Bothwell

Welcome to the House of Lark

Posted by: Nick and Ted

AWH is dead. Long live Lark Distilling Co.

Recently there has been quite a bit of talk and speculation surrounding Lark and a couple of their new releases. The new Symphony No. 1 and the 3rd Wolf of the Willows collab both bear the Lark logo on their labels, however the former states that it is a ‘blended malt’, while the latter proclaims that it was distilled at their ‘Bothwell site’ (i.e. Nant Distillery).

The fact that both releases contain spirit that was not distilled at Lark’s Cambridge site sparked controversy in some quarters – should the labels really still say Lark, or should they be called something else entirely?

Enter, the House of Lark.

To cut through conjecture and rumour, Whisky Waffle went straight to the source at the Lark Cambridge production site and met with Head Distiller Chris Thomson.

Chris was able to reveal to us that Australian Whisky Holdings (AWH) has been reformed as Lark Distilling Co. and will release Lark, Nant and blends such as the Symphony No. 1 under the umbrella of the ‘House of Lark’. The bottle label will specify which distillery site the spirit was produced at for single malts, or state if the release is a blended malt (but won’t necessarily identify the individual distilleries).

However, we are able to exclusively reveal that the Symphony No. 1 is a combination of Nant, Overeem and Lark casks. In regards to the Wolf of the Willows 3rd collab release, Chris told us that he had searched the entire House of Lark portfolio for the perfect whisky to finish in Wolf’s Johnny Smoke Porter barrels, eventually landing on Nant.

Speaking of Nant, Chris confirmed that the name will survive, but will have the House of Lark brand on the labels alongside the Nant logo. He said that moving forward, Nant will continue to release bourbon, sherry and port casks, but will move away from the brand’s traditional single-casking to a “marriage style”.

Chris is now the head distiller across the entire House of Lark portfolio, giving him creative control across all the brands and access to the full range of Lark Distilling Co. barrels –

“Growing in size means that there are more casks to pick from and less pressure to get stock out, so we can take more time with the barrels.” Having more stock to choose from also means that they can select the right cask for the right purpose.

Chris acknowledges the need for transparency and that there may have been some confusion amongst consumers about the origins of the Symphony No. 1 and the 3rd Wolf of the Willows releases – “The goal has always been about quality, but we’re still learning lessons about how best to communicate that.”

Chris said that they would be working to educate consumers about the meaning and ethos of the House of Lark, as well as taking practical steps like increasing the font size of the distillery origin on the labelling for better clarity.

Our biggest takeaway from our meeting with Chris was just how excited (or in his words “beyond pumped”) he was about the new direction for the company and the move to the House of Lark identity. Speaking enthusiastically about the Symphony No. 1 release, he told us that –

“It’s about accessibility and drinkability, with enough complexity for people who have drunk malt for a decade, or you can sit back with your buddies who have never drunk malt before and they’ll love it. It can be mixed, straight, on ice or in a cocktail.

“For me this is just the next step in the evolution of Australian and Tasmanian whisky.”

Troubling revelations emerge about embattled Tasmanian distiller Nant

Posted by: Ted

Things just got a little bit crazy in the Tasmanian distilling scene, with a new twist emerging in the furore surrounding embattled distillery Nant. Once a force to be reckoned with in the nascent Tassie whisky industry, the bottom appeared to fall out of the boat last year when Nant founder Keith Batt filed for bankruptcy and the distillery was taken on by Australian Whisky Holdings. At that time AWH promised that it would conduct a full audit and investigation of Nant’s finances and stock.

Now according to a bombshell article released today by national broadcaster ABC News, it is alleged that the audit has revealed that over 700 barrels purchased by investors were never actually filled. As part of its start up business model, Nant ran a barrel buy-back scheme where investors could purchase a number of barrels, with guaranteed yearly return of around 9%. After a period of around four years when the whisky had matured, Nant would buy back the barrels for bottling and sale. Happy days, drams all round.

However, in the period leading up to the crash there were worrying rumours going around about investors having trouble accessing the barrels that they had purchased or selling them back to the distillery. Once Nant passed into the hands of AWH, many investors were left unsure whether they would get anything back at all.

Now according to the ABC News article, while AWH have said that while many people will still get paid out, the owners of the non-existent barrels will have to take up the issue with Nant.

The tale gets ever twistier too, as apparently a large number of barrels have already been decanted and sold without the knowledge and remuneration of investors. Troublingly, many were also found to have their owner names and numbers sanded off. Weirdly, a significant number of barrels were found to be filled with new-make at an ABV of only 45%, well below the usual cask strength.

Where to from here remains to be seen, but hopefully investors left in the lurch will be able to find some sort of resolution to their plight. While this event may cause some concern for onlookers, they should rest assured that the Tasmanian whisky community as a whole is resilient and continues to be committed to crafting the highest quality, locally produced spirits.

The only question that remains at this time is whether to crack that unopened bottle of Nant still hiding on the shelf.

Nant Sherry Wood 43%

Reviewed by: Nick

I imagine the founding of Nant distillery by Brisbane businessman Keith Batt, went something like this:

“What do you want for your birthday this year, honey?” asked Mrs Keith. Keith thought for a moment.

