tasting

“We’ve never claimed they’re going to taste the same”: A musing on single barrel releases

Posted by: Ted

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I am sitting on a comfy leather chair in a cosy private tasting room. I have just tasted some whisky. Actually, it’s the second glass I have tried and I am feeling a mixture of surprise, curiosity and intrigue – not in a bad way mind you, I’ve just been caught a bit off guard. I put down my glass on the table which is crafted from half a 100L barrel and glance to my left at Nick. He raises his eyebrows, his expression reflecting my own inner turmoil. I turn to face our host, Fred, who flashes a broad smile and comments “We’ve never claimed they’re going to taste the same.”

To provide some more context, we were visiting Sullivans Cove Distillery in southern Tasmania. We had been invited down as part of Tasmanian Whisky Week 2017 to meet with Fred Siggins, Strategy Manager for Sullivans Cove, and tour their facility. After exploring the distillery Fred had invited us to sit down try some of their releases, where this particular story picks up.

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The reason for our intrigue was that we had just tried two glasses of the Sullivans Cove American Oak Cask (that’s the one with the black label for those who are interested). “And? What’s so weird about that?” I hear you ask. The funny thing was, despite being the same expression, the first glass had tasted very different to the second. The secret to the trick was that the drams had been poured from two different bottles, which in turn had been filled from two different barrels.

When we think about whisky (ie Scotch), we tend to think about consistency. For instance, I might buy a bottle of, say, Balvenie 12 Year Old and really like it. The next time I buy a bottle, I expect it to taste exactly the same as the first one. I am buying it based on a particular flavour profile that represents that expression. The problem for distilleries is that natural variation occurs between whisky barrels for all sorts of reasons, meaning that even if you start with exactly the same spirit and barrel variety, the end product will be slightly different. To get around this, the master distiller will mix (or ‘marry’) different barrels together in a tank (‘vatting’) until they achieve the particular flavour profile they are after. It must be pretty stressful trying to hit that same mark every time.

Sullivans Cove, like other Tasmanian distilleries, goes in completely the opposite direction. Consistent flavour profile be damned, let’s keep everyone on their toes by doing single barrel releases (excluding their Double Cask expression, which is a marriage of American and French oak)! Instead of vatting together a whole range of barrels, once a particular cask is determined to have reached optimal maturity it is decanted and bottled.

As we’ve already discussed though, the result of this approach is that any variations between barrels are laid wide open. Its not just down to the barrels either – thanks to the design of the Sullivans Cove still, which has a stainless steel bowl and a negative lyne arm, the relatively low copper contact means that the resulting spirit is big and meaty and full of character, which carries through into the final product. The ‘ready-when-it’s-done’ philosophy also means that each successive release will vary in age.

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Hence why when it came to the tasting, Fred had provided two bottles each of the American Oak and French Oak expressions, each representing a different barrel. Very handily, Sullivans Cove actually include the origin barrel on the side of the bottle, so you can tell exactly what you’re drinking.

Stepping up to the mark for team American Oak were barrels HH603 (16yo) and TD0056 (12yo), both bottled at 47.5%. On the nose HH603 had notes of aged apples, leatherwood honey, timber, beeswax and a rich bourbon characteristic running underneath. The palate was oaky and nutty, with a finish of oranges. In contrast TD0056 was slightly marine in nature, with a certain fresh, salty, fishy characteristic, mingled with notes of lavender and wood dust. The palate was grainy and bright, with flavours of pear, strawberries and coriander.

Vying for supremacy on team French Oak were barrels TD117 (11yo) and HH400 (15yo), also at 47.5%. TD117 was smooth and refined, with hints of chocolate, raisins and a whisper of sandalwood. The palate had a good chewy mouthfeel and left a dryness on the finish. In comparison HH400 was rich and luxurious, oozing white chocolate, peach, vanilla cake, ginger and leather. The mouth was fat and filling initially, then tapering off to a gentle finish with a nice linger.

Of course, we weren’t naive to the potential for this difference in flavour. We hear things, man, we’re down with the whisky geeks. We’ve had Sullivans Cove plenty of times before… but only in isolation. We’d never sampled different bottlings next to each other like that. It’s not like the bottles were from entirely different planets, there was still a certain Sullivans Cove-ness running through them all, but it really opens your eyes to how much variation can exist between barrels.

