Whiskey Waffle

Whisky Waffle Returns to the Motherland

Posted by: Nick and Ted

Comrade WHisky Waffle

Comrades! Join Whisky Waffle at the Chapel as they return to the Motherland and fight to seize the means of consumption! The Motherland, that is, of kilts, deep-fried everything and, of course, whisky: Scotland the Brave. Six Scottish single malt whiskies will be equally distributed amongst the workers and many tales of heroic revolution shared.

The Whisky Waffle lads have been away travelling the globe, both in body and in spirit; previous nights have covered Ireland, Europe and Australia, so it’s about time that we went back to our roots and shared some cheeky wee drams from the home of whisky.

Whisky Waffle: Return to the Motherland will take place on Saturday the 17th of November at 7.30pm and will include six drams and light nibbles. The cost will be $35 and you can buy tickets at:

https://www.trybooking.com/YYFW

As always, get in fast as tickets to the event will sell like oatcakes.

 

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An evening with Laphroaig’s Dan Woolley

Posted by: Nick

Laphroaig Dinner 1

Dan Woolley only drinks whisky. Not beer, not wine, not vodka. Not even crème de menthe. Some would say he’s obsessed – himself included. His wife made him choose between her and whisky. He’s happily single now.

There is one whisky, however, that he obsesses over above all others: Laphroaig. He is one of the top brand ambassadors for Islay’s peated behemoth and I count myself enormously lucky to have spent an evening in his company as he talked us through seven (yes! Seven!) different drams of Laphroaig. While the majority of guests were enamoured by the smoky sensations in their glasses, not everyone was convinced. This is a fact Laphroaig have not only come to terms with but embraced, forming the theme of the dinner: Opinions. As Dan said: “if we all liked the same thing we’d all be drinking vodka lime and soda and I’d have killed myself a long time ago.”

Laphroaig Dinner 2

The Central in Devonport put on a fabulous event with many amazing courses all created from local ingredients. In particular the natural Spring Bay oysters went down a treat – particularly with a dash of Laphroaig Select cask dribbled on top.

The Select Cask was up first – an entry level for sure – but while sipping it I learned about the fascinating range of casks that went into creating it. A Whisky Waffle favourite was up next, the Quarter Cask, a whisky which spends the final nine months of its gestation in 100L barrels like a chain smoking baby.

Laphroaig Dinner 3

It wouldn’t be a Laphroaig night without the highest selling peated whisky on the planet: the 10 Year Old. Made to an “old family recipe” it packed the required peaty punch and is the ever faithful “backbone” of the Laphroaig flavour. Next up was Dan’s favourite, the Triple Wood. It was sweeter and fruitier than those that went before thanks to two years spent in Spanish Oloroso barrels.

Dan then laid down the Lore, a dram he described as their most ambitious whisky yet. Distillery manager John Campbell attempted to create a bottle of Laphroaig that tasted like what was offered 200 years ago. I can’t vouch for its accuracy, but it was certainly one of the tastiest and smokiest of the night. In the words of Dan, “it makes Port Ellen taste like Johnny Walker Red”.

Laphroaig Dinner 4

The final two drops were particularly special – made even more so by the lack of availability worldwide. Drinking the 18 Year Old and 25 Year Old was a weird experience as by this end of the night my palate had stopped noticing the peat in each dram and I was discovering subtle and nuanced flavours underneath. The 18 was lighter and mysterious, like chasing a nymph through an enchanted wood. The 25 was a Laphroaig dessert whisky – strawberries, white chocolate, whipped cream and other naughty indulgences. The peat was hidden away at the back of the palate and made me wish I could repeat the tasting the next day but in reverse order.

The night concluded in a truly memorable fashion, as every participant in the dinner was presented with a customised Laphroaig bottle to take away. Mine was particularly appropriate considering the tasting notes found within this very article. Dan graciously added his signature to the unique bottle, along with this piece of wisdom: “Do you know what the best whisky in the world is? Free whisky.”

Laphroaig Dinner 5

It was an educational and enjoyable evening, capped with a rousing toast which I can’t help but repeat: “LONG LIVE LAPHROAIG!”

