opinions

Glen Moray 16 Year Old

Reviewed by: Nick

Glen Moray 16

Different people look for different things in a whisky. Some people desire a smooth and easy drinking drop. Others want something to excite and challenge them. Others still want something to mix with their coke. There are many, many reasons, so naturally, there are people whose sole criterion when selecting a bottle is the desire for it to come in a shortbread tin. If that applies to you, look no further than the Glen Moray 16 Year Old!

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I know, I can hear you all now – I’ve made some ridiculous claims on Whisky Waffle but this one takes the biscuit! The biscuit! No? Well, I admit, I may be selling this drop a bit short(bread). There are, in fact, a number of reasons to pick this one up. Glen Moray is a reliable distillery if you’re after a decent bourbon-matured quaffing scotch. Their bottles are always good value: this one can be found for around $65 in Australia, which, believe me, is a great price for a 16 Year Old Whisky. And on top of all that – the tin features an endearing array of the uniforms worn by the Scottish Highland Regiments, including a man sporting ‘The Black Watch’, who, rather controversially, is not wearing a skirt!

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Ok, so while I can crap on about the tin all day, you guys really want to know if it tastes any good… in my opinion. And in my opinion, it does. It’s a considerable step up from the 12 Year Old and while it is still light and easy drinking, it contains a silky layer not found in younger Glen Moray releases.

On the nose are standard notes of honey and vanilla alongside sweet biscuits and pineapple. The palate is gentle with toffee and banana prominent. The finish is short but pleasant with a faint herbal linger.

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Different people look for different things in a whisky. But everyone looks for one which they’ll enjoy. The Glen Moray 16 Year Old is as close as any out there to a dram that can be enjoyed by everyone – whether for the flavours on the inside – or the shortbread tin on the outside.

★★★

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anCnoc Peter Arkle Limited Edition: ‘Bricks’

Reviewed by: Ted

anCnoc Bricks

Can whisky be Art? To be clear, I am not talking about the art of whisky making here, that semi-magical process where the unique personality and knowledge and skills of the distiller combine during the creation of the spirit to imbue it with the essence of that particular distillery. Nope, I mean the regular, picturey type.

Bottles and tubes usually have some sort of artwork on them, but that’s not Art right? That’s just advertising. Special edition releases containing very old and rare whisky often have striking, elegant and beautiful bottles and cases… but really, that’s just advertising for the sophisticated (and rich) buyer.

What then if you commission a renowned illustrator to produce the artwork for a special edition series of bottlings (even here, there seems to be conjecture as to whether illustration counts as Art. Anyone care to put forward a position?). anCnoc (pronounced ah-nock), produced by Knockdhu Distillery, did just that, recruiting Scottish born, currently New York based illustrator Peter Arkle to create artwork for a special set of limited edition releases. The name and artwork of each bottling in the series reflects a different aspect of the distillery, such as ‘Ingredients’, ‘Casks’, ‘Warehouse’ and ‘Luggage’ (a travel retail exclusive).

The bottle I possess is called ‘Bricks’… which rather does what it says on the tin to be honest. The artwork on the tube features a wall of bricks adorned by a bright yellow warning sign announcing ‘Remarkable Liquid’. anCnoc says that the release pays homage to their dunnage warehouses, wherein the walls are adorned by signs such as ‘Danger, Explosive Atmosphere’ and ‘Flammable Liquid’ (and probably more importantly, ‘No Smoking or Naked Lights’), reminding the occupants of the powerful forces at play.

The whisky in each edition has it’s own special twist; in the case of ‘Bricks’ that means a mixture of Spanish oak ex-sherry butts and American oak ex-bourbon barrels bottled at 46% abv. Straight up on the nose you can smell the sherry; this isn’t the heavy leather and dark wood drawing room vibe you get from some sherried drops though, but more like eating a packet of chocolate coated raisins on a sun lounge on the patio. At the back there’s also a delicate splash of grapefruit, pear and cinnamon.