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Some people may be a bit put off by this approach or feel a bit cheated. “This isn’t what I had last time!?” “But I wanted barrel HH525!” they’ll huff. I on the other hand tend to think it keeps things fresh and interesting. Heck, there’s hundreds of whiskies in the world that will keep doing the same old thing every time, so it’s good to have something a bit challenging once in a while. Fred agrees: “I couldn’t imagine working at a distillery where I had to taste and talk about the same thing day in, day out. I’d get bored! The awesome thing with Sullivans Cove is that every time we do a bottling it’s going to be a new experience.”

 

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Deviant Distillery: this is not whisky

Posted by: Nick and Ted

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Deviant (diːvɪənt): departing from usual or accepted standards

John Hyslop would like it to be known that he has not set out to destroy the Tasmanian whisky industry. In fact he is a big fan of Tasmanian whisky, having worked for a year at a well known Tasmanian distillery, and he respects the craftsmanship and skill that goes into its creation. However, he felt that he couldn’t look past the environmental impacts of the traditional method of producing whisky and so he set out to find a solution.

Drawing on his background as an industrial chemist, John has developed a truly envelope pushing method to create his product. In fact, a fully mature bottle of spirit from Deviant can be made in just 10 weeks… wait, what? 10 weeks you say? But surely that means it’s not legally whisky?

That’s right, it’s not whisky, which in Australia must be aged under oak for a minimum of two years. John makes no bones about this fact, with even the Deviant labels announcing ‘This is not whisky’ in bright lettering. It is not his aim or intention to pass off his product as a corner-cutting Tasmanian whisky, instead he is looking to create an entirely new product. Based on its strictly legal definition, he has elected to call it a ‘Single Malt Spirit’.

That’s not to say that it tastes completely different to an aged whisky. The spirit actually starts life in much the same way as a traditional whisky does, however John then uses the technology that he has developed to rapidly mature the product to a point where it shares many of the characteristics of an aged dram.

The benefit of this process is the efficiency and the lack of waste produced. John is very ethically driven and claims that his method can make 150-200% of the product in 2% of the time with less than 10% of the waste compared to many distilleries. It is his hope in the future to make Deviant carbon neutral, utilising technologies such as solar and bio-energy, converting waste into fertiliser and purchasing carbon credits to offset any shortfalls.

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One of the other advantages of his process is that he can release product at a much lower price point and rapidly expand into new markets. He acknowledges that there will always be a place for premium barrel aged whisky and he is not looking to displace that. Instead he is aiming to capture those who are potentially put off by the relatively high price point of whisky and produce a bottle of Tasmanian spirit that the average consumer does not have to save up for, a point which he feels will particularly appeal to the 24-36 year old demographic.

Naturally Deviant has ruffled a few feathers in the Tasmanian whisky industry and even we Wafflers have our reservations about how the process will affect our beloved whisky scene. When it comes down to it, what will really make or break ‘Single Malt Spirit’ is the taste. Regardless of how ethically the spirit is produced compared to traditional whisky making, if it fails to capture the interest of the market then it will go down in history as just another failed experiment. Having said that, the technology could also succeed and go on to provide an interesting new option for consumers.

The only real way to find out what Single Malt Spirit is like is to try some. Fortunately Deviant Distillery is launching its product next Saturday night at The Chapel in Burnie. The evening will include four tastings of various Deviant products, behind-the-scene knowledge from John and witty banter from the Whisky Waffle boys (that’s us!)

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Tickets are $20 and are available at: www.trybooking.com/RWJC, but hurry, spaces are limited.

Spending Time at Sullivans Cove

Posted by: Nick

Sullivans Cove Whisky Waffle 1

If you’ve only heard of one Tasmanian distillery, chances are that distillery is Sullivans Cove. Based in Hobart and formerly known as Tasmania Distillery, this founding father of Tassie whisky has a chequered and yet ultimately inspiring past and, as we Waffle boys discovered when we visited their site recently, an extremely promising future.

Sullivans Cove is one of Tasmania’s most visitor-friendly distilleries. The viewing platform looking out across the bond store is a proper money-shot (see above!) and in keeping with the establishment’s status as Tassie’s poster-child distillery. This honour was thrust upon Sullivans Cove in 2014 when a bottle of their French Oak Cask won the prestigious World’s Best Single Malt at the World Whiskies Awards and changed the face of Tasmanian whisky forever. But as our generous host, Strategy Manager Fred Siggins, was keen to point out, there is so much more to Sullivans Cove than barrel HH525.

