bourbon

Landing at Launceston Distillery

Posted by: Nick and Ted

A great place to hang(ar) out

It’s certainly an awe-inspiring sight the first time you enter the great expanse of Hangar 17 at Launceston Airport and behold the gleaming distilling equipment laid out on the floor. It’s certainly not what you’d expect to find in Ansett Airlines’ long-neglected freight facility, until recently a lair for birds and dust. Thankfully the birds have been evicted and the dust laboriously scoured from the exposed metal girders to provide a home for Launceston’s first distillery in 175 years.

On a recent trip to Launceston the Whisky Waffle boys had the great pleasure of meeting Ilya, Peta and Chris, three members of the team, and checking out their state of the art distillery. Their set up is certainly impressive: the stunningly beautiful Tasmanian-built stills stand proudly in the centre of the gigantic room. This is no small-scale operation – you can tell these guys are serious about their whisky-making, in part evidenced by the fact that they have both a wash still and a spirit still, often not the norm for smaller-scale ventures.

Two stills. Count em!

“We wanted to make a premium product,” said distiller Chris “so after much debate we came to an agreement and decided to take the plunge and build both stills.” Premium is certainly the goal they have set themselves and we think that they are well on their way to achieving it. This was made abundantly clear when we tried their new make – an elegant and dangerously drinkable spirit.

As the team has only recently started filling barrels there was no whisky mature enough for us to try, though we did get to take a ‘flying visit’ through their bond store. Chris had three different casks on a table, an ex-bourbon, an ex-sherry and an ex-port and invited us to have a nose and see if we could guess which was which. We were unanimous about the bourbon but disagreed about the other two, with Nick’s nose reigning supreme on this occasion.

Two good-looking pieces of equipment. And some stills.

The Launceston Distillery crew are excited about being able to showcase their hometown and promote the northern part of the state. They are looking to capitalise on the success experienced by their southern counterparts and pave the way for a whisky trail in the north. Who knows, perhaps one day there will be a north-south rivalry develop in the whisky industry to mirror the Boags vs Cascade beer-battle.

While the name has yet to be confirmed, Launceston Distillery is looking to make the most of their aviation surroundings and release their whisky under the moniker of Hangar 17. While we’re not sure if our idea of a bar in an old aircraft will come to fruition, their location is definitely advantageous for luring in curious customers. As Peta told us: “1.5 million people pour through the airport every year, so it would be wonderful to capture just a portion of them.”

The dream team. Doing it for the North. L-R Chris, Peta, Ilya.

While at the moment the distillery is flying under the radar, and according to Ilya being consciously relaxed about publicity, they are certainly one to keep on the scanner in the future. We at Whisky Waffle are excited to discover the lofty heights they reach and will be booking our ticket when Hangar 17 is ready to lift off.

Find out more about Launceston Distillery at our links page. The distillery is not yet open to the public but appointments can be made to visit.

Great Outback Rare Old Australian Single Malt

Reviewed by: Mooresy

This is weird story worthy of a waffle. Australian whisky has a generally agreed history, the modern chapter of which begins in the 1980s with the Lark family overturning a century and a half of legislative prohibition on distilling in Tasmania. This led to a resurgence of distillers and, as a very appropriate homage to whisky’s very beginnings, some people who had no doubt been fooling around as bootleggers went legitimate. The Great Outback Rare Old Australian Single Malt – a mouthful of descriptors, almost as if someone took all the best buzzwords that make whisky seem exclusive and put them all into the name – is a mystery in that history.

From what I can gather from my Poirot-esque deductions is that it was distilled somewhere between 1960 and 1985, that it is either from a now forgotten Tasmanian still (the bottle indicates it was produced at the Tasman Distillery, which no-one can find) or a Western Australian still pretending to be Tasmanian, and that it is pretty rare. Some rumours include that it is the reject stock of the closed Corio Distillery or that it is not Australian and was just labelled that way to hide an origin that would have been less palatable. It is a confirmed fact, however, that this single malt has a blended variety that can still be found so maybe these rumours of reject stock and foreign distillation are accurate for the blended version.

Something that is more than rumour is that this whisky is actually very good. With a label that looks like a knock-off product sold by some people who’ve refilled an empty bottle with some water and caramel colour, it is about as far from that as you can imagine. The colour is a nice pale gold suggesting there is a straight bourbon cask maturation and on the nose I think that is correct but there is also a vivid complexity I was not expecting. It’s fresh and grassy, with a little toffee and vanilla, but also a lovely tropical fruit and pineapple citrus alongside an orange smell that is actually reminiscent of Lark. Not only that, but there are some interesting botanicals with fresh thyme and something peppery thrown into the mix.