An Evening with the Tasmanian Moonshine Company

Posted by: Ted

Group shot Whisky Waffle

Moonshine, of the liquid rather than the lunar variety, tends to conjure up images of rough folk with an equal number of teeth, brain cells and chromosomes distilling liquor through an old tin can and a car radiator in the backwaters of America. Da-da-ding-ding-ding-ding-ding-ding-ding… can you hear the banjos duelling in the distance? Somehow then, it seems rather incongruous to find a product calling itself moonshine hailing not from the Appalachian hinterlands, but Tasmania, Australia, home to a burgeoning high-class craft distilling industry. According to Tasmanian Moonshine Company (TMC) manager John Jarvis however, there is a very good reason their product bears that epithet.

I met up with John at the Spirit Bar in Burnie, where a small but enthusiastic crowd had gathered to try the range of products offered by TMC. Produced at Devil’s Distillery (est 2015) in Moonah, TMC uses 100% Tasmanian malted barley to create their spirit. Now, malted barley is of course what you use to make single malt whisky, but because the spirit released by TMC is less than two years old it cannot legally be called that.

John Whisky Waffle (2)

While generally a very friendly bunch, Tasmanian whisky producers are also very protective of the world-class brand they have created. To keep relationships on a good keel between all parties, John and his colleagues decided to steer away branding that could be misconstrued as whisky-related and fittingly call their product moonshine, a traditional name for any unaged or underaged spirit.

TMC produces a range of products on their 1800l pot still and 380l reflux still, including Vodka and Tasmanian Mellifera (a spiced honey and citrus liqueur) as well as Cold Drip Espresso Coffee Liqueur, Tasmanian Midnight (a fennel based liqueur similar to ouzo or arak) and their frankenstein fusion child, the Licorice Infused Coffee Liqueur.

Of more interest to whisky drinkers is the Tasmanian Malt Barrel Aged New Make. After spending a relatively short time developing character under oak, the Barrel Aged New Make is released at around 18 months of age.  It’s youth actually works in its favour according to John; “we wanted to make something to fill a hole in the Tasmanian market, something that we don’t have to sit on, can release quite regularly and that is easily accessible. Prices in Tasmania for single malt can be crazy… I don’t think there’s really any other products at the price point we are aiming for.”

Moonshine Whisky Waffle (2)

John was also keen to talk about the interesting casking employed by the distillery: “My head distiller just wanted to do one cask type, but I like to experiment. As well as ex-bourbon American oak barrels, we also have other casks like sherry, port and tokay that are made from Hungarian oak sourced directly from Hungary by our cask maker. I definitely think there is an effect on the resulting flavour;  I’ve heard people are asking to get hold of Hungarian casks now too.”

When each 300l cask is deemed ready to release, around half the contents are decanted, with the remainder allowed time to develop further before leaving home. The casks are also tapped according to what the distillers feel is ready at the time, meaning that the character of the spirit changes from release to release. Interestingly the cask type is not actually mentioned on the bottle, so punters will be kept on their toes, but John is sanguine about this fact, commenting “we’ll never be able to make the same product indefinitely anyway, unless we move away from single barrel releases and start vatting, so I think it’s fine.”

On offer that evening was a Hungarian oak tokay cask release at 43% abv and a Hungarian oak port cask release at a rather sexy 67% abv. On the nose the tokay was smooth and sweet, with notes of leather and beeswax, while the port exuded caramel, rust, red meat and dark timber. On the palate the tokay was crisp, lively and herbal, while the boozy port delivered red wine tannins, pepper, honey glaze and oaky notes.

barrel aged Whisky Waffle (2)Barrel aged Whisky Waffle

As well as the depth of flavour, the colour was also pretty impressive for spirit of that age; “I’ve actually had arguments with people who think we colour our spirit,” remarked John “but of course we don’t, it’s all from the good quality casks we use.” While definitely young tasting, I can report that both Barrel Aged New Make releases had a surprising completeness of character that was very pleasing to the senses and left an impression of finished and polished product rather than an undercooked malt spirit just released as a cash grab.

Of course, this would suggest that Devil’s Distillery is able to produce a very high quality new make and fortunately John had some on hand for us to try. Even more exciting was the fact that he had two different cuts of the new make, one containing pure hearts and the other with a mixture of hearts and tails (this sentence probably sounds a bit disturbing to anyone who is not familiar with spirit production)!

