Whiskey Waffles

Return to the Southern Wild

Posted by: Nick

southern wild bar

Good news for fans of Tassie spirits on the North West Coast of Tasmania: Southern Wild Distillery has reopened their doors to the people! The makers of Dasher and Fisher Gin have been shut for over six months preparing to the make the move into their new Providore Place location – a more central and spacious premise than their old home. No longer will vats and racks of bottles encroach on customer elbow room – and the fabulous Southern Wild still fits the space nicely, rather than dominating.

sw goerge and still

The opening was celebrated with a launch on Sunday night and founder George Burgess paid tribute to the people that made it possible, in particular the Tasmanian local growers of the botanicals used in the gins. As the doors were opened, he took groups through, introducing the bar, the still and, excitingly, the laboratory upstairs where enthusiasts can book into gin-making sessions to create their own personalised product with their chosen list of botanicals. The new setting looked resplendent under lights, and the last-minute quest to find replacement plants for the replacement plants paid off superbly.

sw dasher and fisher

Bad news for whisky fans, however, as George confirmed that despite the extra space in his new venue, there is still no room for mash tuns, fermenters and other barley-based spirit making equipment. Sadly, it seems the wait for a new North West Coast dram must continue… Hopefully a couple of lads up the road in Spreyton might just be able to help with this! Stay tuned for our next article to find out more…

sw nick and still

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anCnoc Peter Arkle Limited Edition: ‘Bricks’

Reviewed by: Ted

anCnoc Bricks

Can whisky be Art? To be clear, I am not talking about the art of whisky making here, that semi-magical process where the unique personality and knowledge and skills of the distiller combine during the creation of the spirit to imbue it with the essence of that particular distillery. Nope, I mean the regular, picturey type.

Bottles and tubes usually have some sort of artwork on them, but that’s not Art right? That’s just advertising. Special edition releases containing very old and rare whisky often have striking, elegant and beautiful bottles and cases… but really, that’s just advertising for the sophisticated (and rich) buyer.

What then if you commission a renowned illustrator to produce the artwork for a special edition series of bottlings (even here, there seems to be conjecture as to whether illustration counts as Art. Anyone care to put forward a position?). anCnoc (pronounced ah-nock), produced by Knockdhu Distillery, did just that, recruiting Scottish born, currently New York based illustrator Peter Arkle to create artwork for a special set of limited edition releases. The name and artwork of each bottling in the series reflects a different aspect of the distillery, such as ‘Ingredients’, ‘Casks’, ‘Warehouse’ and ‘Luggage’ (a travel retail exclusive).

The bottle I possess is called ‘Bricks’… which rather does what it says on the tin to be honest. The artwork on the tube features a wall of bricks adorned by a bright yellow warning sign announcing ‘Remarkable Liquid’. anCnoc says that the release pays homage to their dunnage warehouses, wherein the walls are adorned by signs such as ‘Danger, Explosive Atmosphere’ and ‘Flammable Liquid’ (and probably more importantly, ‘No Smoking or Naked Lights’), reminding the occupants of the powerful forces at play.

The whisky in each edition has it’s own special twist; in the case of ‘Bricks’ that means a mixture of Spanish oak ex-sherry butts and American oak ex-bourbon barrels bottled at 46% abv. Straight up on the nose you can smell the sherry; this isn’t the heavy leather and dark wood drawing room vibe you get from some sherried drops though, but more like eating a packet of chocolate coated raisins on a sun lounge on the patio. At the back there’s also a delicate splash of grapefruit, pear and cinnamon.

I have come to the conclusion that my official tasting note for anCnoc is ‘dusty’, because I’ve found the same thing in every one that I’ve tried so far. It’s kind of like walking into a wood-work shop and breathing in that light dusting of wood powder that’s everywhere. Or perhaps walking down a forest track in summer with a light breeze stirring up dust from the earth and the vegetation. The spirit coasts lightly across the tongue, not like a brick at all, and ends with a delicious, crisp burst of citrus and raisins that lingers on for some time.

