Japan

Jim Beam Kentucky Straight Bourbon

Reviewed by: Nick and Ted

When Jacob Beam first distilled some corn along the banks of Dicks River in Kentucky circa 1795, he probably cranked out some pretty rough and ready stuff. Well, it seems that over the years not much has changed. Jim Beam has its origins as a small family business plying their trade in the newly formed state of Kentucky, but since then the family has grown just a tad. In 2014 Jim Beam was involved in a shotgun wedding which resulted in it picking up the double-barrel name (geddit?) Beam-Suntory. And all this multi-national success only came at the low, low price of its soul. Well, it seemed like a good deal at the time.

Not that the brand was particularly struggling it must be said, as Jim Beam Kentucky Straight Bourbon is one of the most recognisable and consumed spirits on the face of the planet. Most often you can observe it in its natural environment being mixed with coke, or being shotted by teens trying to be tough (and then regretting it later).

The boys from Whisky Waffle are even tougher than that. They sipped it. Neat.

On the nose the Beam is surprisingly smooth. And sweet… you could be forgiven for the thinking that it’s a liqueur. Honey, pear and confectionery notes of red frog and fairy floss (“cotton candy” in Beam’s motherland) slide across the ol’ olfactory bulbs. Overall it’s not too bad actually.

But then like a Disneyland water-slide, things go down the tubes. On the palate the analogy is rather appropriate as the Beam is about as watery as the pool at the bottom of the aforementioned slide. It also tastes like quite a few people have been swimming in it before you. The quality is thin, with a hint of sour white grapes coated in a film of dish liquid. Once you’ve emerged from the murky waters, your mouth is left with the not altogether pleasant taste of ethanol, cheap Sav Blanc and tourists in Mickey Mouse swimmers.

In fact, drinking bog standard Beam is a lot like a trip to Disneyland in general. It’s exciting at the start, but at the end of the day you are left feeling hot, weary, annoyed, and like your personal space has been violated by hordes of Japanese tourists (Suntory joke). Jim Beam Kentucky Straight Bourbon is not a whiskey we would turn to regularly, but then again we’re not really doing it right. Coke anyone?

★

Miyagikyo 12 Year Old

Posted by: Ted

More Japanese whisky? Bring it on! For your delectation (or mine rather, seeing as I’m the one drinking it. Go find your own) we have another drop from Nikka, one of the two big players in the Japanese whisky market.

Because Japan is a collection of islands, Nikka and its rival Suntory each own a bunch of distilleries scattered around the archipelago, with each providing its own special character and techniques.

Miyagikyo distillery is based in Sendai on Honshu, the largest of the islands. The distillery was founded by the legendary Japanese whisky maker Masataka Taketsuru. Quite unusually, Miyagikyo apparently makes both single malts and grain whiskies at their site.

The peculiarities don’t stop there. According to Nikka, Miyagikyo uses steam heat distillation to create their product, a process where steam is introduced into the distillation apparatus to carry the volatised compounds into the condensation flask. Whether this changes the flavour in any significant way I will leave up to you.

On the nose the Miyagikyo has that hot and sour Japanese vibe, like honey and lemon tea with a hint of ginger. As it first enters your mouth the spirit is silky smooth, quickly turning dry and dustily spicy. Pepper, caramel, metal, sour plum (which seems to be a common factor in Japanese drams) and lemon drops crawl fuzzily across the tongue. Tartness and sweetness make well balanced bed-fellows.

The Miyagikyo is a very laid back Japanese drop. Probably something best drunk while contemplating the universe in a garden of falling cherry blossom.

Rising Sun spirit/

Tranquil Miyagikyo flows/

The zen of amber/

★★★

Nikka from the Barrel

Reviewed by: Ted

I’ve been at it again! For those who remember my Akashi review, I seem to have picked up a habit of reviewing Japanese whiskies at a particular bar that I occasionally habituate. Not a bad vice I must admit.

This visit’s subject is Nikka from the Barrel, which comes in an intriguingly plain, stubby little 500ml bottle. The labelling is sparse to say the least, and not particularly useful if, like me, you cannot read Japanese.

It’s not only the bottle that has limited information. The little that I could find out about this drop is that it is a blend (or as Nikka claims, a marriage) of matured malt and grain whiskies from re-casked barrels.

