystery why really, as it’s not like he was a great aficionado of Scotland’s highest distillery.

If anything, I should remember him by the 1L bottles of Johnnie Walker Red he used to keep in the pantry and swore by as a cold remedy. But the whisky snob in me has become jaded against the walking man in the red jacket I think, so while the memory is fond, the desire to imbibe from that particular cup is lacking.

I suppose, getting down to it, I think the real reason I entwine my father and the Dalwhinnie is purely a selfish one – I bought him the bottle. So, is it really a reflection of him, or of me? My own tastes overriding his in my memory?

To mount a defence against myself, the sentiment comes from a place of love. I bought him the bottle when m’colleague and I were first beginning our whisky journey, back before Whisky Waffle was even a thing. Back when we were in a Cold War arms race to impress each other with ever more interesting bottles.

During my teenage years and as a young adult, I had always struggled to talk with my father. I mean in the deep, honest and open sense, sharing the deeper parts of myself with him. We were quite different people, and it didn’t help that I was wrapped up in the arrogance of youth and he tended towards quietude and reserve.

I suspect that with the Dalwhinnie 15, my hope was that here was something that we could enjoy together. I know that I wanted to share my newfound interest with him and to talk with him about it, even though he probably found me slightly pretentious (still am?). The quality of the 15 would have been a good social leveller though. We did enjoy the occasional dram when I was around too, but whether it opened us up I’m not as sure.

I know from friends and the world at large that young men (hopefully) tend to develop a deeper, more equal and respectful relationship with their fathers as they grow older. I’m generally pretty sanguine about his death in itself, but I do regret that he is gone. With maturity and hindsight, I wonder what our relationship, perhaps even friendship (which is a nice thought), would be now. Alas, so many unanswered questions, so many things left unsaid.

I still have that bottle of Dalwhinnie sitting on my shelf. Of course I reclaimed it after the fact, it would be bad manners not to! It’s down to the dregs now, but for some reason I haven’t been able to finish it.

Part of me has just been avoiding writing a review about it. But perhaps, subconsciously, it’s because the bottle is wrapped up with other memories? Would another bottle make it easier to put pen to paper and record the facts as I see, smell and taste them? Perhaps.

Keeping that bottle alive in such a diminished state has been doing it no favours either. After at least five years rattling around the bottom, exposure to time and the elements will have irrevocably changed the nature of the spirit by a thousand tiny cuts… Huh, that’s quite a good metaphor for incurable cancer actually.

I am quietly an advocate for the right to die with dignity, to bring about closure while enough shreds of a person’s humanity remain. Or even just to be able to make choices about how and where you would like to die, assisted or not, if that luxury is able to be afforded to you. My heart broke enough with the gifts of time and the acceptance of Death’s ultimatum, so I cannot begin to fathom the world-shattering pain that suddenness would bring, although I have trodden the broken glass of its edges.

So, I think that the time has come to bring an end to my bottle. Another one can always be bought and the same memory attached to that mnemonic vessel time and again (as long as Diageo doesn’t decide to drop the 15). It is unfair to the ideals that I originally bought it, to share with my father, and the effort that went into creating the liquid itself, to allow it to moulder away on my shelf. Whisky is, of course, for drinking.

No, this one is for me, as my porridge grows cold in the microwave and a small voice in my head quietly screams that I need to get to work (luckily the commute is just to the back room, as I’m working from home during COVID-19). But overriding all else is Dad’s voice, growing fainter every year, which has derailed me on this day to come unbidden into my mind and drip bittersweet words onto the page.

Or maybe it’s just me, alone at the kitchen table.

Slainte Mhor, You.

I miss you.

Dalwhinnie Lizzie’s Dram

Reviewed by: Ted

Mama, just killed a dram,
Put a glencairn against its neck,
Poured it out, now the bottle’s dead…

Avid Whisky Waffle followers may remember that I was recently musing about how I needed to bite the bullet and finish off a bottle of Dalwhinnie that I’d had sitting around for far too long. Well, you’ll be pleased to know that the world is now minus one bottle of Highland single malt. Just not my bottle…

So, I was visiting friends last night and at the end of the evening the host whipped out a bottle of Dalwhinnie he bought in Scotland recently-ish and declared an intent to finish it off between the group. Naturally, everyone declined (you’ll need to install a sarcasm filter to read that properly).

