tasting

Whisky Waffle go on holiday

Posted by: Nick

Nick packs

You can’t help but smile when articles on (sometimes) serious whisky blogs have titles which sound like Famous Five novels. But the headline does succinctly sum up what’s going to happening across the next month or so.

The holiday has already begun for m’colleague Ted who is off in South America, checking out the Amazon, walking the Inca trail and saying hi to the wildlife on the Galapagos Islands.

Ted and a Fish

While tomorrow, I am off on an equally exciting holiday – and one that may be of interest to you, my fellow Wafflers. I’m going to be spending six weeks travelling through Europe – including nearly a fortnight visiting The Motherland. That’s right, people: I’m going to Scotland!

While I’m there I will be filling my days with multiple distillery visits, including but not limited to: Balvenie, Glendronach, Aberlour, Glenfarclas, Glen Moray, Talisker, Oban, Bowmore, Bruichladdich, Kilchoman, Laphroaig, Lagavulin and Ardbeg. Naturally my reactions to all visits will be revealed on the blog in due course, though possibly after I’ve returned home. However, if you keep an eye on a social media pages – in particular Instagram – then you’ll get a taste of what I’m up to. Just not literally, sadly.

Anyway loyal Wafflers, thanks for your support over the years. We’ll be a bit quiet on the blog for a while but will return as strongly (and as sloshed) as ever in August.

Keep on waffling,

Nick and Ted

Advertisements

Aultmore of the Foggie Moss 12 Year Old

Reviewed by: Ted

Maker:S,Date:2017-9-13,Ver:6,Lens:Kan03,Act:Lar02,E-Y

As romantic sounding Scotch Whisky names go, Aultmore of the Foggie Moss is definitely up there. You can almost feel the mist swirling around your body as you tread through a Scottish fen on a cool autumn morning.

In fact, the whole distillery is shrouded in an air of mystery, with its locale outside Keith (not a particularly romantic name admittedly) in Banffshire historically being the haunt of smugglers (at least according to the bottle and you can always trust marketing guff right?).

Founded in 1895 by Alexander Edward, owner of the Benrinnes distillery, Aultmore has had a tumultuous history, changing owners and being mothballed several times. For many years Aultmore production was used exclusively in blends, with only the occasional distillery release to excite collectors (apparently if you befriended the right people you could get a wee dram at the local pub too).

In more recent years Aultmore was purchased by Bacardi and placed under the stewardship of its subsidiary Dewars, who had actually previously owned the distillery for a short time during the 20s. In 2014 Dewars released ‘The Last Great Malts’ range, featuring distilleries used in their blends, including Aultmore (I suspect other brands may have a different opinion about Dewars owning the ‘last great malts’ however).

Typical of a Speyside dram, the 12 Year Old is a light gold/straw colour, while the 46% ABV strength is a nice surprise. The nose is light and sweet, with an abundance of grain, apples, grass, honey, lemon and a hint of polished steel at the end.

The flavour is bright and sharp, sparkling around the mouth, initially sweet before transitioning to dry at the end. Timber, grain, spice and lemon grass race across the tongue, while the finish is like Tom Yum soup, hot, sweet and sour all at once.

Thankfully, the experience isn’t like a puff of mist evaporating in the morning sun like some other exclusively bourbon-casked whiskies, with the delicate flavours given some much-needed depth by the higher bottling strength. If you’re looking for a decent drop that really embodies that light, floral Speyside style, then the Aultmore of the Foggie Moss 12 Year Old delivers just that.

★★★

An Evening with the Tasmanian Moonshine Company

Posted by: Ted

Group shot Whisky Waffle

Moonshine, of the liquid rather than the lunar variety, tends to conjure up images of rough folk with an equal number of teeth, brain cells and chromosomes distilling liquor through an old tin can and a car radiator in the backwaters of America. Da-da-ding-ding-ding-ding-ding-ding-ding… can you hear the banjos duelling in the distance? Somehow then, it seems rather incongruous to find a product calling itself moonshine hailing not from the Appalachian hinterlands, but Tasmania, Australia, home to a burgeoning high-class craft distilling industry. According to Tasmanian Moonshine Company (TMC) manager John Jarvis however, there is a very good reason their product bears that epithet.

I met up with John at the Spirit Bar in Burnie, where a small but enthusiastic crowd had gathered to try the range of products offered by TMC. Produced at Devil’s Distillery (est 2015) in Moonah, TMC uses 100% Tasmanian malted barley to create their spirit. Now, malted barley is of course what you use to make single malt whisky, but because the spirit released by TMC is less than two years old it cannot legally be called that.