I have come to the conclusion that my official tasting note for anCnoc is ‘dusty’, because I’ve found the same thing in every one that I’ve tried so far. It’s kind of like walking into a wood-work shop and breathing in that light dusting of wood powder that’s everywhere. Or perhaps walking down a forest track in summer with a light breeze stirring up dust from the earth and the vegetation. The spirit coasts lightly across the tongue, not like a brick at all, and ends with a delicious, crisp burst of citrus and raisins that lingers on for some time.

I can’t really speak for whether the ‘Bricks’ constitutes Art or not, but I rather suspect it lies in eye of the beholder and the value you place on such things. There is certainly one aspect of the work that I can give a definitive answer on though: it is indeed Remarkable Liquid. The Bricks possess the bright, summery lightness of other anCnoc’s that I have tried, but the addition of sherry introduces a complexity that takes it to a whole other level and I think perhaps that is where the real artistry lies. It does look rather spiffy on the shelf though. Perhaps I shall have to collect the whole set and contemplate the matter more deeply.

★★★★

anCnoc Bricks label

“We’ve never claimed they’re going to taste the same”: A musing on single barrel releases

Posted by: Ted

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I am sitting on a comfy leather chair in a cosy private tasting room. I have just tasted some whisky. Actually, it’s the second glass I have tried and I am feeling a mixture of surprise, curiosity and intrigue – not in a bad way mind you, I’ve just been caught a bit off guard. I put down my glass on the table which is crafted from half a 100L barrel and glance to my left at Nick. He raises his eyebrows, his expression reflecting my own inner turmoil. I turn to face our host, Fred, who flashes a broad smile and comments “We’ve never claimed they’re going to taste the same.”

To provide some more context, we were visiting Sullivans Cove Distillery in southern Tasmania. We had been invited down as part of Tasmanian Whisky Week 2017 to meet with Fred Siggins, Strategy Manager for Sullivans Cove, and tour their facility. After exploring the distillery Fred had invited us to sit down try some of their releases, where this particular story picks up.

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The reason for our intrigue was that we had just tried two glasses of the Sullivans Cove American Oak Cask (that’s the one with the black label for those who are interested). “And? What’s so weird about that?” I hear you ask. The funny thing was, despite being the same expression, the first glass had tasted very different to the second. The secret to the trick was that the drams had been poured from two different bottles, which in turn had been filled from two different barrels.

When we think about whisky (ie Scotch), we tend to think about consistency. For instance, I might buy a bottle of, say, Balvenie 12 Year Old and really like it. The next time I buy a bottle, I expect it to taste exactly the same as the first one. I am buying it based on a particular flavour profile that represents that expression. The problem for distilleries is that natural variation occurs between whisky barrels for all sorts of reasons, meaning that even if you start with exactly the same spirit and barrel variety, the end product will be slightly different. To get around this, the master distiller will mix (or ‘marry’) different barrels together in a tank (‘vatting’) until they achieve the particular flavour profile they are after. It must be pretty stressful trying to hit that same mark every time.

Sullivans Cove, like other Tasmanian distilleries, goes in completely the opposite direction. Consistent flavour profile be damned, let’s keep everyone on their toes by doing single barrel releases (excluding their Double Cask expression, which is a marriage of American and French oak)! Instead of vatting together a whole range of barrels, once a particular cask is determined to have reached optimal maturity it is decanted and bottled.

As we’ve already discussed though, the result of this approach is that any variations between barrels are laid wide open. Its not just down to the barrels either – thanks to the design of the Sullivans Cove still, which has a stainless steel bowl and a negative lyne arm, the relatively low copper contact means that the resulting spirit is big and meaty and full of character, which carries through into the final product. The ‘ready-when-it’s-done’ philosophy also means that each successive release will vary in age.

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Hence why when it came to the tasting, Fred had provided two bottles each of the American Oak and French Oak expressions, each representing a different barrel. Very handily, Sullivans Cove actually include the origin barrel on the side of the bottle, so you can tell exactly what you’re drinking.