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Consistency in flavour is a difficult task for the fledgling Australian whisky scene. Due to the size of the industry (or rather the lack thereof) most releases are the product of one barrel and therefore the flavours vary from bottle to bottle. While some distilleries choose to conveniently sweep this issue under the carpet, Sullivans Cove embrace it, hand labelling each bottle with a sticker informing the purchaser exactly which cask or casks are contained within. The result is that a dram of one French or American Oak bottling will be unlikely to taste identical to a previous one.

While this approach ensures Fred is continually explaining to customers why their new bottle tastes slightly different to their old one, it also forms one of the most exciting aspects of the distillery. During our visit we were lucky enough to sample not one, but two of the French and American Oak expressions. Had they not featured the distinctive blue and black labels we may not have picked them as the same bottling.

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In each case one dram was smooth and easy drinking and the other vibrant, fresh and zingy. Excitingly, we could not work out which of each we considered to be the better drop – instead deciding that we would prefer one over the other depending on the mood we were in. Fred agreed and recommended that Sullivans Cove customers leave a small amount in one bottle before opening the next, to really appreciate the difference.

The other exciting aspect of the distillery is the age of the whisky in the bond store – and in their bottles. Sullivans Cove head distiller Patrick Maguire has been creating whisky since taking over the company in 1999 and giving it a much-needed new lease on life in the process. This means that some of the barrels are now pushing 18 years old, an incredible age for an Australian spirit.

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Both the French and American Oak releases are usually aged for anywhere between 10 and 17 years while the entry level Double Cask release, a marriage of 2 to 4 American Oak barrels and one French Oak barrel, contains a cross section of particularly mature whisky, unheard of in any other Tasmanian release.

The only drawback of this premium method of whisky creation is the premium price. Sullivans Cove make no bones though about the fact that they make a premium product and are not looking to change that any time soon. Fred did point out, however, that there is a lot of new Australian whisky coming into the market currently demanding a similar (or greater) price to the Sullivans Cove Double Cask. While this new stock is exciting, the whisky is likely to only be 2 to 3 years old. When compared with the potentially 17 year old whisky found in the Double Cask, it really paints the Sullivans Cove price point in a positive light.

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Sullivans Cove is now one of the most recognisable brands in the New World spirits scene, an achievement which is a true testament to the work put in by Patrick Maguire all those years ago. For a very long time, his whisky creation was a labour of love, an unprofitable venture fuelled by passion rather than profit. The rules have now changed, however, and currently there are over twenty distilleries in operation in Tasmania – with more on the way. It is certainly no overstatement to say that this reality may not have come to be if not for Sullivans Cove Distillery.

Sullivans Cove will be open for tours seven days a week, starting in September! Tours depart hourly and can be booked at the Sullivans Cove site.

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Bushmills 10 Year Old

Reviewed by: Nick

Bushmills 10 Year Old

The truth behind the murky origins of whisky varies depending on one simple factor: whether you are Scottish or Irish. While the heartland of the water of life will always be Scotland, the Irish have an equally legitimate claim as to the creation of the spirit.

Ireland’s ace up its sleeve is Bushmills Distillery, by some accounts the world’s oldest (legal) distillery. Bushmills in Northern Ireland was founded in 1608 when they were granted a license to distil by King James I (or VI, again depending whether or not you are Scottish). While they have not been open continuously all this time, they have produced whiskey for a large chunk of it.

Unlike other (and by other I mean cheaper) Bushmills expressions which blend their whisky with grain spirit from Midleton, the Bushmills 10 Year Old is a single malt, distilled three times, as is the tradition in Ireland. This creates a gentle, easy drinking dram which, while bordering on unexciting, is far from uninspiring.

The nose is delicate with light notes of oranges and mandarins. There are stewed apples to be found, and shoe polish, also light and gentle. The palate is not as delicate as the nose, with the oranges making a bold return alongside strong woody notes which give the impression of old floorboards. The finish is spicy with lingering notes of custard and leather. This is an interestingly balanced whiskey – too light to scare anyone away, but with enough depth to keep it interesting.

So who do I believe? Which country was it that created this wonderful spirit? Simple. It depends if I’m talking to an Irishman or a Scotsman!

★★★

Hakushu Distillers Reserve

Reviewed by: Ted

Hakushu Distillers Edition

It can be a tricky and expensive task getting hold of age-statement Japanese whisky these days. If you’ve been paying attention to global whisky trends over the last five years-or-so, then you’ll know that Japanese whisky has been bang on-point and very much in demand by the smart set. The boom in sales, both locally and overseas, and a slight lack of foresight around barrel management has seen distillery stocks dwindle, so much so that that the two major players, Suntory and Nikka, have had to temporarily discontinue certain aged releases from their distilleries.