Hearts or tails Whisky Waffle

The hearts were not for the, er, faint hearted, bottled off the still at an eye watering 73.5% abv, while the heart/tail mix was positively tame at ‘only’ 68.5% abv. On the nose the pure hearts were light, sweet and delicate, with a nice graininess. In comparison the heart/tail mix was rubbery and as someone commented, smelt like a barn floor, which if you’ve never experienced it is a mixture of sweet fermenting straw and an underlying tone of, ahem, cow business. On the palate, the hearts were sweet, with a crisp, crystalline feel, whereas the heart/tails were once again rubbery, with vegetably, fermented grain notes.

The amazing thing was that, according to John, there was only about 20% run difference between the two cuts, demonstrating how much the character of the spirit changes over the course of a distillation. You may be surprised to know, however, that those funky flavours in the tails can completely change when you add them to the hearts and can be vital for defining the character of the finished product.

While TMC will continue to release its current lineup of moonshine products (although maybe grab a bottle of Tasmanian Mellifera as John says he’s sick of grating orange peel), down the track the company will also be leaving some spirit to age for a bit longer under oak until it ticks over that legal line and magically transforms into whisky. The first release is slated to be a 3yo 20l bourbon cask finished in Hungarian sherry oak and will be released under the label of ‘Hobart Whisky’ (“I still can’t believe we scored the rights to that name,” says John with delight). If the barrel aged new make is anything to go by, then the whisky is likely to be a cracker.

John Whisky Waffle

As the night drew to a close, the guests were left contented by a healthy dose of good company and excellent moonshine. While we tend to focus on malted barley that has been transformed into whisky here at Whisky Waffle (it’s kinda in the name), the Tasmanian Moonshine Company proves that if you start with an excellent malt spirit and make good use of your barrels, then ‘young’ doesn’t necessarily have to equate to ‘bad’, or ‘rough’, or ‘unfinished’, or whatever other label you want to throw at it.

I still want them to learn the banjo though.

Thanks to Kirk and the Spirit Bar crew for hosting the event and providing tasty cheese platters. Thanks to John and the Tasmanian Moonshine Company for making the trek up to Burnie to entertain us.

 

The Ultimate Top Three Introductory Whiskies

Posted by: Nick

z back up 2

One of the most commonly asked questions I see around the whisky-scented part of the internet is “I’m new to whisky – which Scotch should I buy?” (It’s always Scotch – never which ‘Lark limited-release’ should I buy. But I digress).

We Wafflers rarely get asked this question – I assume because our frivolity and general tongue-in-cheek nature voids us from such serious inquiries – but regardless, I wanted to share my own two cents worth. Why? Because I am unequivocally and without a doubt correct.

It is a big call I know, but I challenge any other objective-minded whisky fan out there to name a better collection of widely available single malts for a newbie. To be clear, one whisky alone is insufficient to demonstrate the depth and breadth of flavours available so I have naturally selected the smallest possible number of bottles: three.

So here they are, in a particular order (that is, the order in which they should be drunk): my top three introductory whiskies:

Number one: Balvenie DoubleWood 12 Year Old

Balvenie Doublewood 12 Year Old Whisky Waffle

This is the gateway drug. Balvenie produce a smooth and yet interesting drop which is one of the tastiest going around. It is fruity and vanillary, and packed full of the sweet caramel that we associate with Speyside. It introduces the elegance that typifies Scotland’s largest whisky region while also touching upon cask types and maturation. Is there a more perfect first drop? No, I can safely say there is not.

Number two: Highland Park 12 Year Old

Highland Park 12

Speyside is not entirely what Scottish whisky is all about. There is a vast array of flavours to be discovered from south to north and the Highland Park 12 Year Old showcases pretty much all of them! It is a proper all-rounder of a whisky, with a little bit of sweetness, a little bit of salty sea air and a little bit of smoke lingering in the background. Even though it is technically from the Islands region, it represents the Scottish Highlands better than most mainland distilleries and it an obvious choice for this list simply for its wide reaching flavour profile.

Number three: Lagavulin 16 Year Old

Lagavulin 16

Some people may claim it is unwise to include a heavily peated Islay malt among the top three introductory drams. Those people are of course wrong. Because upon taking one sip of the Lagavulin, the individual partaking in the tasting will either fall instantly in love – or decide very quickly that peated whisky is not for them and the Balvenie wasn’t so bad after all.

For m’colleague and I it was option number one – there is something truly special about peated whisky – and the Lagavulin 16 is the ideal selection. It is more than just a peated whisky – there are hidden flavours to be discovered due to a small amount of sherry maturation – and there are Nick Offerman videos to quote endlessly.