Stepping up to the mark for team American Oak were barrels HH603 (16yo) and TD0056 (12yo), both bottled at 47.5%. On the nose HH603 had notes of aged apples, leatherwood honey, timber, beeswax and a rich bourbon characteristic running underneath. The palate was oaky and nutty, with a finish of oranges. In contrast TD0056 was slightly marine in nature, with a certain fresh, salty, fishy characteristic, mingled with notes of lavender and wood dust. The palate was grainy and bright, with flavours of pear, strawberries and coriander.

Vying for supremacy on team French Oak were barrels TD117 (11yo) and HH400 (15yo), also at 47.5%. TD117 was smooth and refined, with hints of chocolate, raisins and a whisper of sandalwood. The palate had a good chewy mouthfeel and left a dryness on the finish. In comparison HH400 was rich and luxurious, oozing white chocolate, peach, vanilla cake, ginger and leather. The mouth was fat and filling initially, then tapering off to a gentle finish with a nice linger.

Of course, we weren’t naive to the potential for this difference in flavour. We hear things, man, we’re down with the whisky geeks. We’ve had Sullivans Cove plenty of times before… but only in isolation. We’d never sampled different bottlings next to each other like that. It’s not like the bottles were from entirely different planets, there was still a certain Sullivans Cove-ness running through them all, but it really opens your eyes to how much variation can exist between barrels.

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Some people may be a bit put off by this approach or feel a bit cheated. “This isn’t what I had last time!?” “But I wanted barrel HH525!” they’ll huff. I on the other hand tend to think it keeps things fresh and interesting. Heck, there’s hundreds of whiskies in the world that will keep doing the same old thing every time, so it’s good to have something a bit challenging once in a while. Fred agrees: “I couldn’t imagine working at a distillery where I had to taste and talk about the same thing day in, day out. I’d get bored! The awesome thing with Sullivans Cove is that every time we do a bottling it’s going to be a new experience.”

 

Auchentoshan Heartwood

Reviewed by: Ted

Auchentoshan Heartwood

If you’ve ever flown overseas, then chances are you will have wandered through the duty free section and marvelled at the huge selection of booze available. For some reason the brand marketers have decided that what the Jetset crowd really crave are exclusive releases that are not worthy of the wingless plebs on the street. Indeed, a whisky fan can spend hours gazing at all the fancy labels, musing about the unusual caskings and trying to decide whether to get that 1L bottle of NAS Scotch, or lash out and buy that rare Japanese number in the gorgeous bottle.

The thing is, are these exclusive bottlings actually any good compared to their standard counterparts?

Let’s take the Auchentoshan Heartwood as an example (not to be confused with the Tasmanian Heartwood brand). Hailing from the Lowlands of Scotland, the Non Age Statement Heartwood edition is produced ‘exclusively for the global traveller’ (that’s you). Auchentoshan itself is notable for being one of the only distilleries in Scotland to triple distil its whisky.

The packaging for the Heartwood is pretty much the same as the standard range, just bigger thanks to the 1L bottle size (aww yeah!). ‘Heartwood’ refers to the dense wood at the centre of a tree, which Auchentoshan rather tenuously links to bourbon and sherry casking being at the heart of their whisky (yeah, they had to torture that one a bit).

Marketing guff it may be, but the bit about using bourbon and Oloroso casks is true. The colour certainly suggests that sherry barrels have been in the vicinity; Auchentoshan claims that the particular hue of the spirit is ‘dark honeycomb’. I on the other hand think that it looks, well, orange, rather like that other most Scottish of drinks: Irn-Bru. A tad heavy on the E150 perhaps? (I’ve since found this great article by LittleTipple noting that the colour of Auchentoshan looks rather similar to bodybuilders who have got a bit excited with the fake tan. Good times).

The nose is dull and heavy, oozing over the rim of the glass like an exhausted slug. After a while the dark brew starts to present toffee and almonds (praline perhaps?) and Terry’s chocolate orange.