Bottled at 51.4%, the Nikka has a robust, gutsy nose. Dark honey, peach, apricot and orange jump on to the old scent receptors, although m’colleague swears blind that he could smell corned beef (odd man).

On the palate the Nikka is rich and syrupy, with notes of burnt sugar, oak, sultanas and honey, followed up by a pleasant herbal bitterness that reminds me of Speyside. I would take an educated guess that sherry barrels have played a part in the blend, as something of that quality seems to shine through.

The Nikka from the Barrel is a fantastic Japanese blend. It’s bold, gutsy, fun and will put a grin on your dial. Definitely give it some attention if you come across a bottle.

★★★

Jim Murray rates Tasmanian whiskies as liquid gold

Posted by: Nick

An early dust-cover for the 2015 Whisky Bible which did not make the final printing

Here at Whisky Waffle we don’t take our rating system too seriously. We’re certainly a far cry from individual nose-ratings, and can barely count to 100, let alone score out of it! We are far more, in a word: wishy-washy (yes, ok, that was two words, but like I said, we have problems counting).

For some people however, wishy-washy doesn’t cut it, and a nice tangible score out of 100 is the way to go. One such man is Jim Murray, who did not quite squeeze into the quartet of Matthew, Mark, Luke and John and decided to write his own bible. About whisky. Appropriately titled: The Whisky Bible.

This man has tasted and rated over four thousand whiskies for his latest edition, and apart from having the best day job in the world, he also has a half decent palate. This, apparently, is enough justification for distilleries to go gaga when he attributes high scores to their products.

Whiskies to which he deigns an award of 94 points or higher are granted the impressive-sounding moniker: ‘liquid gold’, not to be confused with Macallan Gold, which is another matter entirely (and one not nearly as impressive-sounding, despite what the PR guys at Macallan try and tell you).

There are two points, however, that Jim Murray and I see eye to eye on. The first one is our love for trade-mark headwear which, while a fascinating discussion, is not relevant to the current article. Our second is our love for whisky made in Tasmania. While I may have proved time and time again that I am slightly biased on the subject, Jim’s love is purely objective (with the possible exception of Nant).

I am rarely seen without my trademark top-hat. DISCLAIMER: this statement may or may not be true

The Tasmanian distilleries who have produced liquid gold bottles for the 12^th edition of the Whisky Bible are Lark and Sullivans Cove, and I offer them both my sincerest congratulations. Sullivans Cove received a score of 95.5 points for its American Oak bourbon cask release, until now the neglected younger brother of the coveted French Oak port cask. Lark received 94 points for its cask strength release, which makes me exceptionally happy, partly because it is a wonderfully deserving distillery and partly because I happen to own a bottle.

My precious…

Elsewhere in Australia the wonderfully obscure Limeburners distillery from Albany, Western Australia has also been awarded liquid gold status, due to both being a fantastic drop and to being from a region of the world where it can get hot enough to melt actual gold.

These bottles join a number of Australian products to receive this honour. In Tasmanian alone Overeem, Heartwood and Nant, as well as other Sullivans Cove and Lark releases have been given the tip of the panama hat. And if this isn’t enough justification to my Scottish friend that this country makes a damn good dram then I don’t know what is.

In the end, however, it’s just one man’s opinion. And this whisky blog is simply another. The most important critic of a whisky’s quality is you. If you try a drop at the right time in the right place with the right people, then that is all the justification you need. Like I said, wishy-washy. But they do call it liquid gold after all…

White Oak Akashi + 12yo

Reviwed by: Ted

White Oak Akashi vs White Oak 12 Year Old

Just a quick review hastily scribbled down at the bar about two whiskies out of Japan. Founded in 1888, White Oak Distillery is one of the lesser known distilleries outside of its home country, only selling to the local market until 1984. Apparently though, White Oak was the first distillery in Japan to gain an official license, pre-dating Suntory and Nikka, the two major players in the Japanese whisky scene.

White Oak releases are less common in Australia, particularly aged releases. Luckily the bar that I am currently at had the presence of mind to have not one, but two of them hiding on the top shelf, prompting this on-the-spot review. The two White Oak examples perched on the bar before me are the Akashi Non Age Statement (NAS) and the 12 Year Old.