It may be divisive – but it may also be the key to truly ‘getting’ single malts. Plus this will give the opportunity for someone new to whisky to learn to pronounce ‘Islay’ correctly from the outset.

So there you have it: the ultimate top three introductory whiskies. Obviously it cannot be topped, but if you’d like to try, leave a reply in the comments and tell me your own top three. Or we could start a pointless twitter debate about it if that’s more your style.

If you are a whisky-newbie: you’re welcome. Check back in a couple of weeks when you’re a full convert and enjoy our other reviews!

Commence/keep on waffling!

Connemara Peated Single Malt

Reviewed by: Nick

Connemara

Thought that Scotland was the maker of all the peat bombs in world whisky? Well Connemera is here to prove that theory wrong. There really is nothing like a good peated whisky… and this is nothing like a good peated whisky. This is a different kind of peat altogether and although I’ve had this bottle for a fair while now, I’m still not sure if I like it…

Connemara, like most Irish Whiskeys, is not the name of the distillery. There is some conjecture here – while current releases clearly state ‘Kilbeggan Distilling Co’ on their label, my own bottle informs me it was made at Cooley Distillery, a good 120 km up the road. However, I haven’t been sold a fake – Kilbeggan and Cooley are both under the ownership of Beam Suntory and in possession of similar stills, meaning I assume the end product will taste fairly similar either way.

I want to get onto the tasting notes now, because unlike most other reviews I write, the flavours I’ve identified form an integral part of the point I’m trying to make. This whiskey is weird. On the nose I get a hugely specific tasting note – which Ted backs me up on (or at least humours me with). My tasting note is bicycle tyres. Yep. Bicycle tyres. Fresh new ones! It’s nutty, earthy and overall: rubbery. It’s an acquired smell if that’s a thing.

The palate presents some more conventional ham and cinnamon flavours, alongside, not fruit… but vegetables, though I can’t quite pin down which ones. Broccoli perhaps, or turnip maybe (I’ve avoided the Irish cliché of saying potatoes). The finish is where all the smoke can be found – again accompanied by a burnt rubber linger. It’s all a bit bizarre on the first taste… and the second… and the third…

Connemara is a world apart from the delicate floral whiskies produced by much of Ireland and for that I thoroughly commend it. However, as far as peated whiskies go, I think I’m going to have to award this round to Scotland.

★★

#IrishWhiskeyWeek

Green Spot Single Pot Still Irish Whiskey

Reviewed by: Ted

Maker:S,Date:2017-9-13,Ver:6,Lens:Kan03,Act:Lar02,E-Y

The history of life on Earth is patterned with extinction. Ever since the first cells formed from the primordial soup some 4 billion years ago, countless species have risen, only to be swept away by the tides of history. Some extinctions are so devastating that they shake the tree of life to its very roots; for example the Permian-Triassic Extinction Event approx. 252 million years ago is estimated to have wiped out around 90% of all species living at that time.

The rise of modern humans (Homo sapiens) some 200000 years ago certainly hasn’t helped matters. While perhaps lacking the immediate punch of an asteroid impact, humans have both directly and indirectly had a hand in wiping out hundreds of species during our time on Earth. Hunting pressure is hypothesised to have played a role in the disappearance of a whole bunch of megafauna species 10000-50000 years ago, while we know that was definitely what killed off species such as the Thylacine (Thylacinus cynocephalus), the Western Black Rhino (Dioceros bicornis longipes) and the Passenger Pigeon (Ectopistes migratorius) which, thanks to a merciless hunting campaign, went from an incredible estimated population of 3 billion to be completely wiped out in the space of the 19th century. Other factors influenced by human activity also play their hand, such as habitat destruction, pollution, disease and anthropogenic driven climate change.

Yet hope springs eternal and many species that look doomed to go the way of the Dodo (Raphus cucullatus) somehow continue to cling tenaciously to the brink, sometimes even managing to claw their way back a bit: The Orange-Bellied Parrot (Neophema chrysogaster) from Tasmania, the Merendón Mountains Snaileater (Sibon merendonensis) from Guatemala, the Wollemi Pine (Wollemia nobilis) from Australia, the Volcan Tajumulco Bromeliad Salamander (Dendrotriton bromeliacius) from Mexico, Eisentraut’s Mouse Shrew (Mysorex eisentrauti) from Equatorial Guinea, Green Spot Whiskey (Maculatum viridialis) from Ireland.