John Whisky Waffle (2)

While generally a very friendly bunch, Tasmanian whisky producers are also very protective of the world-class brand they have created. To keep relationships on a good keel between all parties, John and his colleagues decided to steer away branding that could be misconstrued as whisky-related and fittingly call their product moonshine, a traditional name for any unaged or underaged spirit.

TMC produces a range of products on their 1800l pot still and 380l reflux still, including Vodka and Tasmanian Mellifera (a spiced honey and citrus liqueur) as well as Cold Drip Espresso Coffee Liqueur, Tasmanian Midnight (a fennel based liqueur similar to ouzo or arak) and their frankenstein fusion child, the Licorice Infused Coffee Liqueur.

Of more interest to whisky drinkers is the Tasmanian Malt Barrel Aged New Make. After spending a relatively short time developing character under oak, the Barrel Aged New Make is released at around 18 months of age.  It’s youth actually works in its favour according to John; “we wanted to make something to fill a hole in the Tasmanian market, something that we don’t have to sit on, can release quite regularly and that is easily accessible. Prices in Tasmania for single malt can be crazy… I don’t think there’s really any other products at the price point we are aiming for.”

Moonshine Whisky Waffle (2)

John was also keen to talk about the interesting casking employed by the distillery: “My head distiller just wanted to do one cask type, but I like to experiment. As well as ex-bourbon American oak barrels, we also have other casks like sherry, port and tokay that are made from Hungarian oak sourced directly from Hungary by our cask maker. I definitely think there is an effect on the resulting flavour;  I’ve heard people are asking to get hold of Hungarian casks now too.”

When each 300l cask is deemed ready to release, around half the contents are decanted, with the remainder allowed time to develop further before leaving home. The casks are also tapped according to what the distillers feel is ready at the time, meaning that the character of the spirit changes from release to release. Interestingly the cask type is not actually mentioned on the bottle, so punters will be kept on their toes, but John is sanguine about this fact, commenting “we’ll never be able to make the same product indefinitely anyway, unless we move away from single barrel releases and start vatting, so I think it’s fine.”

On offer that evening was a Hungarian oak tokay cask release at 43% abv and a Hungarian oak port cask release at a rather sexy 67% abv. On the nose the tokay was smooth and sweet, with notes of leather and beeswax, while the port exuded caramel, rust, red meat and dark timber. On the palate the tokay was crisp, lively and herbal, while the boozy port delivered red wine tannins, pepper, honey glaze and oaky notes.

barrel aged Whisky Waffle (2)Barrel aged Whisky Waffle

As well as the depth of flavour, the colour was also pretty impressive for spirit of that age; “I’ve actually had arguments with people who think we colour our spirit,” remarked John “but of course we don’t, it’s all from the good quality casks we use.” While definitely young tasting, I can report that both Barrel Aged New Make releases had a surprising completeness of character that was very pleasing to the senses and left an impression of finished and polished product rather than an undercooked malt spirit just released as a cash grab.

Of course, this would suggest that Devil’s Distillery is able to produce a very high quality new make and fortunately John had some on hand for us to try. Even more exciting was the fact that he had two different cuts of the new make, one containing pure hearts and the other with a mixture of hearts and tails (this sentence probably sounds a bit disturbing to anyone who is not familiar with spirit production)!

Hearts or tails Whisky Waffle

The hearts were not for the, er, faint hearted, bottled off the still at an eye watering 73.5% abv, while the heart/tail mix was positively tame at ‘only’ 68.5% abv. On the nose the pure hearts were light, sweet and delicate, with a nice graininess. In comparison the heart/tail mix was rubbery and as someone commented, smelt like a barn floor, which if you’ve never experienced it is a mixture of sweet fermenting straw and an underlying tone of, ahem, cow business. On the palate, the hearts were sweet, with a crisp, crystalline feel, whereas the heart/tails were once again rubbery, with vegetably, fermented grain notes.

The amazing thing was that, according to John, there was only about 20% run difference between the two cuts, demonstrating how much the character of the spirit changes over the course of a distillation. You may be surprised to know, however, that those funky flavours in the tails can completely change when you add them to the hearts and can be vital for defining the character of the finished product.