Naturally, the shortage in stocks has caused prices to skyrocket. I mean, just the other week I had the opportunity to buy a Yamazaki 50yo 3rd Edition 2011 Release for the low, low price of $157,763.99USD (I lashed out and got three)! Now, admittedly that is a bit of an outlier on the super-premium end of the scale, but even 12yo releases (if you can find them) are generally no less than $150AUD and more often than not well over $200.

So what does a common-or-garden whisky drinker do if you want to own a Japanese whisky without having to count your kidneys? Well, as it happens, there is an answer. These days most Japanese distilleries offer a Non Age Statement release of their product. While superficially a marketing device, the NAS releases are actually crucial for the ongoing survival of the distilleries, allowing continued market access by marrying dwindling older barrels with younger stock coming online.

An example of this is the Hakushu Distiller’s Reserve. While you can still find the 12yo for around $180, the distillers edition is available for a far more wallet pleasing $110. Located NW of Tokyo near Hokuto, an unusual feature of the Suntory owned Hakushu is that it boasts a bird sanctuary within its leafy grounds at the base of Mt Kaikomagatake in the Southern Japanese Alps.

Apparently the Hakushu Distiller’s Reserve marries younger lightly peated malt and heavily peated malt around the 8yo mark with American oak-aged spirit of around 18yo. Or so the internet, repository of all things, tells me; you certainly wouldn’t pick it as being peated if you tried it blind.

On the nose the Distiller’s Reserve is bright, fresh and zingy, delivering a satisfying bouquet of crunchy green apples, sour plum, lemon grass, mint and citrus (Yuzu if you want to get technical according to Hakushu). The scent is clean and light, like a crisply pressed kimono, although after a bit of breathing time it develops a softer, creamy edge.

On the palate the spirit is sharp, clean and metallic, like a samurai sword across the tongue, and delivers a hit of hard, sour stone fruits and a twist of lemon rind. The finish is lingering and herbal, with perhaps a touch of green tea. Couldn’t find that smoke though I’m afraid, although to be honest, with the flavour profile presented by the Distiller’s Reserve I didn’t miss it either.

People quite often get a bit salty about the concept of NAS releases, considering them to be inferior to age statement releases (often without real justification… although sometimes merited for sure, but we won’t go into that particular Reserve here). I am pleased to say however, that in this case the NAS epithet is not a negative one.

But that’s what the Japanese do isn’t it? They take a thing, study it with care and then make not just a copy, but something that is even better than the original. Which is lucky really seeing as the Distiller’s Reserve will be about all we can reasonably get our hands on from Hakushu for the foreseeable future. In conclusion, if you want to see a NAS done right, then look no further than the Hakushu Distiller’s Reserve.

★★★

Whisky Waffle to Waffle around the world

Posted by: Nick and Ted

Whisky Waffle Around the World

Well we like it we like it we like it we like it we la la la like it. La la la like it. Here we go-oooh! We’re Waffling around the world!

After the roaring success that was our tour of Scotland, we’ve decided to jump on a big old jet airliner and go global.

Our next Waffle Night will occur on the 22nd of July and once again be held at Burnie’s best cafe and whisky tasting venue: The Chapel. We will be sampling whisky (and whiskey) from various exotic countries around the world… and America.

The night will cost $35 and this covers light nibbles, as well as six drams of whisky from different countries. Judging by past events, tickets will sell out fast, so book your place by visiting: www.trybooking.com/QYYZ

What: Whisky Waffle’s World Tour: Wafflin’ Around the World

When: Saturday the 22nd of July at 7.30pm

Where: The Chapel, Burnie

Why: because whisky is good

Who: you guys!

How much: $35 for 6 drams and light food

So giddy up and giddy up and get away. We’re getting Waffly in the best kind of way. Here we go-oooh! We’re Waffling around the world!

Book now!

 

The Glenlivet Master Distiller’s Reserve

Reviewed by: Nick

Glenlivet master distillers reserve

The Glenlivet is one of the grand old boys of Scottish whisky. A distillery whom Whisky Waffle considered reliable, safe and go-to. Of course, all this changed when they replaced their 12 Year Old with the Founders Reserve. Sigh. What were they thinking?