I can’t really speak for whether the ‘Bricks’ constitutes Art or not, but I rather suspect it lies in eye of the beholder and the value you place on such things. There is certainly one aspect of the work that I can give a definitive answer on though: it is indeed Remarkable Liquid. The Bricks possess the bright, summery lightness of other anCnoc’s that I have tried, but the addition of sherry introduces a complexity that takes it to a whole other level and I think perhaps that is where the real artistry lies. It does look rather spiffy on the shelf though. Perhaps I shall have to collect the whole set and contemplate the matter more deeply.

★★★★

anCnoc Bricks label

Whisky Waffle Podcast Episode 3

Posted by: Nick

In this exciting episode/drunken romp we include the following segments:

– The Waffle, where we discuss what a single malt whisky actually is
– The Whisky, where we drink the Starward single malt and the Laphroaig Quarter Cask
– Sour Plums, where Ted makes Nick look like a complete pretender. Well, even more of a complete pretender; and:
– Drinking buddies, where a third voice joins us for a chat – and this one speaks in a Scottish accent!

Floki Young Malt Sheep Dung Smoked Reserve

Reviewed by: Ted

Floki Sheep Dung Matured

Iceland loves a good renewable energy source. Sitting out in the wild northern reaches of the Atlantic Ocean, approximately 900km away from the UK and Norway, means that the island is cut off from the major power infrastructure of the continent. Luckily Iceland has a red-hot spade tucked up its sleeve. Thanks to its position directly over the Mid-Atlantic Ridge, the island is rife with volcanism (fun fact: apparently Iceland’s 30-odd volcanic systems have contributed around a third of global lava output over the past 500 years. The more you know eh?). Sure, this of course means there’s a decent risk of a fire mountain going boom and causing all sort of havoc (remember Eyjafjallajökull? And that was pretty small in historic terms as it turns out – check out Lakagígar), but the big upshot for the locals is that there are bag loads of geothermal and hydrothermal energy to tap into, with around 80% of energy production coming from these sources in 2016.

Iceland WW 7

Historically, like many other places in the region, the islanders would have probably burned peat as their energy source; around 10% of the island is actually covered in the stuff. These days people are generally more familiar with peat in the context of whisky making (or sticking it in the garden) rather than using it for heating or cooking, with places such as Islay and a number of other islands off the west coast of Scotland famed for their smoky drams. As it happens, Iceland has a couple of recently opened whisky distilleries, although only one has actually released any product.

Iceland WW 5

Eimverk Distillery, located in Reykjavík (unsurprisingly, seeing as about two thirds of the population lives in the capital region), are the makers of Flóki. While the official release hasn’t debuted at this point in time (the first release at 3yo is due in November 2017), Eimverk have previously tantalised the masses with a limited duty free pre-release for the Reykjavík International Airport. Thanks to my mother happening to be travelling in Iceland at the right time, we were amazingly able to try the Flóki Young Malt early last year and found it full of intriguing promise.

So, when I heard Eimverk had released a smoked version of their Young Malt I was instantly curious. The Icelanders have been smoking stuff like fish for centuries, so they should know a thing or two about the practise. Now, you would think that they would use local peat to smoke their locally grown barley, but not so. Well, I mean it’s not a particularly renewable source of energy now is it (peat bogs can take thousands of years to form, generally accumulating at an average rate of around 1mm per year)? And collecting it would mean digging up chunks of the astounding landscape that Iceland is famed for. So what was Eimverk’s creative solution?

You know what else Iceland has bag loads of, apart from renewable energy sources, interesting geology and indie bands that is? Sheep. First brought over by the Vikings circa the 9th or 10th Centuries, there are around 800 000 of them wandering about the island these days, approx. 2.5x the human population. Now sheep are a pretty good renewable resource – you can get wool, milk and meat from them, and they seem to do a rather good job of replenishing themselves with new little sheepies every year. There’s something else sheep make though, in great quantities every day: Shi… ahem, sorry, poo.