While TMC will continue to release its current lineup of moonshine products (although maybe grab a bottle of Tasmanian Mellifera as John says he’s sick of grating orange peel), down the track the company will also be leaving some spirit to age for a bit longer under oak until it ticks over that legal line and magically transforms into whisky. The first release is slated to be a 3yo 20l bourbon cask finished in Hungarian sherry oak and will be released under the label of ‘Hobart Whisky’ (“I still can’t believe we scored the rights to that name,” says John with delight). If the barrel aged new make is anything to go by, then the whisky is likely to be a cracker.

John Whisky Waffle

As the night drew to a close, the guests were left contented by a healthy dose of good company and excellent moonshine. While we tend to focus on malted barley that has been transformed into whisky here at Whisky Waffle (it’s kinda in the name), the Tasmanian Moonshine Company proves that if you start with an excellent malt spirit and make good use of your barrels, then ‘young’ doesn’t necessarily have to equate to ‘bad’, or ‘rough’, or ‘unfinished’, or whatever other label you want to throw at it.

I still want them to learn the banjo though.

Thanks to Kirk and the Spirit Bar crew for hosting the event and providing tasty cheese platters. Thanks to John and the Tasmanian Moonshine Company for making the trek up to Burnie to entertain us.

 

A Tranquil Trip to Yamazaki Distillery

Posted by: Ted

1 Whisky Waffle Yamazaki Visit

If one distillery can be claimed as the home of the Japanese whisky scene, then Yamazaki Distillery is the natural heir to that crown. It was, after all, the first operating whisky distillery in Japan and progenitor of the thriving world-class industry that has blossomed in the 95 years since.

2a Whisky Waffle Yamazaki Visit

Founded in 1923 by Shinjiro Torii, the distillery is located in the town of Yamazaki, a sleepy place nestled halfway between Kyoto and Osaka. Once you alight at the station, the distillery is a short walk away through the quiet streets, passing by traditional houses and shrines.

IMG_20180114_133804

From the outside, the distillery is not that much to look at, large drab brown buildings that blend in well with the surrounding forested hills but do not inspire any particular romantic notions. The old stills dotted around the leafy grounds are a nice touch though. The location is important however, as the distillery draws its water from the confluence of three local rivers, the Katsura, Uji and Kojo, the soft waters of which Yamazaki claims helps them make a refined spirit.

2 Whisky Waffle Yamazaki Visit

In comparison to the exterior, the inside of the visitors centre is a beautiful and interesting place to be, with timbered interiors, a cutaway still and washback, and shelving supporting row upon row of bottles with hand-typed labels containing various agings of spirit made by Yamazaki and other distilleries from around the world. There is also an interesting whisky walk with information about the distillery.

6 Whisky Waffle Yamazaki Visit

Guided tours can be booked online, with a standard and a slightly longer special tour available. If you want to do the special tour you need to book early (which we didn’t) as it only runs on weekends and has limited spots. The tours are conducted in Japanese, but an audio guide is available if, like us, your Japanese only extends to a few much-overused phrases.

7 Whisky Waffle Yamazaki Visit

The standard tour, conducted on our visit by the youthful Nishiwaki and assisted by the older Tanaka, guides guests through the history and production processes at Yamazaki, taking in the mash room, the still house and the bond stores. A delicious smell of whisky permeates the facility, changing in nature depending on your location. For example, the still room with its 12 stills (there are another four somewhere else too) smells of fresh apples and lemons, while the bond store is dark and rich with the years of aging spirit.

4 Whisky Waffle Yamazaki Visit

As we walked back from the bond store we passed by a torii gate, which Tanaka amiably commented to me was over 1000 years old, which makes the distillery’s only 95 years look rather pale in comparison, a reminder that the Japanese whisky industry is still only a relatively young thing in an ancient culture.

IMG_20180114_140742

The tours conclude in the tasting room, an open, airy space where guests sit at wooden benches to be educated in the art of drinking Yamazaki. Four glasses of whisky were presented, a White Oak Cask, a Wine Cask and two glasses of the 12 Year Old, one for sampling and the other for doing as you pleased with (as part of the tasting you had the opportunity to make a whisky highball. I declined).

5 Whisky Waffle Yamazaki Visit

The White Oak Cask and Wine Cask were presented as examples of Yamazaki’s practice of crafting a base palate of different styles that are then married together to create a final release, such as the 12 Year Old. The distillery claims that this method allows them to create products that have a subtlety and nuance of flavour similar to a blended Scotch, but are comprised of whiskies that are made entirely on site at Yamazaki.