The bottle in question was the interestingly named Lizzie’s Dram, a limited edition distillery exclusive non age statement release. No, the Lizzie in question is not the Queen, but instead one Elizabeth Stewart. Working at Dalwhinnie for over 30 years, she was apparently a trailblazer for women in an historically male-dominated industry as one of the first female Scottish malt distillery operators. After her retirement in 2018, Diageo, owners of Dalwhinnie, chose to honour her contributions to the whisky industry by creating a special release in her name.

Lizzie’s Dram is aged exclusively in selected refill American white oak bourbon cask and released at 48% as a limited run of 7500 bottles. The colour is darker than you’d perhaps expect for refill bourbon casks, but then this is Diageo we’re talking about, who are quite fond of going to town with the E150a caramel colouring.

The nose is pure Dalwhinnie – very first thing I detected was that classic smell of apples. My companions at the table, more casual whisky drinkers than me, were quite effusive in their agreement and thankfully I was backed up by the bottle notes. See? We don’t always talk rubbish (mostly). Also to be found are lemons, straw, vanilla and green sapwood. The addition of a couple of drops of water also draws out some caramel. All in all quite a pleasant olfactory experience.

The mouth is a different kettle of fish. It’s very sharp for some reason, with a metallic, Myer lemon body going on. The whole effect is very bright across the palate, with a lingering finish. I think it’s kind of like sword swallowing – it’s pretty difficult and can impress your friends who don’t know the trick, but in reality it’s uncomfortable in the mouth and you’re glad when it’s over. A couple of drops of water soften the blow, but then annoyingly a bit of the pizzaz and drama disappears. A difficult dram indeed.

Look, this is a NAS we’re talking about, so it’s likely that a good chunk of the release is made with relatively young whisky. I suspect that some of the jaggy edges on the mouth would have been smoothed out if the barrels had been allowed to work their magic for a bit longer. It’s a shame really, because I enjoyed what was going on with the nose and wish it could have translated across the entire experience.

Thumbs up to Diageo and Dalwhinnie for celebrating the undeniable achievements of one of their own, thumbs down for not backing it up with an entirely worthy dram. Of course, this is just me grouching with my Whisky Waffle hat on. In the moment, with good company and a dram in hand, we killed that bottle like a cadre of smiling assassins. When it’s someone else’s bottle and they’re pouring generously, one should not protest too hard.

Any way the whisky flows…

On killing bottles

Posted by: Ted

There’s a bottle I need to kill. Actually, there’s a number of them, but this particular one is an old bottle of Dalwhinnie 15. It’s been sitting around on the shelf with about a good dram’s worth left in the bottom for at least a couple of years now. I have a suspicion this may turn out to be a problem.

Killin’ me slowly with his dram…

People tend to think of whisky as being very durable. When it’s aging in the barrel all sorts of funky interactions are happening of course, but stick it in glass, that delightfully chemically stable substance, and it’ll stay unchanged forever. Maybe… although that theory does seem to have been challenged recently by the number of very old, rare whiskies that have been tested and found to have somehow magically changed themselves into much, much younger, inferior whisky that is most definitely not (‘we are so sorry to have to break this news to you sir’) that phenomenally expensive 1880’s Ardbeg you bought as a sure-fire investment. Hmm, quite.

Getting back to the point though, nearly-empty bottles left to their own devices just never seem to taste as good (or at least not the same). The flavours are diminished and changed somehow. Oxidation, causing changes to the molecules through increased oxygen interaction, gets bandied around a bit, but sources on the repository-of-all-knowledge indicate that this may not actually play as much of a role as I previously thought. Another theory that I quite like is that because alcohol and other molecules in the whisky are volatile, evaporation and dissipation occurs every time the whisky is poured, meaning some of the flavours are lost and the balance of components is changed (a more detailed explanation here care of the excellently anorak-y Whisky Science blog).