Iceland WW

As it happens, when you dry sheep poo you can set it on fire and use it as a fuel source. Humans have actually been practising this sort of pyroscatology (and if that isn’t a word then it damn well should be!) all around the world with all sort of interesting varieties of poo for millennia. If it has one flaw though, burning poo does tend to be rather smoky… which on reflection could be just the thing for smoking some barley! And that, my friends, is exactly what Eimverk have done!

Introducing: the Flóki Young Malt – Sheep Dung Smoked Reserve. Now, while you may find this all a bit weird, Eimverk note that in Iceland there has been a tradition of using sheep poo for smoking for centuries, so I think it’s only fair that we all remain open minded and give it a shot. Being rather geographically distant from the Reykjavík duty free, my initial excitement about this new release was somewhat tempered by the fact that it would probably be a very long time before I was able to try it. Therefore I was rather astounded (as was m’colleague when I whipped it out unannounced in front of him one night… the Flóki I mean!) to discover that I was able to source a bottle through local outfit Sigrún Whisky, who seem to specialise in Scandi drams.

Iceland WW 1

According to Eimverk, the Smoked Reserve is ‘a limited reserve of a selection of single barrel bottling (sic) from our distillery’. Visually the 500ml Smoked Reserve bottle is almost identical to the original Young Malt release: a dark textured label with the cool white runic design and angular font, although the background in this case is of rough homespun wool cloth, the only other real difference being a small red square on the cork seal.

The nose is very grassy and metallic; if Philip K Dick’s androids really do dream of electric sheep, then this would be the smell of the organometallic grass that the sheep are eating. There is also a big, punchy acidic layer, like mainlining a tin of pineapple, under which sits a fug of chocolate and leather.

The taste is sharp and hot, drying the tongue like strong citrus or tart fruit. Straight afterwards you get a sluggish hit of dull, ashy smoke. Think a pub any time before the smoking bans. Or perhaps it’s like walking past a smoking shed where they’re burning sheep poo (I can’t profess to have ever done so)? The finish is shiny and metallic, akin to drinking strong spirits from a cheap tin mug.

Iceland WW 6

Look, it isn’t the easiest whisky to drink admittedly, but then it isn’t really whisky is it? It hasn’t aged long enough to legally earn that title and it shows. Perhaps they used bigger barrels for the Smoked Reserve, so it hasn’t hit the same point of maturity at the same age as the original Young Malt was released at? I would definitely like to come back to this in a few years’ time and see what it’s like after the barrels have had time to work their magic.

As for whether the sheep poo was a good idea… well the flavour was definitely different to your normal smokiness in a whisky. But again, the spirit really needs to age further before we can properly judge the true subtleties of its nature. If you’re absolutely hell bent on possessing a unique Icelandic (almost) whisky then there can be no substitute for the Flóki Young Malt – Sheep Dung Smoked Reserve. For everyone else, perhaps give this one a miss for the time being and instead save your pennies for a trip to experience Iceland’s true natural wonders.

Iceland WW 8

Say what you will about the whisky – it’s a bloody beautiful place, isn’t it?

The Glenlivet Master Distiller’s Reserve

Reviewed by: Nick

Glenlivet master distillers reserve

The Glenlivet is one of the grand old boys of Scottish whisky. A distillery whom Whisky Waffle considered reliable, safe and go-to. Of course, all this changed when they replaced their 12 Year Old with the Founders Reserve. Sigh. What were they thinking?

But, never fear fellow Wafflers! If, like us, you have lamented the lack of 12 Year Old in bottle shops near you, then we have your solution: The Glenlivet Master Distiller’s Reserve, named for Alan Winchester, Glenlivet’s own master distiller since 2008. Now, this bottle was once upon a time only available to frequent flyers buried in duty free, however many online liqueur stores <cough> perhaps one that shares a name with this reviewer <cough> have procured stock and let me tell you, it’s well worth it.

It’s not a complex dram: it’s only 40% and has been triple matured in American oak, ex-sherry casks and ‘traditional oak casks’ (whatever that means). On the nose are apples and pears, but also creamy notes, like particularly milky tea. The palate isn’t smooth per se, but it’s easy to drink. There are flavours of vanilla, oranges and choc chip biscuits. The finish is nutty and pleasantly long and, again, particularly creamy.