The two spirits were indeed quite different, with the light White Oak Cask evoking honey, lemon, green apple and rose on the nose, while the dark-gold Wine Cask gave notes of caramel, marshmallow, wine gums, oak, salt, red apple and apricot. On the palate the White Oak had leather, dark honey, polished oak, beeswax, malt and a sharp, herbal finish, while the Wine cask had a dark, rich, dry fruitiness, with red apples, brown pear, sour plum and salted caramel.

3 Whisky Waffle Yamazaki Visit

A small selection of nibblies are also provided with the tasting, my favourite being the smoked nuts, which are smoked over chips made from old barrels. There are a number of friendly attendants on hand to guide you through the tasting and make sure you know what’s what.

At the completion of the tasting you are led back to the visitor centre where you have the opportunity to visit the gift shop (which has a distinct lack of Japanese whisky apart from the Chita single grain) or indulge in some further tastings such as older bottlings or distillery exclusives (I may have lashed out on the 25 Year Old).

8 Whisky Waffle Yamazaki Visit

The atmosphere at Yamazaki was relaxed and Nishiwaki delivered a crisp and professional tour that was full of interesting and informative facts… at least I presume so seeing as I couldn’t understand a word of it. The audio guide was solid though and it was easy to keep up with the tour. If you want to get a grasp on the history and character of Japanese whisky, then Yamazaki is well worth your time to visit if you happen to be in the area.

9 Whisky Waffle Yamazaki Visit

The 2017 Waffle Awards

Posted by: Nick and Ted

2017 Waffle Awards

Welcome one and all to the most anticipated award ceremony ever to take place on social media! Nope, it’s not 2017’s Most Carelessly Dressed Celebrities (that’s the second most anticipated) but instead the 2017 Waffle Awards – the prizes given by Australia’s most tongue-in-cheek whisky blog, Whisky Waffle, to the drams that excited them most in the last 12 months.

The rules are simple, all winners must be whiskies consumed by the lads for the first time in 2017 – and they must be able to vaguely remember the experience the following day.

So strap yourselves in for a wild, controversial and extremely subjective ride through our picks of 2017!

1 The Isle of the Drammed Award Whisky Waffle

The Isle of the Drammed Award for the best Tasmanian whisky

As proud Tassie boys, our first award is for the best dram made in our state in 2017. This year, the Isle of the Drammed goes to:

Heartwood @#$%^&*

2017 Waffle Award Heartwood @#$%^&

‘Oh @#$%^&* that is good whisky,’ – You after trying this whisky.

Hailing from Tasmanian independent bottler Heartwood, the curiously named @#$%^&* bears the usual madcap cask-strength touch of its creator Tim Duckett, starting in 2nd fill port casks, then finished in 1st fill sherry casks before being bottled at a juicy 62.5% (which, believe it or not, is on the lighter end for a Heartwood).

Tim claims the name comes from the fact that it caused him a great deal of grief during its creation. The @#$%^&* has proved to be something of a sleeper agent for us actually; we’ve tried it alongside other Heartwoods that seem to have the ol’ razzle-dazzle in spades, but somehow the @#$%^&* keeps calmly stepping out as the favourite. Maybe it’s the special edition dinosaur-themed label artwork drawn by Jon Kudelka.

2 The Tartan Slipper Award Whisky Waffle

The Tartan Slipper Award for the best Scottish whisky

The Scottish stuff is what got us hooked on whisky in the first place and we are continually discovering new exciting drams from the motherland. This year, the Tartan Slipper goes to:

Glendronach 21 Year Old

2017 Waffle Award Glendron 21

Glendronach do sherried whiskies as well as anyone in the world and after trying the 18 Year Old I thought it could not get any better. I was wrong. Hidden away at a corner table at Whisky Live Hobart was this absolute gem of a whisky. It redefined my relationship with sherried whisky. I went back for seconds.

3 The Pocket Pleaser Award Whisky Waffle

The Pocket Pleaser Award the perfect pick for the parched penny pincher

Buying whisky is an expensive business – so value for money always makes us very happy. This award is for the whisky we considered to be the best value in 2017. This year the Pocket Pleaser goes to:

Glen Moray 16 Year Old

2017 Waffle Award Glen Moray

Glen Moray produces great bottles at more-than-acceptable price ranges, but this is possibly the best value of the lot. The 16 Year Old is far smoother and nuanced than the 12 and for seventy dollars (Australian) it is a must have for all whisky fans with bills to pay. Plus it comes in a shortbread tin! Nuff said.