The mouth is thick and sweet, with a dense oakiness that lives up to its namesake. The finish offers a lingering hit of burnt orange that is oddly unsatisfying.

In conclusion, buyer beware. The exotic looking jewels of the duty free section may appear tempting, but on closer examination you might just discover that all you really have is a poor imitation of the original. Still, you can’t deny they’re fun to look at. Happy flying, and good luck!

★★

Glen Grant The Major’s Reserve

Reviewed by: Nick

Glen Grant Majors Reserve

I freely admit, as I begin this review, that my primary motivation when purchasing this bottle was the fact that it was cheap. In fact, I recall as a broke uni student I had bought it for exactly the same reason. I also remember not being overly impressed. However, these days, with a more… ahem… experienced palate, surely I would find something to enjoy in Glen Grant’s entry level release. Surely there was more to this whisky than simply being cheap.

Upon opening the plain packaging I discovered a rarity in the single malt world: a screw top lid. Now, I can forgive them this because, after all, they’re indirectly saving the planet with such an approach, however this fact did nothing to shake the ‘cheap’ tag. Only one thing could: the flavour… and it let me down.

The nose has that cloying red-label-esque sweetness of lemon dish detergent alongside toffee-apple and honey notes. It is passable but not memorable. The palate is pretty rough, though offers some nice barley notes set against oak and vanilla. It is typical Speyside fare, though far from one of my favourites. The finish is spicy, malty and a little buttery. Again, nothing offensive but equally, nothing special.

The Glen Grant Major’s reserve is a whisky that epitomises its price point. It doesn’t punch above its weight but it also remains fairly quaffable. It is a cheap single malt and tastes as such. But hey, on the plus side, at least it doesn’t cost much!

★★

The Glenlivet Master Distiller’s Reserve

Reviewed by: Nick

Glenlivet master distillers reserve

The Glenlivet is one of the grand old boys of Scottish whisky. A distillery whom Whisky Waffle considered reliable, safe and go-to. Of course, all this changed when they replaced their 12 Year Old with the Founders Reserve. Sigh. What were they thinking?

But, never fear fellow Wafflers! If, like us, you have lamented the lack of 12 Year Old in bottle shops near you, then we have your solution: The Glenlivet Master Distiller’s Reserve, named for Alan Winchester, Glenlivet’s own master distiller since 2008. Now, this bottle was once upon a time only available to frequent flyers buried in duty free, however many online liqueur stores <cough> perhaps one that shares a name with this reviewer <cough> have procured stock and let me tell you, it’s well worth it.

It’s not a complex dram: it’s only 40% and has been triple matured in American oak, ex-sherry casks and ‘traditional oak casks’ (whatever that means). On the nose are apples and pears, but also creamy notes, like particularly milky tea. The palate isn’t smooth per se, but it’s easy to drink. There are flavours of vanilla, oranges and choc chip biscuits. The finish is nutty and pleasantly long and, again, particularly creamy.

I’m not claiming the Master Distiller’s Reserve is a masterpiece – simply that it is interesting, reliable and nice to drink – everything the Founders Reserve is not. This is NAS whisky done well.

★★★

 

Confessions of a Geriatric Whisky Newbie Part 2

Posted by: Chris AKA the Geriatric Newbie

(Part 1 appeared here as ‘Queries from a first time Waffler’)

I’ve been a seasoned whisky drinker for over three months now, so it’s time to look back on the journey so far. If ‘seasoned’ is the right word to use, rather than just ‘pickled’.

To recap: I took up whisky drinking rather late, at the age of seventy, as part of a search for a relaxing and hopefully slightly disreputable hobby to help brighten up the declining years. Somewhat unexpectedly, what began as a plan to buy just two samples and test the waters rapidly expanded into a collection of over thirty bottles. Perhaps there was a need to make up for lost time in the search for the perfect drop. Or perhaps I was corrupted by reading Whisky Waffle? Yes, that must be it – it couldn’t possibly be all my own fault. But the two biggest factors have been that the research is fascinating and, it has to be said, it can be a lot of fun having a hobby that you can drink.