I’m not claiming the Master Distiller’s Reserve is a masterpiece – simply that it is interesting, reliable and nice to drink – everything the Founders Reserve is not. This is NAS whisky done well.

★★★

 

Larking about at Lark

Posted by: Nick and Ted

1a

Fact: the modern Tasmanian distilling scene was founded by Bill Lark.

Fact: the foundations for Whisky Waffle were laid down at the Lark bar.

Fact: it is rather shameful that we have never found the time to visit the Lark distillery

Recently the Whisky Waffle boys were down in Hobart with a rare free day to spend on whisky business, so we decided to take the opportunity to rectify an embarrassing gap in our Tasmanian distillery bucket list and tag along on an official Lark distillery tour.

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We were about to run away with the barrels when we discovered they were empty.

Lark offers a two-hour daily guided tour of their distillery facility out at Cambridge, 15min east of Hobart. Our tour started at the Lark bar in Hobart where we met Guy, our guide, and the rest of the group. To work out in what order to hand out the complimentary Lark tasting glasses, Guy started off by asking how close everyone lived to the distillery. Surprisingly it turned out that we North West coasters were the only true locals, with the other guests ranging from Melbourne and Sydney to Alabama.

After introductions we all piled into the tour van, affectionately known as the ‘Drambulance’. On the way out to Cambridge Guy regaled us with tales of the history of the Australian whisky scene and the part Bill Lark played in its resurrection. The road into the distillery passes through the grounds of Frogmore Creek winery, the vines providing wild yeast that is encouraged into the Lark fermentation vats to help create the unique Lark flavour.

The distillery itself, in true Australian fashion, is in a large tin shed that overlooks the Coal River Valley. Upon arrival we donned fluoro vests and met Chris Thomson, the self-proclaimed ‘most experienced distiller in Australia’ (and who are we to argue with him).

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Chris Thomson was also thrilled to meet the two most experienced Tasmanian whisky bloggers in Australia! (again self-proclaimed)

To lubricate our minds before starting the tour we were provided with a dram of the Lark Classic Cask, a perfect breakfast whisky (or at any other time of the day for that matter). Guy and Chris took us through the distilling process at Lark, from the Bill Lark-designed peat smoker, to the fermentation and the distillation.

Along the way the way we were able to try wort (aka sweet barley juice), wash (aka unhopped beer) and new-make spirit, which was fruity and soft. Chris gave us some handy nuggets of distilling advice such as “when going from the fores to the heart we smell and smell and smell and smell and smell and smell” and “using our amazing distillers skills we make the first cut,” *moves hose casually from one vat to another* “Very technical”.

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Those are some niiiiice sparge arms!

The final part of the tour was spent in the bond store (also a large tin shed) where Guy told us about barrel making and aging. We were also able to try some Lark straight from the barrel, which Guy fished out with a spirit thief, as well as some whisky from sister-distillery Overeem. Also on offer were Lark’s whisky liqueur, Sláinte, and several variants of their Forty Spotted gin.

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Every Lark tour is a barrel of laughs.

At the end of the sampling session our merry band of tourers re-embarked the Drambulance and headed back to the Lark bar. The tour had been a pleasant and informative mix of whisky stories, hands-on experience, technical information and waffling. Most importantly, we Waffle boys were finally able to show our faces in public again and proudly say that we had been to the distillery that started it all.

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The best thing about whisky tour groups is that you all end up best mates at the end!

Sprinkbank Gaja Barolo Cask

Reviewed by: Nick

springbank-gaja-barolo

This unique little gem from Campbeltown’s Sprinkbank Distillery is a fascinating drop in that every time I sample it, it tastes different! No, I don’t think it is rapidly changing in the bottle, oxidising or degrading. I think it just messes with your head.

Let me just provide a bit of context. The Gaja Barolo Cask is part of the limited edition ‘Wood Expressions’ series which, as well as making me snigger immaturely, sounds rather interesting. The bottle in question takes the Springbank spirit and ages it for four years in refill ex-bourbon casks before being transferred into ‘fresh Gaja Barolo casks’ where it remains for a further five years in Campbeltown’s seaside atmosphere.