4 The Weirdsky Award Whisky Waffle

The Weirdsky Award for the most WTF whisky

This award is dedicated to the strange and the bizarre. Whisky that we may not consider… good… per say, but a dram that has certainly intrigued us. This year, the Weirdsky Award goes to:

Flóki Sheep Dung Smoked Reserve

2017 Waffle Award Floki Sheet Sht

Ok, we realise this technically isn’t whisky as it’s still under 3 years old, but it is so bat(sheep?)-shit crazy that it deserves a mention here. Iceland is a place – you may have heard of it. It has lots of spectacular scenery. It also has lots of sheep. And a whisky distillery. For some reason the distillery, Eimverk, thought it would be a good and reasonable thing to smoke some of their barley using poo from the aforementioned sheep rather than peat, which there is also lots of on Iceland. Smoking things with poo is traditional over there apparently.

I am of the opinion that the Flóki Sheep Dung Smoked Reserve is the drinkable version of a traditional Icelandic delicacy: fermented shark, or Kæstur hákarl, a dish that is surely only used to make unwary tourists cry. The locals are obviously made from tougher stuff than the rest of us. Stick with the standard Flóki release (which is rather good) until, like the best Kæstur hákarl, the Sheep Dung Smoked Reserve has aged for a few more years.

5 The Bill Lark Award Whisky Waffle

The Bill Lark Award for service to Tasmanian whisky

The Tasmanian whisky industry works because it is driven by so many wonderful people. We like to recognise one of these people each year with an award named after the founding father himself. This year, the Bill Lark Award goes to:

Patrick Maguire

2017 Waffle Award Pat Mag

Patrick Maguire is a founding member of the Tasmanian distilling scene. A contemporary and a colleague of the man whom this award is named after, he took the bold step in taking over Tasmania Distillery and cleaning up the slightly tainted name of Sullivans Cove Whisky. Not only did he get it back on track, but he took Tasmanian whisky to a whole new level when his release from French Oak barrel HH525 won best whisky at the 2014 World Whiskies Awards. Tasmanian whisky was changed forever and has gone from strength to strength ever since thanks in no small part to the perseverance of one Patrick Maguire.

6 The Golden Dram Whisky Waffle

The Golden Dram for the best dram whisky in the world

Here it is. The big one. The best whisky of 2017. Previous winners have included Highland Park and Octomore but this year… drum roll please… the winner of the Golden Dram, the BEST whisky in the world is…

Belgrove North East Peat Smoked Single Malt

2017 Waffle Awards Belgrove peat

Thinking back across the year to select a worthy drop for The Golden Dram, the Belgrove North East Peat Smoked Single Malt stands out in memory as the one that made me the most effusively loquacious in my attempts to promulgate its meritoriousness. Translation: I was damn excited and wanted everyone to know it. Belgrove is more usually known for its excellent ryes, but the Single Malt is a credit to the versatility of its creator Peter Bignell, a previous winner of the Bill Lark Award. What makes this particular whisky so excellent is the peating; hitherto Tasmanian peat has been sourced from sphagnum bogs in the highlands, which are almost exclusively controlled by Lark.

The peat in this whisky comes from a new source in the North East of the state, dug from a farm owned by Peter’s brother. The first time I took a sip I was sure that I had been accidentally teleported to the West Coast of Scotland! Compared to the softer peat of the Tasmanian highlands, the North East stuff is richer, earthier and more elemental, drawing links with the Scottish coastal and island drams. Sit that over a superbly crafted spirit and I am happy to lay my cards down on the table and declare that I think Peter has a world-beater on his hands. Bloody good stuff.

An honourable mention goes to anything made by Glenfarclas. What a great distillery and still family owned too! In particular the excellent ever reliable 15 Year Old, but also the 40 Year Old, tasted by Nick at the Old and Rare bar at Whisky Live Hobart. It was the best possible conclusion to a fantastic session.

The Founders Reserve Award (AKA the dishonourable mention) goes to White Oak Distillery for proving that just because a whisky is made in Japan, doesn’t mean it’s worth taking on a sumo wrestler to sample.

So that brings us to a close of our 2017 awards. It sounds like the makings of a good tasting! Though maybe give the White Oak a miss.

Let us know your own nominations in the comments! As always, thanks for your support. 2017 has been the biggest year so far for Whisky Waffle! Let’s make 2018 even better!

Whisky Waffle Boys

Keep on waffling.