From its origins sometime between 1000AD -1400AD (although the fossil record is still unclear whether the common ancestor of whisk(e)y initially arose in Ireland or Scotland), by the mid 1800’s Irish whiskey (Phylum Hibernica) had ascended to become the dominant grain-based spirit on Earth, with Dublin alone producing around 45.5 million litres of whiskey per annum. The most popular style was Single (or Pure) Pot Still Whiskey (Order Bihordeales), made using a mixture of malted and unmalted barley (Hordeum vulgare) (sometimes also utilising a small amount of other cereals such as wheat (Triticum sp.) or oats (Avena sativa)) and usually triple distilled (Class Trinephela) as per the Irish tradition. The style had initially started as a way of dodging a 1785 tax on malted barley, but quickly came to surpass single malt whiskey (Order Monohordeales) due to its popularity.

By the early 20th Century however, the Irish whiskey industry was in massive decline due to a combination of factors. War (the Irish War of Independence, followed by a civil war and then a trade war where the British Empire, Ireland’s biggest market, banned import of Irish whiskey), prohibition in the US (cutting out Ireland’s second biggest market) and questionable political and management decisions all left the Irish industry hurting. In addition, the wide scale uptake of the Coffey still (Subclass Semperfluida), ironically an Irish invention, by the Scottish distilling industry led to the meteoric (pun intended) rise of blended Scotch whisky (Phylum Caledonica, Order Mígmales), which by the turn of the century had overtaken the Irish market. The population of Irish distilleries went into free fall, the hundreds of distilleries that had once operated during the 18th and 19th centuries gradually vanishing until by the 1970’s only two were left, themselves amalgamations of a handful of survivors who had banded together for survival and mainly focused on blends.

What then of the the king of the Emerald Isles, the Single Pot Still Whiskey, the keystone style in the Irish ecosystem? By the time the 80’s rolled around, only two lonely members of this once great lineage were left, one being Redbreast (Rubus pectales) and the other Green Spot (Maculatum viridialis), a curious beastie in it’s own right. Mitchell & Son est. 1887, wine and spirit merchants based in Kildare St, Dublin, would purchase single pot still-style spirit from the nearby Jameson’s Bow Street Distillery and then age it in their own bond store. For the first five years of maturation, half the spirit was kept in casks that had contained darker styles such as oloroso and PX, while the other half spent its time in casks that had been used for lighter finos. After this initial aging period the casks were vatted together and then put under oak again for a further five years before bottling.

Maker:S,Date:2017-9-13,Ver:6,Lens:Kan03,Act:Lar02,E-Y

Originally known as Pat Whiskey, it was rebranded as John Jameson & Son Green Seal in the 30’s, before becoming simply known as Green Spot. Due to its popularity, other Spot variants soon emerged, with the 10yo Green Spot joined by a 7yo Blue Spot (Maculatum caerulea), 12yo Yellow Spot (Maculatum flaveolens) and a 15yo Red Spot (Maculatum rubrum), the names apparently deriving from the practise of marking barrels with a daub of paint to differentiate between the various age statements. The plight of the Irish whiskey industry soon took its toll however, with only the Green Spot surviving of its relatives. Matters became particularly grim when John Jameson & Son, the source of single pot still spirit for Green Spot, merged with John Power & Son and the Cork Distilleries Co. to form Irish Distillers, basing themselves at the New Midleton Distillery. Fortunately Mitchell & Son were able to strike a deal with Irish Distillers to allowed continued production of single pot still spirit at New Midleton (where Redbreast is also made), saving the brand from extinction. A slightly controversial stipulation of the deal was that the spirit had to be aged on-site in Midleton’s own casks, but Mitchell & Son still retained exclusive rights to the brand and its distribution.

Modern Green Spot has evolved to become a non-age statement release containing 7-10yo single pot still whiskeys aged in a combination of new and second fill american oak ex-bourbon cask and the brand’s traditional sherry cask. The colour is probably significantly lighter than its original ancestor, but still has a burnished red-gold hue thanks to the continued presence of sherry casking.

The nose is warm and fruity, abounding with peach, banana, pineapple, lemon and coconut, as well as polished timber, grape seed oil, crushed grass and grains.

The mouth is moderately sharp, yielding honeycomb, apricot, salt, aromatic herbs, pinot and oak, as well as a curious smokiness that briefly appears in the first few sips. The finish is relatively dry and leaves a pleasant citrus tang with undertones of cinnamon, cloves and cassia.