The other brilliant thing about it, which transfers over to the palate, is it is devoid of the ethanol kick that can permeate and drown out the subtleties. The relatively low alcohol content helps this, but it is also just a very clean and crisp spirit. There is certainly some tropical fruit – brilliant passion fruit – and the malty vanilla really comes out to balance against the toasted oak flavours. It is unsurprising that it is not peated, as this was presumably created before peat bogs were officially uncovered in Tasmania or peated barley was imported. Or before peat even existed anywhere in the world, who knows.

This is not a whisky for people who are looking for a heavy hitter, a peaty belter, or an oak punch. It is certainly not for anyone who wants to be able to sit down with book and look up the dram as they drink it. This one for those who like a crisp and complex confectioner’s creation with a side of Conan-Doyle intrigue to keep them guessing.

If you are the distiller of this fine drop, get in touch. Partly because there are several questions I have for you, but mainly because I am hoping you still have a few bottles of the stuff kicking around the attic you might be willing to offload.

★★★★

Iwai

Reviewed by: Ted

Iwai

Japanese culture is intriguingly dichotomous in nature. On one hand you have a proud culture with ancient, beautiful and highly ritualised traditions such as the tea ceremony. On the other hand, as anyone who has had the confusing pleasure of watching a Japanese gameshow can attest, there is a definite kooky streak to the inhabitants of the Land of the Rising Sun.

This duality of nature can also extend to the whisky that the Japanese produce. Shinshu Mars Distillery, located in Nagano Prefecture, was built by the Hombo family in 1985 but was closed in 1992 due to a decline in the local whisky market. It reopened in 2011 and is apparently considered to be well respected in the Japanese market. So far so traditional; it’s the whisky that they produce that’s a bit weird.

Iwai, named after Kiichiro Iwai who designed the stills, is one of the base releases for Shinshu Mars. According to one of the few bits of information written in English on the packaging it is aged in small bourbon casks, which rather confused me when I first opened the box. Instead of the normal pale straw colour that you would expect from a bourbon barrel aged whisky, the Iwai is instead the deep, rich amber colour of a whisky aged in port or sherry casks… Or one that’s had E150 caramel colouring added to spruce it up a bit, which was a thought that crossed my mind until I stumbled across a rather curious nugget of information.

Turns out that mash bill for the Iwai is mostly corn, with malted barley making up the remainder. So for all intents and purposes, the Iwai is essentially a Japanese bourbon! How mad is that!? No wonder the colour is so dark. The flavours also make much more sense when considered in the context of an American whisky rather than the Scottish style that is predominantly produced in Japan.

The nose of the Iwai is dominated by sweet, buttery caramel which hangs fat and low. Underneath sits hints of rose petals, vanilla and almonds, with a touch of salt thrown in at the end. You occasionally hit a bit of a rough edge, but it doesn’t throw things out too much. On the palate the Iwai is thick and oily, with a dull spiciness that crawls over the front of the tongue. Sticky dried fruits, aromatic spices and a grating of fresh ginger stroll casually through the middle, while the finish is gentle and tingly, with a slight apple sign-off.

While the Iwai isn’t the best Japanese whisky you will ever taste, it’s certainly one of the most interesting. There definitely isn’t anything else like it kicking about in Japan (at least that I’ve encountered). To be honest, it’s probably better than quite a few cheap real Bourbons. But then, the Japanese have always been good at taking the ideas of the west, tinkering about with them a bit, and then adding their own quirky spin to make something that is all their own.

★★

Glenlivet Nàdurra 16 Year Old

Reviewed by: Ted

We are quite fond of The Glenlivet. The 12yo is a dependable drop that hits straight down the middle, perfect for when you just want to sit back and have a dram (although the introduction of the Founders Reserve may change all that). So what happens if you knock things up a notch?

If you think that your glass of Glenlivet needs a bit more punch, then look no further than the Nàdurra. Gaelic for ‘natural’, the Nàdurra is a cask strength release from the Speyside distiller. Glenlivet claims that it is a traditional 19th century style dram, evoking the character of the whiskies originally created by founder George Smith.