For the uninitiated (like me before I did my research), Gaja is an Italian wine producer and Barolo is a light red grape. Both aspects make this a very specific maturation for the whisky and one unlikely to be replicated any time soon.

Completing a list of tasting notes for this bottle is a tricky task due to the aforementioned chameleon nature of the dram. If I have just had a light Speyside number then I notice a whole heap of peat on the nose. If I’ve just had a highland dram then I discover raspberries and cream. The palate is sometimes spicy – it is bottled at 54.7% – but other times goes down smoothly and evenly. Occasionally I notice the oily maritime notes although often I find flavours of lemons and oranges. The finish usually lingers, with a wisp of smoke or hint of chocolate.

The bottom line is, no matter the flavours I get out of it, I’ve always enjoyed this dram. Sure, I haven’t been able to put my finger on its true nature, but that just adds to the fun. It is a mystery of a dram. I’ve still got a third of a bottle left – feel free to stop by and help me solve it.

***

(Although sometimes ****)

The Glenrothes Alba, 2001 and Select Reserve Box Set

Reviewed by: Ted

glenrothes-trio-2

Keen followers of Whisky Waffle (hello to our mothers and the other three of you) may remember that a while ago I reviewed a tasting pack from Speyside distillers Glenrothes. Well, to quote Prof. Farnsdale, “Good news people!”… there’s another pack!

Just to remind us all what makes Glenrothes interesting in the packed Scottish distilling scene, they like to release their expressions as vintages rather than age statements. While this means that you won’t be able to enjoy a, say, 12yo again and again, the upshot is that you are able to experience the unique nature of one particular year’s output (until it’s all sold out that is).

The pack I’m sampling today is pretty much identical physically to the previous one – nice box with buff lid and a shiny copper-coloured base containing three very handy mini-glencairns and three 100ml bottles of the good stuff.

Pack #1 featured the ’95 and the ’98 vintages plus the Select Reserve, the latter also featuring in this set. The two new drams that feature in pack #2 are the Alba Reserve and the 2001 vintage.

The Select Reserve is Glenrothes’ ‘house’ whisky, a vatted malt crafted to typify the Glenrothes flavour profile. The Alba reserve is another vatted release; while Glenrothes usually uses an mixture of Spanish and American oak, the Alba uses 100% American oak-matured spirit (the moniker deriving from the oak’s Latin name ‘Quercus alba’). The 2001 vintage was produced in 2001… I’m not quite sure what else you were expecting?

glenrothes-whisky-waffle

And it was produced here: Glenrothes Distillery

On the nose the Select is fat and oozy, with a generous helping of dark chocolate, dried apricots, cinnamon, ginger and of course, raisins. In complete contrast the Alba is light and airy, with a fairly insubstantial waft of honey, coconut and pear. Finally, the 2001 is smooth and nutty, with an undertone of spice and aged oak planking.

On the palate the Select is rounded and nutty, with a cheeky citrus burst at the finish that lingers across the tongue. Again providing a contrast, the Alba is sharp and pithy, racing to the back of the mouth and leaving a slightly sour, metallic aftertaste. Unlike the actual Reserves, the 2001 is rather reserved, casually imparting a balanced mix of wood, nuts and dried fruit. The softness of the 2001 can likely be attributed to its 14yo age, having been bottled in 2015.

Tasting packs like this are a great way to try a range of drams from a particular distillery before you actually commit to one. Case in point: I would happily keep a bottle of the Select Reserve around as a casual dram and would derive pleasure from seeing the 2001 vintage nestled amongst my collection, but I can’t say I’m a huge fan of the Alba reserve. I suppose it does provide an interesting insight into how the addition of European oak can balance out a whisky though.

Hmm.. I think this requires a more thorough investigation. Can anyone point me in the direction of tasting pack #3?

Select Reserve ★★★

Alba Reserve ★★

2001 vintage ★★★