I cannot provide much more background to the two bottles as all the information is (unsurprisingly) written in Japanese, but I can reveal that the Akashi is much lighter in colour than the 12yo, which has a nice amber tone. On the nose the Akashi is fairly insubstantial, with only a light sweetness coming through. In comparison the 12yo has a strange sulphuric tang. It’s almost smoky at first, but quickly turns chemical.

The chemical vibe continues on the palate, with a smoky sulphuric quality that tastes like the water could have been drawn from a mineral-rich hot volcanic pool on the side of a Japanese mountain. Against this the Akashi tastes lightly bitter/sweet, not venturing too far in either direction.

In conclusion, the Akashi, while pleasant, is a bit of a non-event, showing a rather bland personality. In complete contrast the 12yo is full of character, but unfortunately the sort of unpleasant character that you might meet down a dodgy alley on a dark night. While curious to try, the 12yo definitely won’t be to everyone’s tastes, and the Akashi certainly won’t turn any heads down the street. It seems that White Oak is more miss than hit, but whether it’s older releases can redeem it will have to wait for another day.

Akashi: ★

12 Year Old: ★★

Yamazaki Distillers Reserve

Reviewed by: Nick

Even the most diehard Scotch whisky traditionalists can no longer argue that countries other than Scotland cannot produce top quality single malts. Japan has become one of the leaders in New-World whisky-making and recent awards, such as the number one spot in Jim Murray’s 2015 whisky bible, suggest that the status quo is changing – slightly – but noticeably.

The establishment responsible for the latest-greatest single malt is Yamazaki, Japan’s oldest distillery. Some of their products are undoubtedly spectacular and produce flavours that will stand out in any collection. Others, however, are more content to blend into the background.

The Yamazaki Distillers Reserve features younger spirits matured in ex-red wine casks married with older sherry and Japanese oak (mizunara) casks. The results are pleasant, although certainly not world-beating.

Dark fruits are immediately noticeable on the nose along with some sappier floral notes. There is also a slight dollop of vanilla with subtle hints of wood shavings. It is lively across the palate – spicy and challenging and certainly not smooth. Although far from sweet, it contains notes of stewed apricots and raspberry jam, but these compete for attention with oaky tannins and form an intriguing but overall unbalanced flavour. There is a bitterness to the finish which partially hides the more pleasant fruitier notes and the overall impression is one of ‘so close, but yet so far’.

The Yamazaki Distillers Reserve is far from a bad whisky. It is interesting, challenging and uniquely Japanese. It is, however, far from Yamazaki’s best drop and certainly lacks the balance of flavours found among the distillery’s more accomplished products.

★★

Storm in a Glencairn glass: Jim Murray’s Whisky Bible 2015

Posted by: Ted

The high priest of whisky tasting, Jim Murray, has just brought his newest amber gospel down from the mountain, Jim Murray’s Whisky Bible 2015. This year’s edition has created somewhat of a stir in the whisky world, as in a surprising turn of events there is nary a Scotch whisky to be found in Jim’s pick of the top five whiskies in the world!

Jim Murray: single handedly keeping Panama hat making companies in business since 2004

Jim Murray: single handedly keeping Panama hat companies in business since 2004

The number one spot in this edition goes to a Japanese whisky, The Yamazaki Sherry Cask 2013, a drop that has certainly proved popular since its release last year. Now that Jim has placed it on the top of the pile stocks will undoubtedly deplete faster than a packet of Tim Tams at a kids birthday party, so the discerning collector should act quickly to secure a bottle. Yamazaki is no stranger to high accolades, with the 18yo picking up a slew of gold medals at the prestigious San Francisco Spirits Competition in recent years and the 25yo placing first in the World Whisky Awards in 2012.

The winning whisky! Now being sold for extortionate prices everywhere!

The number two and three rated whiskes come out of the Americas, with Jim selecting the William Larue Weller 2013 bourbon and the Sazerac Rye 18yo respectively. As with the Yamazaki, bottles of these are already quite hard to come by apparently, so you will be one of a lucky few if you do happen to locate them after this.