Nick and Ted

#2017WaffleAwards

Wafflers 4

GlenDronach Peated

Reviewed by: Ted

Glendronach Peated

You know when you take one thing that is really good (like heavily sherried whisky) and combine it with another really good thing (like peated whisky) and the result is a winner? Well, strap yourselves in then, because you’re going to love The GlenDronach Peated Single Malt Whisky.

The GlenDronach distillery, nestled in the NE highlands of Scotland, is famous for its heavily sherried style of whisky, utilising Pedro Ximenez and Olorosso casks in all of its core range. These whiskies are rich, fruity and sumptuous, but one element they do not usually feature is smokiness.

This lack of smoke was not always the case though. Like many other old highland distilleries, The GlenDronach (founded 1826) originally used peat to dry its malt, however over the years the practise fell out of favour through a succession of owners and the rise of cheap coal. Indeed, the distillery was one of the last in Scotland to use coal power for its stills, right up until 2005 when it converted to steam.

Bucking the current The GlenDronach flavour profile and harking back to its roots is the Peated expression. Unusually for The GlenDronach, the Peated actually starts its life in ex-bourbon barrels before being transferred into the usual ex-PX and ex-Olorosso casks for finishing.

As such, while still being full of the warm, rounded, fruity characteristics usually associated with The GlenDronach, the Peated is perhaps a touch lighter in feel than usual. The nose evokes burnt marmalade, stone fruit, leather, almond and walnut. The smoke is soft, toasty and earthy, with none of the strong coastal elements that drive Ileach and Island peated whiskies.

The mouth presents a mixture of juicy sweet yellow and white stone fruits, honey, Turkish delight and toffee. The lighter flavours likely derive from the bourbon casking while the heavier ones draw from the sherry casking. The smoke lingers gently at the back of the throat on the finish.

The GlenDronach is an excellent example of how well peating can complement the rich flavours of sherried whiskies, particularly because the smokiness is well balanced in the dram. Peat-heads and sherry-bombers alike will find something to entertain and interest them and will likely keep being drawn back to sup from this particular fruit’n’smoke chalice time and time again.

★★★

Glen Moray 16 Year Old

Reviewed by: Nick

Glen Moray 16

Different people look for different things in a whisky. Some people desire a smooth and easy drinking drop. Others want something to excite and challenge them. Others still want something to mix with their coke. There are many, many reasons, so naturally, there are people whose sole criterion when selecting a bottle is the desire for it to come in a shortbread tin. If that applies to you, look no further than the Glen Moray 16 Year Old!

glen-moray-16-tin-4.jpg

I know, I can hear you all now – I’ve made some ridiculous claims on Whisky Waffle but this one takes the biscuit! The biscuit! No? Well, I admit, I may be selling this drop a bit short(bread). There are, in fact, a number of reasons to pick this one up. Glen Moray is a reliable distillery if you’re after a decent bourbon-matured quaffing scotch. Their bottles are always good value: this one can be found for around $65 in Australia, which, believe me, is a great price for a 16 Year Old Whisky. And on top of all that – the tin features an endearing array of the uniforms worn by the Scottish Highland Regiments, including a man sporting ‘The Black Watch’, who, rather controversially, is not wearing a skirt!

glen-moray-16-tin-3.jpg

Ok, so while I can crap on about the tin all day, you guys really want to know if it tastes any good… in my opinion. And in my opinion, it does. It’s a considerable step up from the 12 Year Old and while it is still light and easy drinking, it contains a silky layer not found in younger Glen Moray releases.

On the nose are standard notes of honey and vanilla alongside sweet biscuits and pineapple. The palate is gentle with toffee and banana prominent. The finish is short but pleasant with a faint herbal linger.

Glen Moray 16 tin 2

Different people look for different things in a whisky. But everyone looks for one which they’ll enjoy. The Glen Moray 16 Year Old is as close as any out there to a dram that can be enjoyed by everyone – whether for the flavours on the inside – or the shortbread tin on the outside.

★★★

Whisky Waffle host Christmas drinks at the Chapel

Posted by: Nick and Ted

Night 3 Christmas Drinks

Tis the season to be ‘jolly’!

Christmas is coming up faster than Jim Murray to a Rye tasting… and there could be no better time to open a few bottles to keep our Christmas spirits up!

Whisky Waffle is holding a Christmas themed tasting session on Sunday the 17th of December at the Chapel in Burnie starting at 3.30. Guests will be treated to six Christmas-y Single Malt whiskies plus some delicious home-made boozy Christmas pud.