But, never fear fellow Wafflers! If, like us, you have lamented the lack of 12 Year Old in bottle shops near you, then we have your solution: The Glenlivet Master Distiller’s Reserve, named for Alan Winchester, Glenlivet’s own master distiller since 2008. Now, this bottle was once upon a time only available to frequent flyers buried in duty free, however many online liqueur stores <cough> perhaps one that shares a name with this reviewer <cough> have procured stock and let me tell you, it’s well worth it.

It’s not a complex dram: it’s only 40% and has been triple matured in American oak, ex-sherry casks and ‘traditional oak casks’ (whatever that means). On the nose are apples and pears, but also creamy notes, like particularly milky tea. The palate isn’t smooth per se, but it’s easy to drink. There are flavours of vanilla, oranges and choc chip biscuits. The finish is nutty and pleasantly long and, again, particularly creamy.

I’m not claiming the Master Distiller’s Reserve is a masterpiece – simply that it is interesting, reliable and nice to drink – everything the Founders Reserve is not. This is NAS whisky done well.

★★★

 

A Stopover at Starward

Posted by: Nick and Ted

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They grow up so fast, don’t they? It was under two years ago that Whisky Waffle first visited New World Distillery/Starward in their Essendon Airport location and were impressed by their hardworking staff and their delicious whisky. Fast forward to the present and they’ve raised the bar considerably, upsizing their apparently insufficient aeroplane hangar for a gigantic warehouse, which in turn will likely be bursting at the seams in two years time.

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Starward has been a very busy distillery. On Nick’s previous visit he noted how staff worked around the clock on three distillations a day to create as much product as humanly possible – a key factor in keeping their prices within an accessible range for we mere mortals. This commendable approach has led to two key outcomes: a wide range of people have been able to try the whisky and their bond store has filled up in no time.

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The pressing lack of space at the old airport hangar led to a drastic solution: a new home. Their new premise is much closer to the city of Melbourne, located at 50 Bertie Street Port Melbourne, a short tram ride away from the city.

The cavernous open plan industrial space, some two and a half times larger than the Essendon facility, easily fits all the distillery equipment, the bond store and a slick bar area (although apparently they haven’t managed to find space for the basketball hoop yet). Also found within the walls is a team of fantastic staff members, such as Sasha, Rachel (how’s the hunt for an Aussie husband going?) and Cameron (cheers for showing us around and letting us try some of the best new-make in the business. You’re not really a spud).

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One of the big highlights of visiting the distillery (apart from the tree growing next to the bar) is the chance to try a variety of the New World Projects range, which are the result of the distillers getting creative in their spare time. We were lucky enough to sample the PX Cask #3 (sweet, fruity and now out of stock), Dram Full Single Cask #1 (oaky with a herbal finish), Lui Bar Selection #3 (spicy and rich, our pick of the session) and the First Distillery Last Release (cask strength and punchy).

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Thanks to everyone at Starward for the warm welcome on a cold day. It’s great having a distillery right in the city so that locals and tourists can easily visit. If you have a spare moment we can highly recommend heading down to Port Melbourne and dropping into one of Australia’s hardest working distilleries.

Starward Distillery is open Friday and Saturday 12pm-10pm and Sunday 12-8pm. Tours are conducted on those days at 2pm and 5pm.

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Whisky Waffle Taste Success(fully)

Posted by: Nick and Ted

Whisky Waffle pour effort

You may have heard us mention it once or twice, but recently we have been a little excited about the chance to take our waffling off the net and into the big wide world. Well, the night has been and gone and we couldn’t be happier with result. While unfortunately our flights to the UK were cancelled (and the plane tickets may have been imaginary), our virtual tour was a raging success, introducing our eager guests to the whisky regions of Scotland.

‘Whisky Waffle’s Tour of Scotland’ visited Speyside via the Glenfiddich 12, up through the Highlands taking in Glendronach 12 and Dalwhinnie 15, across to the Islands to try some Highland Park 12 before swooping down into the Lowlands for a spot of Auchentoshan Valinch and finally coming to rest on the magical Isle of Islay for a well deserved dram of Lagavulin 16.

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The Chapel cafe in Burnie was the perfect venue for such an occasion, providing a warm and intimate environment for our guests, who began the night pretty chilled and only relaxed further as the drams were distributed. While merriment abounded, much to our amazement people were more than happy to drink in our tales, laugh at our jokes and even provided a new nickname for Nick (Mal, to go with Ted. Think about it).