Using first-fill American oak casks, the Nàdurra is aged for 16 years and then bottled between 54-55%. My particular example stands at 54.7% and was bottled 06/13 from batch 0613X. As you would expect from a bourbon-aged whisky, the colour is fairly light, although the strength keeps it at a weak amber rather than straw-like.

The nose is fat and rounded, with melted brown sugar, vanilla, cinnamon, cloves, cocoa, peach, malt biscuits and apricot jam. It’s fairly direct on the nostrils too thanks to the strength, but the sweet, gooey nature means that it oozes seductively, like the smell of pudding wafting from the kitchen on a cold night.

On the mouth the Nàdurra is hot and slightly dry, with a nice spiciness. When you take a sip it zooms straight to the roof of the mouth before plonking down onto the back of the tongue. A bitter caramel finish lingers around the mouth, although I suspect it would be rather shorter at a lower strength.

The Glenlivet Nàdurra is no everyday dram to knock back after work. Instead it’s perfect for snuggling down on the couch at the end of the evening, or, and I speak from personal experience, keeping warm while gazing up at the stars on a perfectly clear night. If you’re looking for a friendly companion cask-strength dram, then the Nàdurra is a natural choice.

★★★

Glen Moray 12 Year Old

Reviewed by: Nick

It is quite often the case in the whisky world that what you pay for is what you get. It is usually a safe assumption that a $40 bottle will be inferior to one costing three figures. However, there are so many exceptions to this rule that I begin to wonder why us whisky fanatics spend the money we do.

Case in point is the Glen Moray 12 Year Old, a bottle that first caught my eye when I was a uni student and therefore always on the lookout for an alcoholic bargain. The Glen Moray was, quite simply, the cheapest single malt I could find in Australian bottle shops. However I was quick to discover it held a certain charm that saw it rise above many of the blends I could also afford.

There is no denying that it is a simple dram, bearing all the hallmarks of Speyside. On the nose there are notes of sweet biscuits and honey. Predictably from a whisky matured entirely in bourbon casks, there are also elements of vanilla. The palate is sweet, almost syrupy, with toffee, banana and heathery floral notes. The finish contains more vanilla, spice and Werthers-esque caramel.

The Glen Moray 12 Year Old is never likely to rack up a high score at any whisky awards shows. But in my opinion there’s absolutely nothing wrong with that. It is simply a straightforward and inoffensive whisky that punches above its weight against the larger players.

★★

Pappy Van Winkle Family Reserve 20 Year Old

Reviewed by: Ted

Its pretty common for distillers to lay down Scotch for long periods of time, with age statements in the range of 18-25 years in relative abundance. Bourbons on the other hand are a whole different kettle of fish. Warmer storage temperatures and the use of virgin oak casks means that bourbon reaches maturity and develops character far more quickly than its Scottish counterparts. Therefore, if you come across a bourbon that says it’s 20 years old, you know you’re looking at something pretty special.

The Pappy Van Winkle Family Reserve 20 Year Old is an experience unto itself, a man amongst the boys. Now into its 4th generation, the dynasty began in the 1870s when Julian P ‘Pappy’ Van Winkle entered into the proud Kentuckian tradition of bourbon making. These days the Van Winkles make their spirit at the Buffalo Trace distillery, but they have not lost their dedication to crafting spirit of an exceptionally high standard.

Apart from the age, what makes Van Winkle bourbon special is that they use corn, barley and wheat instead of the more usual corn, barley and rye in their mash bill. They claim that the use of wheat creates a much softer, smoother spirit and helps with the aging process.

Compared to your standard ‘ol bourbon, the PvW Family Reserve 20yo is a far more delicate creature. You can still tell it’s bourbon when you take a sniff, but it doesn’t wave the fact in your face. Instead it gently strokes your nostrils with vanilla, ginger and Grand Marnier.

As you would expect for a spirit this age, it is superbly smooth with no alcoholic kick at all, which is interesting as it is still bottled at 45.2%. It feels very light and silky in the mouth, and if you draw some air through it goes all tingly, sending shivers down your tongue. Floral notes, particularly rose, mingle with sweet white grapes, maraschino cherries and alcohol-soaked cake. The finish is quite short and as smooth as a baby’s proverbial.