In the Scotch category the dram of the year goes to a blend, The Last Drop 1965, which as you can probably imagine based on the age is rather expensive. For the rest of us mere mortals the winners of the more reasonably priced sub-categories of blends, non-age statements, and ages up to 21 years included drops from well known distilleries such as Highland Park, Glen Grant, Glenmorangie, Ardbeg, anCnoc, Balvenie and Ballantines.

Something that is likely to bring a few pained tears to Scottish eyes is the fact that the winner of the Best European Whisky section was an English distiller! Yes, that’s right folks, The English Whisky Co.’s Chapter 14 Unpeated is rated by Jim as the current pinnacle of European whisky. This is a huge moment for English whisky and a turn of events that will likely have Scottish whisky boffins racing back to their drawing boards

In a category closer to home, the trans-Tasman war between the Aussies and the Kiwis will likely heat up, as a New Zealand drop has been named as the Southern Hemisphere Whisky of the Year: The New Zealand Willowbank 1988 25yo. Fortunately for the Aussies, the Willowbank distillery in Dunedin closed down in 1997, meaning stocks of this champion dram will dwindle ever lower while the new Australian boom will continue to take the world by storm. In fact, Jim is rather fond of the whisky coming out of Australia and generally rates it quite highly .

The Whisky Bible is always worth a look if you want a great overview of the hundreds of whiskies available around the world, and can be ordered online at the official Whisky Bible website: here.

A full run down of the winners of each category can be found here.

Yamazaki 12 Year Old

Reviewed by: Ted

If you stood at the top of Ben Nevis in the highlands of Scotland and turned your eyes eastwards, then you would probably just see quite a lot of Scotland to be honest. However, if you had truly exceptional eyesight, even better than the elf eyes of Legolas, then in the far East you may be able to see a mighty chain of islands under the rising sun (this is of course assuming that your amazing eyes can penetrate Scottish rain!).

The islands of course form the ancient nation of Japan, a place of legends and gods, samurais and ninjas, geisha girls, and very strict tea parties. A curious thing you may not have expected to find in Japan is a fully fledged whisky industry… and yet Japan is the third largest producer of the amber drop behind Scotland and America, and is home to some of the greatest whiskies in the world.

As a country, Japan has only a relatively short history of making whisky, and like Australia the modern scene has its origins in a conscious decision to start an industry. After the introduction of Scotch whisky to Japan in the late 1800’s, a primordial ooze of distillers formed, but it wasn’t until 1923 that the first serious attempt emerged with the founding of Yamazaki distillery by Shinjirro Torii.

Apparently the initial releases were not favourable and so Torii hired a fellow countryman by the name of Masataka Taketsuru. Taketsuru had studied in Scotland in the early 1910’s, and after marrying Kirkintilloch girl Jessie ‘Rita’ Cowan, worked at Hazelburn distillery for several years before returning to Japan. The in-depth knowledge of whisky making Taketsuru gained in Scotland provided the crucial spark that Torii needed to make a worthy dram.

Thanks to the work of Torii and Taketsuru, modern Japanese whisky shares much in common with Scotch whisky, helped by the fact that Japan has a similar climate and terrain to Scotland. Yamazaki distillery (owned by Suntory, one of the two major players in the Japanese whisky industry) is located in the outskirts of Kyoto on Japan’s main island of Honshu.

The Yamazaki 12yr old was the first Japanese whisky I ever tried, and it piqued my interest in the malts of those eastern isles. The colour is a burnished gold that would be at home in a Japanese shrine. The nose is sweet and intensely fruit driven, with a strong scent of red pears backed with a light hint of mandarins.

The flavour is bright, and bursts in a wave across the tongue and roof of the mouth. After an initial sweet hit, sharp tangy citrus flavours dominate the tastebuds and charge up to the back of the nose. The finish is lightly dry with a slight bittersweetness, and brings to mind the feeling left after eating a green chewy lolly.

Although the bright, sharp flavours may not be to everyone’s tastes, the Yamazaki 12 is a great starting point for anyone wanting to try Japanese whisky, and not only because it comes from the oldest commercial distillery in Japan. The Yamazaki 12 provides a glimpse into the mind of a new whisky culture, one forged out of the soul of an ancient civilisation. Kampai!

★★★