Lovers of Irish whiskey should be grateful that careful conservation efforts have prevented Green Spot and the Single Pot Still style from dying out in the wild completely. In fact, the famed whisk(e)y naturalist Jim Murray has been noted as stating that Green Spot is “…to the true Irish whiskey drinker what the Irish Round Tower is to the archaeologist…Unquestionably one of the world’s great whiskies.” In even better news, the style is now starting to make a resurgence, with a small population of the rare Malaga-matured Yellow Spot 12yo (Maculatum flaveolens malagaensis) being rediscovered, as well as new producers such as Dingle (Family Parvosonitaceae) emerging.

In summary, everything comes to an end eventually right? Luckily on occasion the inevitable can be staved off for a while and second chances granted. As such, I highly recommend that you make it a goal to sample the Green Spot before your own personal extinction comes upon you.

★★★★

BONUS – Alcohol Taxonomic Hierarchy

Ex. Green Spot

Domain – Alcohol – Spirita

Kingdom – Type – Whisk(e)y

Phylum – Origin – Hibernica

Class – Distillations – Trinephela

Order – Style – Bihordeales

Family – Distillery – Novaemidletonaceae

(Tribe – Independant bottler – Mitchellfileae)

Genus & species – Variety – Maculatum viridialis

#IrishWhiskeyWeek

Bushmills Black Bush

Reviewed by: Nick

Bushmills Black Bush

Ok, let’s get it out of the way now: upon reading the words ‘Black Bush’, who sniggered uncontrollably? I’ll admit that I definitely count myself amongst the sniggerers. I mean, come on… Black Bush? Snigger snigger…

Anyway, now we’re past that: onto the whiskey! It is important to note that Black Bush was not entirely made at Bushmills. A large chunk of it was – Bushmills claim 80% was aged for up to eight years in their Northern Ireland bond store – but the single malt is then blended with grain whiskey made down south at Midleton Distillery.

So Black Bush (snigger) is a blend. A cheap blend, no less, of a similar price to a Chivas or a Johnnie Walker Black Label. So there’s not going to be anything in here to get too excited about. Right?

Wrong. The Black Bush is a remarkable young whiskey punching well above its weight and displaying a depth of character not present in many Irish drams. The clue is in the name: the blackness of the bush (snigger).

This moniker refers to the maturation of the Bushmills single malt – part of it, at least – which has spent years aging in Oloroso sherry barrels. This variation in cask type has added a complex fruity element which really makes this whiskey stand out from its competitors.

The nose is packed with fruit and cereal, or perhaps fruit on cereal. Creamy strawberries nestle among grains, while marmalade and oak round off the edges. The palate is lightly spicy with the rum and raisin flavours from the sherry influence spreading out across the tongue. There are notes of dark chocolate and sweet pastries. The finish is quite dry with hints of red wine grapes and vanilla.

The Black Bush is far from smooth, but this actually works in its favour. Bushmills claim it only contains 20% grain spirit and the blender could have easily rounded off the edges by adding more. However the restraint shown adds complexity to the dram and gives the flavours within a chance to come to the fore.

In conclusion, if you are looking for an inexpensive blended Irish malt with a bit of character look no further than the Black Bush.

Snigger.

★★★

#IrishWhiskeyWeek

Whisky Waffle Episode 6

Posted by: Nick

The Whisky Waffle Podcast is back! With an additional exciting new feature: episode titles! Episode 6 is titled: Five regions… and Campbeltown.

This episode contains:

– The Waffle, where we introduce Scotland’s five whisky regions… and Campbeltown

– The Whisky, where we taste two highland whiskies from very near Speyside, the AnCnoc 16 Year Old and the Glendronach 12 Year Old

– Whisky Would You Rather, where Ted makes Nick choose between his eyes and his stomach; and

– From the Spirit Sack, where we are asked a geographical question about whisky

Whisky Waffle Logo 1

Kings County Bourbon 43%

Reviewed by: Ted

Kings County Bourbon 43

This is about as hipster as I get. Leaning up against a rough-sawn wooden bar in a small craft beer joint in Kyoto and sipping some NYC bourbon poured from a 375ml bottle with a label that looks type-written. In fact, as I type these words, a number of Japanese gents wearing round steel-rimmed glasses and with beanies perched on their heads have just walked in. I am probably not cool enough for this place.