The PvW Family Reserve is the thinking man’s bourbon; gulping it down is simply not an option as it needs some time to respond in the mouth. At first glance it seems deceptively simple, however with some gentle probing it reveals more and more character. There are definitely interesting things going on, but you have to chase them down, work for the full flavour. The dedicated and thoughtful approach is worth it in the end though, as the reward is a spirit of epically elegant proportions.

★★★★

Waffling at Whisky Live

Posted by: Nick and Ted

That’s right, we got Whisky Waffle shirts!

“If you love whisky, it’s the place to be”, said Colin, whisky enthusiast and fellow drunkard. It was 4pm. We’d been imbibing the amber nectar for three hours. To be honest, conversations about the merits of whisky were not exactly hard to come by at this end of the afternoon. We, the Whisky Waffle boys, knew that we had come to the right place. And where was that you may ask? It could only be Whisky Live 2015, Melbourne edition.

As semi-amateur whisky journalists (just go with it, ok!) we were keen to make it to Australia’s premier whisky event, despite Jetstar’s best efforts to delay us. Oh, and Public Transport Victoria didn’t help us much, either. As a consequence, it was remarkable that we wandered into the St Kilda Town Hall a mere 10 minutes late.

We were greeted with green shoulder bags, complimentary Glencairns and more whiskies than you could poke a valinch at (it’s a whisky thing, look it up). Our first port of call was to familiar faces: we kicked off our whisky journey sampling some new make spirit with Dean Jackson (and soon-to-be-solo distiller Robbie) from Redlands Estate and sampled some glorious Lark Classic Cask with Tas Whisky Tours’ Brett Steel. Good to hang out with the boys from back home.

Nick, admiring Brett’s beard

We then hopped across the pond to visit Greg Petry, whose strong North American accent clearly revealed that his product was made by the NZ Whisky Company. Go figure. Incredibly, his youngest single malt was a mere 23 years old. After lamenting that we could not combine the initial flavour of the Doublewood with the finish of the 27 year old, we jetted off once more, this time landing in Japan. Here we learned how to pronounce Hakushu (Huck-shoo), and impressed a man in comedic Japanese sushi bar attire that we actually were interested in trying the Suntory Kakubin neat rather than in its traditional highball form (soda water, lemon, ice).

Using the stars, we returned to the New World to discover… cocktails? That’s right, the Lads from Starward were making Old Fashioneds, although it was their single malt we had come to try. Despite their wine cask being aimed at ‘real’ whisky drinkers, we both agreed that we still preferred the apera cask. Shows what we know (we’re semi-amateurs remember!). We then had a ‘Rich’ conversation with our friend from William Grant and Sons about the Balvenie. Ted was pleased about knocking back some 21 Year Old Port Wood without lowering the level of his own bottle! Fred, Independent Beverage Consultant at large, talked us through the range of Glenfiddichs and produced, to gasps of awe, a bottle of 26 Year Old from behind the bar. Yes please, we said. Our new friends Adam and Adam spied the gold lettering from the other side of the room and were more than happy to join us for a nip!

26 year old whisky is best enjoyed in the company of Adams

Never being ones to turn down a free feed, we relined our stomachs to see us through the rest of the afternoon. Our next destination: India, and the distillery of Paul John. We mentioned our India-based whisky writing colleague, the Whisky Lady, to master distiller Michael John D’Souza – India’s a tiny country, not many people – they’re bound to know her, right? (Yeah right). “You mean Carissa?” he replied. The whisky world is a small place indeed.

The newest converts to the Paul John phenomenon.

The whisky itself was a revelation. In fact, it was brilliant! Particularly the aptly named Brilliance, which tasted like nothing else that day. The peated varieties also tickled our fancy, which unfortunately could not be said of the Dry Fly wheat whisky, makers of the infamous Washington Wheat. Admittedly we spent as much time waffling as tasting at this end of the afternoon, the lubricant effect of the whisky loosening our tongues somewhat.

The moment of truth arrived. It was time to try the Glenlivet Founders Reserve, the replacement for our beloved Glenlivet 12 Year Old. And it tasted… well… decent. Maybe there’s hope yet. The rest of the range impressed us, too, in particular the Naddura Oloroso (plus: “they have dried banana here!” enthused Ted). We moved down the line to the mysterious Finlaggen, the dependable Bowmore and the classy Auchentoshan (where Nick drunkenly confessed his undying love for the distillery… repeatedly: “when I went there…” “…my FAVOURITE 12 year old…” “…did I mention I’ve been there?” etc etc).