I can’t claim that money was no object – some whisky enthusiasts can apparently afford truly crazy money in pursuit of their passion – but I did have enough saved up to be able to build a small collection without being restricted to only the cheapest varieties. The whiskies I’ve accumulated include some single malts and (whisper it….) some blends. The least I paid was $35 for a Ballantine’s Finest and the most expensive bottle, so far, was $114 for an Aberlour A’bunadh.

For the record, I bought blends from Ballantine’s, Chivas, Dewars, and Johnnie Walker. And Irish Whiskey from Jameson, Bushmill and Teeling. The single malts range from the Lowlands of Scotland to the Highlands and some from Speyside, plus a couple from Islay. Finally, some from Penderyn – the only distillery in Wales.  I hasten to add that they’re not all open yet. Didn’t know that I was capable of such restraint. At least, I’m fairly sure there’s one still sealed somewhere… exploring other parts of the world, naturally including Tasmania, will come later.

But where should a newbie begin? One can only hope to scratch the surface of the hundreds, if not thousands, of whiskies now on the market. So many decisions to make. Do I want to become the sort of afficionado who will only sip the finest single malts, and actively enjoy getting snooty and sniffy about blends? Or will I aim to become a party animal who will try anything provided it’s sloshed into a glass with enough cola? Despite what I initially imagined, it appears that drinking blended whisky, and also adding some kind of mixer, is by far the most popular way of enjoying it worldwide. Apparently, historically it always has been. Despite the rise in popularity of  single malts over  the past few decades, over 90% of the output of the Scottish distilleries still goes into blended whisky.

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Attempting the correct style of snooty face

Soooo…. This whisky business might be more complicated than I thought. It seems that I will not only be chugging it down neat, delightful though that is. Maybe some long whisky drinks could be just the thing for summer. I could try some tentative experiments with some of that Ballantine’s or perhaps the Johnnie Walker Black Label. That’s not a hanging offence, is it?? I might experiment with a range of mixers – in particular, soda, dry ginger, cola and coconut water. Yes, apparently coconut is very big as a whisky mixer in some parts of the world. Green tea too. Who knew? Not me, until I started doing the reading. Of course, soda, dry ginger ale and other mixers have always been popular, even in relatively traditional circles. Adding soda or ‘dry’ to the whisky was certainly the mainstream fashion among adults when I was a boy. Admittedly that was back in the middle of last century, so things may have moved on a bit….

I bought a variety of whisky books, including a couple by the splendid Charles MacLean. Also The World Atlas of Whisky and Whisky: The Manual, both by respected whisky writer Dave Broom. All are good value, and they point out that whisky has a long and venerable history as a mixer. Indeed in the early days it was almost exclusively drunk mixed with a variety of herbs, spices and other ingredients. Maybe it was too rough to get down neat? So, mixing is neither recent nor sacreligious! Good to know that. Nick and Ted may disagree though. I may even get evicted from their Tasmanian Temple of Tippling for mischievous mixing. Holding my breath now…

Of course some drinkers have always liked their Scotch neat or with a splash of water, but the big marketing push to sell single malt Scotches to the world as a solo drink apparently began in the late 1970s and early 1980s. According to Charles Maclean and Dave Broom, two factors drastically reduced the demand from the whisky blenders who had previous bought the majority of the output from the distilleries.  Firstly, a slump in the global economy and secondly the rapid rise in popularity of competing spirits such as vodka, white rum, etc. and of course wine. So the makers needed to look for an additional way of marketing their products. Building new market images for their single malts was the answer. Lucky us. Even at this early stage I’ve sampled some very nice single malts that I probably won’t be trying with cola just yet.

But which styles will make the cut? Neat Johnnie Walker Green label? Auchentoshan Three Wood? Will Lagavulin and Coke make the grade? Ballantine’s and coconut juice? Place your bets now, and stay tuned. Many thanks to Nick and Ted for the chance to waffle on.

Cheers to all.  Chris.