Tickets are available HERE! via Try Booking or at the venue. Get in fast or you may find nothing in your stocking but a lump of peat.

Our guests have seemed to love our previous waffle sessions and this one promises to be particularly ‘merry’! See you on the 17th!

What: Whisky Waffle’s Christmas Drinks at the Chapel

When: Sunday the 17th of December at 3.30

Where: The Chapel, Burnie

Why: because Christmas is as good an excuse as any for an afternoon tasting session!

Who: our very merry fellow Wafflers (you guys!)

How much: $35 for 6 drams and Christmas treats!

A very waffly Christmas

anCnoc Peter Arkle Limited Edition: ‘Bricks’

Reviewed by: Ted

anCnoc Bricks

Can whisky be Art? To be clear, I am not talking about the art of whisky making here, that semi-magical process where the unique personality and knowledge and skills of the distiller combine during the creation of the spirit to imbue it with the essence of that particular distillery. Nope, I mean the regular, picturey type.

Bottles and tubes usually have some sort of artwork on them, but that’s not Art right? That’s just advertising. Special edition releases containing very old and rare whisky often have striking, elegant and beautiful bottles and cases… but really, that’s just advertising for the sophisticated (and rich) buyer.

What then if you commission a renowned illustrator to produce the artwork for a special edition series of bottlings (even here, there seems to be conjecture as to whether illustration counts as Art. Anyone care to put forward a position?). anCnoc (pronounced ah-nock), produced by Knockdhu Distillery, did just that, recruiting Scottish born, currently New York based illustrator Peter Arkle to create artwork for a special set of limited edition releases. The name and artwork of each bottling in the series reflects a different aspect of the distillery, such as ‘Ingredients’, ‘Casks’, ‘Warehouse’ and ‘Luggage’ (a travel retail exclusive).

The bottle I possess is called ‘Bricks’… which rather does what it says on the tin to be honest. The artwork on the tube features a wall of bricks adorned by a bright yellow warning sign announcing ‘Remarkable Liquid’. anCnoc says that the release pays homage to their dunnage warehouses, wherein the walls are adorned by signs such as ‘Danger, Explosive Atmosphere’ and ‘Flammable Liquid’ (and probably more importantly, ‘No Smoking or Naked Lights’), reminding the occupants of the powerful forces at play.

The whisky in each edition has it’s own special twist; in the case of ‘Bricks’ that means a mixture of Spanish oak ex-sherry butts and American oak ex-bourbon barrels bottled at 46% abv. Straight up on the nose you can smell the sherry; this isn’t the heavy leather and dark wood drawing room vibe you get from some sherried drops though, but more like eating a packet of chocolate coated raisins on a sun lounge on the patio. At the back there’s also a delicate splash of grapefruit, pear and cinnamon.

I have come to the conclusion that my official tasting note for anCnoc is ‘dusty’, because I’ve found the same thing in every one that I’ve tried so far. It’s kind of like walking into a wood-work shop and breathing in that light dusting of wood powder that’s everywhere. Or perhaps walking down a forest track in summer with a light breeze stirring up dust from the earth and the vegetation. The spirit coasts lightly across the tongue, not like a brick at all, and ends with a delicious, crisp burst of citrus and raisins that lingers on for some time.

I can’t really speak for whether the ‘Bricks’ constitutes Art or not, but I rather suspect it lies in eye of the beholder and the value you place on such things. There is certainly one aspect of the work that I can give a definitive answer on though: it is indeed Remarkable Liquid. The Bricks possess the bright, summery lightness of other anCnoc’s that I have tried, but the addition of sherry introduces a complexity that takes it to a whole other level and I think perhaps that is where the real artistry lies. It does look rather spiffy on the shelf though. Perhaps I shall have to collect the whole set and contemplate the matter more deeply.

★★★★

anCnoc Bricks label

“We’ve never claimed they’re going to taste the same”: A musing on single barrel releases

Posted by: Ted

IMG_7096

I am sitting on a comfy leather chair in a cosy private tasting room. I have just tasted some whisky. Actually, it’s the second glass I have tried and I am feeling a mixture of surprise, curiosity and intrigue – not in a bad way mind you, I’ve just been caught a bit off guard. I put down my glass on the table which is crafted from half a 100L barrel and glance to my left at Nick. He raises his eyebrows, his expression reflecting my own inner turmoil. I turn to face our host, Fred, who flashes a broad smile and comments “We’ve never claimed they’re going to taste the same.”