That being the case, why don’t we just finish of all those damn dregs and move on to pastures new? The thing is, psychologically it can be quite hard to bring yourself to kill the bottle. Back when it was full, we splashed the contents around with great abandon, sharing it generously with friends and pouring stoaters without care. Once the level drops below the plimsol line though, you start to think ‘gosh, that’s getting low. Better go easy… maybe I’ll save it for a special occasion’. It can be even worse when you’re a somewhat slack whisky writer: ‘Oh man, I should really get around to reviewing this. Sometime. Hmm, I better leave some in there… I’ll definitely get around to it soon’.

To kill or not to kill…

Sentiment plays a part in prolonging the life of a bottle as well. The attachment of a particular memory to a particular bottle means that we can cling even harder to the remains, fighting against our natural urges as top predator in the whisky food web. For example, I bought that bottle of Dalwhinnie as a present for my dad over six years ago. When he died in 2013, I inherited it. The stupid thing in this case is that there isn’t any particular sentimental value attached to it. It wasn’t his favourite whisky, we didn’t spend a magical night bonding over it, or a wild night getting shit-faced on it.

Yet for some reason I haven’t been able to force myself to do the dirty deed and finish it off. It just sits there gathering dust and, stupidly on my part, potentially diminishing in quality and strength. Look, if I’m forced to dig deep for an honest reason for my reticence, I think I’ve just been using the tenuous sentimental value to put off having to write a review about it. Which come to think of it, is definitely the reason that I’ve been hoarding the last slick of my Nikka Yoichi 15 for too many years. Ugh, motivation, why are you such an indolent mistress?

Pity it’s not a full bottle these days…

Perhaps it’s just an excuse to keep buying new bottles?

So what is the point of this rambling musing? I think we need to be brave, to step up to the crease and face down that last dram before it’s too late. Sometime you’ve got to kill the things you love. It’s the kindest thing to do.

Just, some other time maybe…

Whisky Waffle Taste Success(fully)

Posted by: Nick and Ted

Whisky Waffle pour effort

You may have heard us mention it once or twice, but recently we have been a little excited about the chance to take our waffling off the net and into the big wide world. Well, the night has been and gone and we couldn’t be happier with result. While unfortunately our flights to the UK were cancelled (and the plane tickets may have been imaginary), our virtual tour was a raging success, introducing our eager guests to the whisky regions of Scotland.

‘Whisky Waffle’s Tour of Scotland’ visited Speyside via the Glenfiddich 12, up through the Highlands taking in Glendronach 12 and Dalwhinnie 15, across to the Islands to try some Highland Park 12 before swooping down into the Lowlands for a spot of Auchentoshan Valinch and finally coming to rest on the magical Isle of Islay for a well deserved dram of Lagavulin 16.

Line up whisky waffle

The Chapel cafe in Burnie was the perfect venue for such an occasion, providing a warm and intimate environment for our guests, who began the night pretty chilled and only relaxed further as the drams were distributed. While merriment abounded, much to our amazement people were more than happy to drink in our tales, laugh at our jokes and even provided a new nickname for Nick (Mal, to go with Ted. Think about it).

Everybody discovered their own favourite whisky and there was much discussion about the different flavours and characteristics that each brought to the table (gooseberries???). Thanks to the success of this first session we will be holding a (already sold out!) repeat performance in a few weeks time entitled ‘Whisky Waffle’s Tour of Scotland: The Second Lap’. While still focusing on the different regions, the night will feature a new line up of whiskies.

selfie whisky waffle

We would like to extend our sincere gratitude and thanks to Andrew at the Chapel for supporting us in our endeavours and to all our recently inducted Wafflers for coming along and making the evening such a success.

Stayed tuned loyal Wafflers, hopefully soon we will be able to bring you news of a third session!

Queries from a first time Waffler

Posted by: Chris C aka The Geriatric Newbie, with a foreword by Nick

We waffle boys like to consider ourselves experts in the field of whisky simply because we drink a fair bit of the stuff. In truth we are merely charlatans in matching shirts. However, across several years and countless drams we do seem to have picked up a fact or two about the water of life, which is brilliant when like minded whisky fans write to us with a question or two. We recently received a piece of such correspondence from a Western Australian by the name of Chris that we found so brilliantly entertaining and so… waffle-like – that we had to share it with the wider whisky community. After all, a fair few fellow-bloggers check out our little site so the more answers we can compile the better. So without further ado, may I introduce our latest guest writer: Chris, the first time Waffler.