Fortunately, as you can see, all this dedicated whisky testing has had no noticeable effect on me at all. Just lucky I guess.

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Sprinkbank Gaja Barolo Cask

Reviewed by: Nick

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This unique little gem from Campbeltown’s Sprinkbank Distillery is a fascinating drop in that every time I sample it, it tastes different! No, I don’t think it is rapidly changing in the bottle, oxidising or degrading. I think it just messes with your head.

Let me just provide a bit of context. The Gaja Barolo Cask is part of the limited edition ‘Wood Expressions’ series which, as well as making me snigger immaturely, sounds rather interesting. The bottle in question takes the Springbank spirit and ages it for four years in refill ex-bourbon casks before being transferred into ‘fresh Gaja Barolo casks’ where it remains for a further five years in Campbeltown’s seaside atmosphere.

For the uninitiated (like me before I did my research), Gaja is an Italian wine producer and Barolo is a light red grape. Both aspects make this a very specific maturation for the whisky and one unlikely to be replicated any time soon.

Completing a list of tasting notes for this bottle is a tricky task due to the aforementioned chameleon nature of the dram. If I have just had a light Speyside number then I notice a whole heap of peat on the nose. If I’ve just had a highland dram then I discover raspberries and cream. The palate is sometimes spicy – it is bottled at 54.7% – but other times goes down smoothly and evenly. Occasionally I notice the oily maritime notes although often I find flavours of lemons and oranges. The finish usually lingers, with a wisp of smoke or hint of chocolate.

The bottom line is, no matter the flavours I get out of it, I’ve always enjoyed this dram. Sure, I haven’t been able to put my finger on its true nature, but that just adds to the fun. It is a mystery of a dram. I’ve still got a third of a bottle left – feel free to stop by and help me solve it.

***

(Although sometimes ****)

Ardbeg 10 Year Old

Reviewed by: Nick and Ted

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There are certain whiskies that a blog should have in its pages and until now we have been found wanting for this particular dram. Its label rather audaciously claims that not only is it the best whisky on Islay, but is in fact among the best in the world. The funny thing is, we’re actually hard pressed to disagree with it.

The Ardbeg 10 Year Old makes an excellent case for the younger whisky. Generally we equate greater age with greater excellence, but this dram proves that this is not always the case. There is something about the raw, youthful energy in the 10 Year Old that allows the peat monster to really roar and we can’t help but feel that if it was left in the barrel for a few years longer then some of the magic would be lost.

We took it upon ourselves to sample the Ardbeg 10 quite extensively (read quite extensively) and came up with a comprehensive set of tasting notes. We didn’t quite comprehend how wonderful these notes were until we read them back the next day. Normally we don’t present tasting notes in isolation, but these are too good to intersperse with waffle.

Nose: South-east Asian mystery meat, peanuts, satay, bitumen road surface, earthy ashes, digging up a hangi, nashi pear, fizzy apple, melon, honeydew, honey and heavily perfumed plant.

Palate: Smoke (go figure), BBQ sauce, Worcestershire sauce, gingerbread, “there’s a pear in there”, oregano, home-made potato chips, cardamom, cloves and nutella fudge.

Finish: Fiery, spicy, hot, warm and lingering.

Subsequent tastings have not yet turned out quite as many creative thoughts about the 10 Year Old; however we unashamedly stand by what we said in the heat of the moment (mostly).

We have mentioned that the Ardbeg 10 Year Old compares impressively with much older drams, but what if the field was narrowed to only it’s 10 year old contemporaries. For us, the only possible contenders are cross-town rivals Laphroaig and fellow peat-pal Talisker. But if we’re honest, Ardbeg leaves them both in the shade: we truly believe you won’t find a better 10 Year Old whisky on the planet.