To provide some more context, we were visiting Sullivans Cove Distillery in southern Tasmania. We had been invited down as part of Tasmanian Whisky Week 2017 to meet with Fred Siggins, Strategy Manager for Sullivans Cove, and tour their facility. After exploring the distillery Fred had invited us to sit down try some of their releases, where this particular story picks up.

Sullivans Cove Whisky Waffle 7

The reason for our intrigue was that we had just tried two glasses of the Sullivans Cove American Oak Cask (that’s the one with the black label for those who are interested). “And? What’s so weird about that?” I hear you ask. The funny thing was, despite being the same expression, the first glass had tasted very different to the second. The secret to the trick was that the drams had been poured from two different bottles, which in turn had been filled from two different barrels.

When we think about whisky (ie Scotch), we tend to think about consistency. For instance, I might buy a bottle of, say, Balvenie 12 Year Old and really like it. The next time I buy a bottle, I expect it to taste exactly the same as the first one. I am buying it based on a particular flavour profile that represents that expression. The problem for distilleries is that natural variation occurs between whisky barrels for all sorts of reasons, meaning that even if you start with exactly the same spirit and barrel variety, the end product will be slightly different. To get around this, the master distiller will mix (or ‘marry’) different barrels together in a tank (‘vatting’) until they achieve the particular flavour profile they are after. It must be pretty stressful trying to hit that same mark every time.

Sullivans Cove, like other Tasmanian distilleries, goes in completely the opposite direction. Consistent flavour profile be damned, let’s keep everyone on their toes by doing single barrel releases (excluding their Double Cask expression, which is a marriage of American and French oak)! Instead of vatting together a whole range of barrels, once a particular cask is determined to have reached optimal maturity it is decanted and bottled.

As we’ve already discussed though, the result of this approach is that any variations between barrels are laid wide open. Its not just down to the barrels either – thanks to the design of the Sullivans Cove still, which has a stainless steel bowl and a negative lyne arm, the relatively low copper contact means that the resulting spirit is big and meaty and full of character, which carries through into the final product. The ‘ready-when-it’s-done’ philosophy also means that each successive release will vary in age.

Sullivans Cove Whisky Waffle 6

Hence why when it came to the tasting, Fred had provided two bottles each of the American Oak and French Oak expressions, each representing a different barrel. Very handily, Sullivans Cove actually include the origin barrel on the side of the bottle, so you can tell exactly what you’re drinking.

Stepping up to the mark for team American Oak were barrels HH603 (16yo) and TD0056 (12yo), both bottled at 47.5%. On the nose HH603 had notes of aged apples, leatherwood honey, timber, beeswax and a rich bourbon characteristic running underneath. The palate was oaky and nutty, with a finish of oranges. In contrast TD0056 was slightly marine in nature, with a certain fresh, salty, fishy characteristic, mingled with notes of lavender and wood dust. The palate was grainy and bright, with flavours of pear, strawberries and coriander.

Vying for supremacy on team French Oak were barrels TD117 (11yo) and HH400 (15yo), also at 47.5%. TD117 was smooth and refined, with hints of chocolate, raisins and a whisper of sandalwood. The palate had a good chewy mouthfeel and left a dryness on the finish. In comparison HH400 was rich and luxurious, oozing white chocolate, peach, vanilla cake, ginger and leather. The mouth was fat and filling initially, then tapering off to a gentle finish with a nice linger.

Of course, we weren’t naive to the potential for this difference in flavour. We hear things, man, we’re down with the whisky geeks. We’ve had Sullivans Cove plenty of times before… but only in isolation. We’d never sampled different bottlings next to each other like that. It’s not like the bottles were from entirely different planets, there was still a certain Sullivans Cove-ness running through them all, but it really opens your eyes to how much variation can exist between barrels.

IMG_7157

Some people may be a bit put off by this approach or feel a bit cheated. “This isn’t what I had last time!?” “But I wanted barrel HH525!” they’ll huff. I on the other hand tend to think it keeps things fresh and interesting. Heck, there’s hundreds of whiskies in the world that will keep doing the same old thing every time, so it’s good to have something a bit challenging once in a while. Fred agrees: “I couldn’t imagine working at a distillery where I had to taste and talk about the same thing day in, day out. I’d get bored! The awesome thing with Sullivans Cove is that every time we do a bottling it’s going to be a new experience.”