Not that sort of waffles. Though the shirt thing is spot on…

I hope you’ll forgive me for firing a few newbie questions at you. I am in need of guidance, as a whisky drinking veteran of some 6 days standing. Well, mostly standing. Having been a virtual teetotaller for quite some years (sadly, most drinks give me a headache after just one glass) I recently decided to give whisky a chance as, miraculously, it doesn’t seem to upset the remaining brain cells.

A little over a week ago I passed one of those age milestones that makes you realise that your use-by date is fast approaching. Even if I haven’t completely lost my marbles, I have to admit that I do seem to misplace them fairly regularly now. A new, fresh and invigorating hobby and interest was called for. Something that didn’t require me to lie under machinery getting hot, cross and oily or involve painting, repairing, cleaning, or fixing things up. Anything involving rules, teams or vigorous physical exertion was also out. So putting aside my historical aversion to whisky and giving it another chance seemed a reasonable punt. And there was a modest pile of ‘birthday money’ that I clearly had a moral duty to use to help stimulate the flagging local retail sector.

So six days ago I ventured into Mundaring (a small town in the hills outside Perth in West Australia) and bought a bottle of Chivas Regal Extra (which a friend who claims to know about these things assured me was at the better end of blended whisky) and a bottle of Glenfiddich 12yr old (on the basis that everybody has heard of it and my younger brother used to drink it many years ago). So far so good. I also bought a bottle of dry ginger to use in an emergency (i.e. if I couldn’t hack the whisky on its own).

That night my wife (who fortuitously already owned three Glencairn glasses, which she uses for drinking white wine. Don’t ask.) and I cracked open the bottles. Hey, not bad! No headache, no embarrassing collapses. No major cries of pain. We successfully worked out what a 30mil nip looked like but had no idea how to drink it – other than the basic understanding that you stick it in your mouth and swallow. My ‘palate’ must be fairly robust because I could instantly detect the taste of firewater with notes of rocket fuel and hints of paint stripper. The Chivas was particularly bold in that department.

Some swift Googling soon provided the handy tip to give a glass from a brand new bottle a minute or two to breathe, then to add a wee splash of water and to start with small sips, hold on the tongue for a while, etc. This gave much better results. The resident expert in alcohol related matters declared herself a more or less instant fan of the Glenfiddich.

The plan was to spend the next few weeks or months slowly developing our whisky drinking skills using the contents of those two bottles. But a curious thing happened.

The next day I awoke not only feeling particularly cheerful, but also feeling an entirely unexpected urge to add to “The Collection”. After owning a mere two bottles for less than 24hrs, they had mysteriously, and without warning, morphed into the basis for a “Collection”. Odd. Is that normal?

Later that day I added a bottle of Dalwhinnie 15yr and one of Auchentoshan 3 wood – neither of which I had previously heard of – purely on the basis that some guy on the internet had recommended them as fairly smooth and easy for a novice to tackle without getting too put off. He was right.

Two days later it somehow seemed essential to broaden “The Collection” by adding a Glenmorangie Quinta Ruban and a Lagavulin 16yr (friends had started offering ‘helpful’ suggestions by this point). These have, temporarily, been left unopened. And yesterday the compulsion to add “just two more, and then that’s it…” led to the addition of an Aberlour A’bunadh and an intriguing sounding Welsh malt called Penderyn Myth. Birthday money now all gone… starting to eye off the savings account… Will this strange compulsion ease off any time soon?

Sir Henry Wood conducting the orchestra in a spirited rendition of ‘Symphony for Throat and Nostrils’ by Pete Hintz (with apologies to Ted’s resident wooden figure)

So far we’ve only opened the first 4 bottles and have been trying to stick to the Dalwhinnie and the Chivas – for now. But last night I decided it was time for the Auchentoshan. I waited until after 4.00pm (new self imposed rule – although I’ve never needed to time alcohol intake before…) and then poured a generous nip, added a small dash of water and stuck my nose in the glass.