Everybody discovered their own favourite whisky and there was much discussion about the different flavours and characteristics that each brought to the table (gooseberries???). Thanks to the success of this first session we will be holding a (already sold out!) repeat performance in a few weeks time entitled ‘Whisky Waffle’s Tour of Scotland: The Second Lap’. While still focusing on the different regions, the night will feature a new line up of whiskies.

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We would like to extend our sincere gratitude and thanks to Andrew at the Chapel for supporting us in our endeavours and to all our recently inducted Wafflers for coming along and making the evening such a success.

Stayed tuned loyal Wafflers, hopefully soon we will be able to bring you news of a third session!

King in the north: Fannys Bay Distillery launches its whisky

Posted by: Ted

Ted n Mat Whisky Waffle

Compared to the established distilleries of the south, the north of Tasmania has been something of a permafrost-covered wasteland, devoid of all but the hardiest specimens. Scratch the surface however and you will find new life growing vigorously, with a multitude of start-ups building stills and laying down spirit.

Now the first of this new cohort has come to fruition, with Fannys Bay Distillery officially launching its range. Owned and run by the lovely Mathew and Julie Cooper, Fannys Bay is based on the far north coast in the rather appropriately named hamlet of Tam O’Shanter.

Small scale, hand crafted and innovative could be the bywords of Fannys Bay. The small still that resides in the Cooper’s garage was hand built by Mathew and each 20L barrel that is filled is mothered like a flock of chickens until maturity.

The launch was held at the recently opened Kingsway Whisky Bar in Launceston. The venue turned out to be rather easy to find thanks to the live quartet of bagpipers stationed outside the doorway, deafening guests as they entered the bar.

Bagpipes whisky waffle

The long, narrow space was quickly filled with friends and fans of Fannys Bay, including luminaries of the Tassie whisky scene such as Casey and Jane Overeem, Craig Johnstone, Damien Mackey, Rex Burdon, George Burgess and Troy Trewin. Mathew and Julie were gracious hosts, warmly welcoming their well wishers and even finding time to carry around some of the excellent cheese platters that had been provided.

Troy, Jane, George, Ted

Troy, Jane, George and some hipster

While the brie may have been rather fine, the real stars of the show were the three expressions of Fannys Bay being generously poured by Mathew. On offer were a pinot cask 43%, a port cask 62% and a sherry cask 63.4%. The pinot was light and smooth with notes of grapes and green apples. In comparison the sherry was robust and full of stewed fruits and spice, while the port was dark and rich, oozing raisins, sticky prunes and burnt toffee. Everybody who tried a dram came away with a satisfied look on their face and there was quite a long line to buy the flat, rectangular bottles with their vaguely Victorian inspired lettering and painted reverse.

Fannys Bay Bottle whisky waffle

The official part of the evening was conducted by Rex, Jane and Casey, who all spoke passionately about the warm, friendly and hospitable nature of the Coopers and their willingness to share their knowledge and experience with others. Jane noted that it was ‘exciting to see people who have such passion jumping into an industry with such a huge amount of opportunity’. After rather sheepishly admitting that he had been to see the distillery for the first time only a few hours before, Craig got up recited a poem to a rather amused crowd:

May you have shortbread when you’re hungry,

Whisky when you’re dry,

Pennies when you’re poor,

And heaven when you die.

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After the speeches were concluded, several bottles of the first barrel laid down by Mathew were put up for auction. Barrel #1 (Bourbon) Bottle #1 was claimed by Traralgon based whisky collector Shane Barbour, who remained calm under fire from competing bids to claim his prize (he mentioned that he also has a #1 bottle of Oveerem, lucky sod). Talking afterwards, Shane reflected that one of the reasons he keeps coming down is that everyone in the Tassie scene is so friendly and welcoming (plus the chance to collect unique whiskies).

The evening concluded in a relaxed fashion, with guests chatting away amicably in small groups and nibbling pieces of Fannys Bay pinot cask chocolate brownie. Mathew and Julie glowed with pride as they reflected on the success of the evening. When pressed, Mat said that he was “very, very pleased to be able to show that we have such a great Tasmanian product,” with Julie adding that “It’s been such a great journey.”

Mat n Julie Whisky Waffle

The last word comes from Troy (which I think would rather please him), who quite succinctly summed the evening up thus: “Tonight was a candlelight held up in the Tasmanian craft distilling scene, industry coming together to celebrate this nascent venture, a leader of the northern new wave. Patience has been worth it.”

Look out Southerners, the North is alive!

b n w Ted whisky waffle