Ted then whisked him away to attend a master class with master tweed wearer Dan Hutchins-Read to talk about the merits of a whisky that has definitely impressed us recently: the Glenrothes. As there were only four attendees to the session, we had ample time to wax lyrical and Ted may have fallen into the same trap as Nick (“I’ve written a lot of nice things about Glenrothes…” “…I love how you’re all about the vintages…” “…did I mention I’ve written a lot of nice things about you?” etc etc).

Fashionable as our WW shirts were, we couldn’t match Dan for style!

After Nick had calmed Ted down, we staggered off on a mission to find the dram we’d been waiting all day for: the Laphroaig 15 Year Old. To our dismay, we were informed by Australia’s number one whisky fanatic, Dan Woolley, that they had long since run dry. But after seeing our sad little faces, he took pity and muttered that if we were to come back straight after the session finished he might be able to find a little something for us. We consoled ourselves by pairing a glass of Laphroaig 10 year Old with some oysters and a meeting with legendary bourbon distiller and maker of Russell’s Reserve: Eddie Russell. We may have been a little enthusiastic at this end of the day, but Eddie was a true southern gent and took us in his stride.

4.30 ticked over. The bottles began to vanish from the stalls. We wandered around dodging the polite requests of the security guards to leave. We had a mission to complete: and boy was the 15 Year Old worth it.

Laphroaig’s man of steel, Dan Woolley

As we stumbled out of the St Kilda Town Hall amongst hordes of whisky fanatics, en route to the closest pub, we mused about our day. We had come to Whisky Live expecting to find many great whiskies and we had not been disappointed (46 times over, in fact!). But to be honest, the real joy of the day was to celebrate whisky with a bunch of fellow wafflers. That in itself was worth the price of admission.

Whisky Live. Good times.

Whisky Waffle Present: Whisky World!

Posted by: Ted

American Whiskey Week draws to a close: what we’ve learned

Posted by: Nick and Ted

And so after seven days, the Whisky Waffle boys finally stumbled out of the endless Kentucky cornfields. Many interesting facts had gone in one ear and out the other (must have been something to do with the corn), and much sippin’ of spirits had been accomplished.

We scaled the (Brokeback) Mountain of American whiskies, and came out safely on the other side. So what did we learn?

The story of forbidden love between two men… and bourbon.

Not all cowboys drink bourbon. We met one in a bar the other night (right in the middle of bourbon week of all times. You couldn’t make this stuff up), and he preferred the moon to be shining hard on his liquor;
We won’t be tracking down the Jack Daniels or the Jim Beam again any time soon. As with most things, you get what you pay for;
We prefer a bit of character over easy drinking in our corn juice;
It is possible for a bourbon to take a subtle approach;
Sometimes it is ‘really hard’ not to create innuendo;
You can take American whiskey out of Kentucky, but you can’t take Kentucky out of American whiskey; and finally:
When it comes down to it, bourbon still tastes a lot like bourbon.

Hudson Single Malt

Reviewed by: Nick and Ted

Start spreading the news, old New York is back doing whiskey business baby! But wait, the Hudson ain’t even bourbon! What we have here is a genuine single malt whiskey, the first non-bootlegged whiskey to be distilled in New York State since the end of prohibition.

The love child of Ralph Erenzo and Brian Lee, the duo made a brand new start of it in 2003, founding Tuthilltown Spirits on the site of the old Tuthilltown grist mill, about 100km north of the city that never sleeps. Business was slow to start after the company’s inception, but now they are the king of the hill of East Coast craft distillers.

Being 100% malted barley, you would expect the Hudson to be distinctly different in flavour to its fellow Americans. And yet, somehow right through the very heart of it there is still a bourbon streak. On the nose the Hudson Single Malt is lightly sweet, with notes of vanilla, oak, dried apricot and a flavour of grape that is more likely to be found in confectionery than growing on a vine.

On mouth the feel is dusty, akin to taking a book down off the shelf in an old library. The grapes make a return, this time in the form of a sweet Riesling. The palate is intriguing rather than smooth, with notes of bourbon competing with dried floral components. This little town dram melts rapidly away, leaving a hint of orange peel.

Corn or no corn, there is no doubting that this is American whiskey. There is more to this than your average bourbon, and it makes an admirable attempt to bridge the gap between America and Scotland. It also put the State of New York back on the whiskey map. After all, if it can make it there, it can make it anywhere.

★★★