“I’m torn between a Caribbean island, a bar-franchise and a horse,” he replied, not a drop of irony on his face.

“A horse?” replied Mrs Keith, “where on earth would you put one of those?”

“Well obviously I’ll need to invest in some property to store it in – preferably somewhere exotic and remote.”

“How about Peru? Then I can get a Llama!”

“Yeah, I’m not so keen on the ponchos or folk music. Tell you what, how about we stick the horse in some old paddock in Tasmania and I’ll also get the bar-franchise?”

“Alright, fine. But you may need to think of something to do with the property down in Tassie.”

“Oh, don’t worry about that. I’ll just stick in a whisky distillery and sit around fixing an old water mill until Jim Murray arrives.”

Of course I unquestionably make light of the momentous decision to build Nant Distillery up in the highlands of Tasmania – an establishment which I can confidently state is the most scenic of all Tasmanian distilleries. And as much as I can mock Nant’s business-like set up, I cannot downplay the excellence of its whiskies.

One of my favourite Tassie drops is the Nant Port Wood, a fantastic representation of the Tasmanian flavour, and the cask strength version of the Bourbon Wood is one of Tasmania’s finest whisky accomplishments. They also release a Sherry Wood and it is this expression I review today.

The nose is drier and earthier than any other Nant release. There are elements of vanilla, figs and golden syrup, but this is matched by moss and spicy oak. The palate is equally contrasting with notes of toffee, raspberry jam and plenty more oak, while mingling in the medium long finish are herbs and you guess it: oak, It all combines to form an intriguing and challenging Tasmanian whisky.

While I couldn’t claim this to be my favourite Nant expression, it’s certainly an interesting drop and one that I would never describe as boring. It forms an integral part of an increasingly impressive Nant back-catalogue. I guess then, it was well worth Keith Batt getting that horse!

★★★

Tasmanian whisky: One state. Three ingredients. Unlimited flavour.

#TasWhiskyWeek

Nant Homestead Reserve

Reviewed by: Nick

It’s no secret that Jim Murray, whisky writing’s answer to Simon Cowell, is a fan of Tasmania’s Nant Distillery. And that’s fine, he’s allowed to have favourite distilleries. Although, rarely does he offer to fly to the home country of said distillery to create an all-new product for them. But in the case of the Nant Homestead Reserve, a marriage of Nant’s bourbon, sherry and port matured whisky, that’s exactly what he has done.

Nant are makers of some fantastic drams, and Jim has praised their power, their full-bodied flavour and their uniquely memorable Tasmanian nature. But for some reason when offered the chance to create his own, he has failed to include any of the above characteristics. Instead he has created a whisky that proves it is possible to be too smooth.

The nose is familiar if you have ever had a Nant whisky before. It is fruity and candied with touches of vanilla. But it is understated and almost feels like it is missing an element. The palate displays subtle notes of orange, toffee and leafy vegetation. The finish dies away rapidly as if instead of drinking whisky you were simply sipping a glass of water. All together the final impression is that of dissatisfaction.

Of course, this is only one whisky drinker’s opinion. This may be an elegant easy drinking whisky to some. It may also be a viable starting point for non-whisky drinkers. Though for me it lacks the magic of some of Nant’s other releases such as the port, sherry and bourbon matured bottlings. They are all, without a doubt, more complex, interesting and flavoursome than the Homestead Reserve. This whisky is a case where the sum of the parts is greater than the whole.

★★

Nant Port Wood 43%

Reviewed by: Nick

One day, Nant is going to take over the world.

It started out as a fairly innocuous venture. Queensland businessman buys small country estate in the tiny country town of Bothwell, Tasmania. But all is not what is seems.

Bothwell as a town is in fact a tribute to Scotland; it is built on the ‘Clyde’ River and, heart-warmingly, features tartan street signs. The Estate’s new owner is the business-savvy Keith Batt, and only ten years after purchasing the property, he has built a distillery, exponentially expanded its output, opened a successful chain of Whisky Bars around the world, and along the way, produced some truly wonderful whisky. This was never going to be a small-scale boutique distillery…

Fortunately for Nant, in this quest for success and recognition they have not compromised the quality of their product; instead producing batches of frequently excellent whisky. While they may not yet be a truly worldwide product, they can count among their fans one Jim Murray, author of the iconic (and egotistically titled) yearly publication: ‘The Whisky Bible’. Surely it is only a matter of time before Nant goes global.

Nant mature their whisky in various cask types, though there is something special about the ‘Port Wood 43%’ release. Lightly amber in colour, it is sweet on the nose with hints of raisins coated in white chocolate. It is gloriously rich on the palate, featuring cloves, nutmeg and other spices. It is still sweet, but also creamy, and has strong notes of citrus fruit; particularly oranges. The finish is warm, pleasant and creamy. The fruit cake characteristics remain, along with cherries and maple syrup. When you drink this whisky not only do you get flavours of Christmas pudding, but brandy butter, too.

While this whisky is complex and interesting, it is also smooth enough to be enjoyed by non-whisky drinkers. It is unique, memorable, and well worth seeking out.

Of course, it is also built upon the most successful business model seen within the Tasmanian Whisky industry. When trying a drop of Nant, you are not only drinking a whisky – you are drinking an empire.

★★★★