Now, I have a fairly decent sized hooter, one that makes quite a comfortable stopper for a Gencairn glass and once plugged in there seemed absolutely no hurry to remove it. Beautiful aromas rose up, reminiscent of the wonderfully rich fruit cakes that my wife has been making this week. Marvellous. Marvellous turning into Magnificent with each fresh inhalation.

Now, nobody had said anything about how long this ‘nosing’ business should take, so surely a few minutes was called for in this case. Keep inhaling – it must surely be good practice? As I breathed slowly and rhythmically, the small amount of air that was able to squeeze past the nose began making a sound very much like Darth Vader. Clearly, The Force was with me now….

Was there a hint of smoke amongst the fruitcake or was it just that the sound reminded me very much of times spent wearing Breathing Apparatus in our local Volunteer Bushfire Brigade? Ah, the nostalgia…drifting gently along on a swirl of memories… the steady pulse of breath going in and out was mesmerising. Hypnotic even. I may have started purring.

I finally dragged the glass away, intending to fire a finely worded and informative eulogy in my wife’s direction, but quickly realised that that there was now a serious risk that I would just giggle. Or perhaps start watering the whisky down with a few emotional tears. Is this sort of behaviour common among whisky drinkers??? I can hardly claim to have discovered the Elixir of Youth but, at age 70, it certainly feels like I may have stumbled upon the Elixir of old Age….

How do you pace your enthusiasm? It feels like I’ve gone from being a virtual teetotaller to a budding dipsomaniac in less than a week! How many helpings per week seem reasonably sustainable?

And will this new-found desire to waffle on at some length about my new interest to anybody who’ll listen start to fade in a while?

Happy tasting.

Chris.

Oban 14 Year Old

Reviewed by: Ted

Rather like the wild haggis (Haggis scotticus), Oban distillery is a curious wee beastie. Located on the craggy west coast of Scotland in the town of the same name, Oban is one of the oldest distilleries in the country, founded in 1794 on the site of an old brewery by brothers John and Hugh Stevenson. Interestingly however, despite its lengthy existence it has remained one of the smallest distilleries around, with only two pot stills in residence to make the good stuff.

Understandably, the limited production capacity has focused the Oban distillers, choosing to craft a few expressions rather than the seemingly endless releases pedalled by larger producers. Luckily this means that the Obanites have had plenty of time to refine and tinker with their creations.

Oban’s flagship dram is one that should pique the curiosity of any whisky fiend looking for something a little different. Eschewing usual ageing lengths, the Oban 14yo, part of Diageo’s “Classic Malts Selection”, exploits an interesting niche between youth and maturity, and it must be noted, at a price on par (at least in Australia) with many 12yo whiskies.

The character of the 14yo walks a fine line, balanced as it is between the highlands to the east and the islands to the west. A careful nosing reveals a light, sweet, dusty spirit with suggestions of damsons and green apples, giving it a sense of kinship with other highland drops such as Dalwhinnie.

The taste on the other hand speaks of its seaside home, beginning with a bright, slightly salty burst on the front of the palate, lifted by the 43% strength, followed by a hint of seaweed and coastal air. The mid palate smooths out and becomes much more rounded, with dried fruits, zest, spices and perhaps just the lightest hint of smoke. The finish is clean and doesn’t linger for too long.

Once you’ve knocked back a few sips of the 14yo it’s worth holding the glass up to the light and contemplating the colour, which should be a dark amber. The reason I make mention of this is that the 14yo is not aged in the sherry casks that the colour suggests, but rather ex-bourbon hogsheads.

The answer to this conundrum will cause some to shrug their shoulders unconcernedly and others to foam at the mouth in righteous indignation: caramel e150a. Why Oban chooses to use artificial colouring, while other premium distilleries go to great pains to point out that they keep their own products au naturale, is a secret known only to the Obanites. Whether or not it’s presence affects the flavour of the 14yo I will leave up to your own distinguished palates, fellow wafflers.

The small size of Oban definitely works in its favour, allowing it time to lovingly craft a quirky and interesting product that does not hurt the wallet too much. The 14yo is certainly a delightful and evocative drop; and unlike the pesky wild haggis, is relatively easy to track down for those curious to discover the ‘west highland’ flavour.

★★★