★★★★

#IsalyWeek

#LetsGetPeaty

Sheltering at Shene Estate

Posted by: Nick and Ted

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Seeing that Christmas is nearly upon us, we thought we’d begin this review with a Christmas cracker joke: 

Q. What do you get if you cross a keen back-shed distiller with a passionate architectural restorationist?

A. Shene Estate Distillery. (Come on, it’s at least as funny as any other Christmas cracker joke!)

Whisky maker Damian Mackey met heritage building conservationist David Kernke nearly ten years ago – Damian was looking for a location to make his eponymous whisky, while David was looking for something to diversify his new acquisition, the 19th century property Shene Estate. It must have been fate which brought these two together because, along with their respective families, they have created one of the most stunning distilleries in the Southern Hemisphere, if not the world.

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Boys with their toys: L-R David Kernke and Damian Mackey

While the main building at Shene Estate looks like a grand mansion, it turns out that it was actually only built to keep horses in, making it one of the more expensive stables ever erected. It was constructed by English lawyer Gamaliel Butler who, as well as having an excellent name, also had a shrewd business sense. He used his wealth and social standing to begin work on a lavish country estate, but died before the main house was constructed, leaving only some outbuildings, including a Georgian Regency era homestead that David and Anne reside in, and the stables – and even that lacked the top of its central turret. Going by the grandiosity of the stables, one can only speculate as to what the main mansion would have looked like if it were ever finished.

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Proof that that magnificent building is, indeed, a stables

Whisky Waffle was lucky enough to be invited to visit Shene Estate earlier this year and meet the friendly team, consisting of head-distiller Damian Mackey, his wife Madeleine and the Kernke family – David, his wife Anne and daughter Myfanwy. While the reception we received was warm, the weather certainly wasn’t and we were nearly blown off the face of the earth while walking between the stables, the beautiful old barn and the distillery.

Speaking of the distillery, it is housed in a new purpose-built timber-clad shed that was designed to perfectly blend in with the existing 19th century architecture. Despite a third of the room being taken up by a truly epic stack of ex-sherry barrels, we still managed to clap our eyes on some beautiful distilling gear. A run was on the go while we were there, with David manning the still, and it seemed as good a place as any to ride out the storm.

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The still is eager to fill up all those barrels in the background

What the wind couldn’t achieve, the whisky certainly could – upon trying a dram we were totally blown away. Technically, we can’t officially call it whisky yet; what we were lucky enough to sample came from the first ever barrel produced at Shene Estate and was only 18 months old. We are apparently among the first in the world to try the matured spirit, a great honour for two whisky nerds. While the whisky is not yet the finished product, it shows a lot of potential to become one of the greats within the Tassie scene.

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Barrel number 1. The first of many.

The whisky is to be released under the name Mackey and its point of difference stems from Damian’s Irish heritage in that it is triple distilled. This produces a lighter and more refined spirit, although one certainly not lacking in depth; the style may be Irish, but the character is all Tasmanian. The new make is then transferred into ex-port barrels and stored in the loft of the stables. The solitary barrel currently looks rather lonely up there, but rest assured there are many more on the way.

In fact, the Shene Estate team revealed to us that there are big plans afoot for the future of the distillery. Things have been moving at an unexpectedly rapid pace and Damian told us with a mixture of pride and horror that they have skipped straight from year one to year five on their five year plan. The most exciting consequence of the expansion is the addition of two new stills to create a set of three – one for each distillation.

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And this still will be the smallest of the three!

While the architecture was stunning and the whisky exciting, the real highlight of our visit was meeting the wonderful people who have dedicated countless hours to making a pipedream into a reality. From Damian’s distilling, to Anne’s delicious Poltergeist gin, to Myf’s community engagement, to David straightening each and every piece of gravel in the courtyard, the team has created a unique and fascinating distillery. And even after a long afternoon showing Wafflers around the estate, they still had the energy to deliver us back to our lodgings and deliver David his chicken sandwich to see him through to the end of the distillation run. It’s that level of hospitality that ensures Shene Estate will always have a special place in our hearts.

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Selfies at Shene

Shene Estate Distillery has a road-side stall set up at the estate every Sunday between 10 and 4 which is staffed by friendly family members. Like to see more? You can also book a tour here.