The bar is called Bungalow; the fact that it is separated from the busy street outside by only a clear plastic screen somehow makes it seem even more edgy. The vibe inside is very chill though, with friendly bar staff, a selection of Japanese craft beers and luscious funk tunes oozing from the speakers.

It also has precisely one whiskey, the Kings County Bourbon Whiskey. Apparently the owner is friends with the importer of the Kings County and is a fan, hence its presence as the only whiskey in a craft beer bar.

Kings County is apparently the oldest operating whiskey distillery in New York City… Est. 2010. It’s youth is due to the fact that it is the first whiskey maker in the Big Apple since prohibition ended. Based in the old Brooklyn Navy Yards, they craft spirit in their Scottish-made still using corn and barley grown on-site. It’s very much part of the dynamic and sustainable ethos that exists in Brooklyn today.

kings-county-bourbon.jpg

All the details…

The spirit itself is a very dark copper colour and is bottled at a pleasing 45%. Being a bourbon it has that heavy, corn-driven punch, but in this case it’s pleasantly not overpowering. There’s a sweet, savoury sharpness that evokes some of the flavours that I have come across in Japan. Soy sauce, mirin, that sticky stuff I had on that grilled meat in that yakitori joint, a hint of salt and tuna sashimi. Of course, these flavours are super-subjective seeing as this is a through-and-through American spirit. I’ve just been exposed to a lot of eastern flavours this past week.

The mouth-feel is solid. The usual big, sweet corn flavours are there, but they are well controlled and even-tempered. It has a crispness and acidity that evokes a glass of Sav Blanc or Pinot Grigio, leaving a nice juicyness to linger on the palate. There’s a buttery, saltiness too, like that scallop I had in Kuramon Ichiba Market that was grilled over coals in its own shell.

The Kings County is a damn fine whiskey, perhaps made even better by dint of my current geographical location. Kyoto is a beautiful city, Bungalow is just my kind of bar and the Kings County is an excellent finish to the day. If you’re going to drink a whiskey you’ve never heard of in a bar in Japan that you stumbled across by chance, consider making it a Kings County.

★★★★

Kings County Ted

Thus Spake Jim Murray – 2018: A Whisky Bible

Posted by: Ted

Zarathustra2

Daaah…. daaah…. daaah………. DA DAAAAAAHHHHH!!!!!!!!!!! bom bom bom bom bom bom…

Sunlight oozed slowly across the darkling plain and up the face of the towering monolith. Its surface was like the purest of amber and there was a strange feeling of energy surrounding it. A group of primitive whisky writers, bloggers and critics lounged and tousled nearby, random, semi-intelligible cries like ‘bold coastal flavours’, ‘herbal undertones’ and ‘it has notes of sour plums’ punctuating the air.

One of the bloggers suddenly whipped his head up and stared intently at the monolith, before hesitantly creeping towards it. His companions quietened, the fibres of their tweed vests glinting in the sunlight as they watched their brother’s progress. The blogger halted nervously at the base of the monolith and carefully stretched up his hand toward the surface.

As soon as the blogger’s fingers brushed the unnaturally smooth amber surface, images poured into his mind, burning like distilled fire. Strange bulbous glassware… odd metal cylinders plunging into barrels to feed off their liquid hearts… infinitely high stacks of experimental casks with cryptic names like ‘gaja barolo’, ‘tokay’ and ‘sauternes’… fractal distillers endlessly chanting ‘Phenol quercus lacotone alba aldehyde robur’… towering columns of smoke that reeked of the sea… a tumultuous barrage other images too hard to describe, let alone understand.

Finally the terrible visage of a golden-eyed god appeared, his corona of white hair crowned by a panama hat. The god spoke, terrible, thunderous tones lancing into the mind of the blogger:

“Behold, these three releases shall be the best whiskies on earth in 2018:

1.Colonel E.H. Taylor Four Grain Bourbon

Winner2. Redbreast 21 Year Old

Second winner3. Glen Grant 18 Year Old

Third winner

This is the decree of Jim Murray, heed it and remember.”

Suddenly the raging tempest of images assaulting the blogger stopped, like the fabric of the universe had been sundered by a knife. As he withdrew his hand he felt a sudden feeling of purpose, a clarity of mind that pierced to the very centre of his spirit. He swung around and stalked with intent towards the biggest critic in the group, who was pontificating forcefully that ‘while other styles have certain merits, it is the sheer complexity derived from its long and rich history that elevates Scotch above all other forms.’

Daaah…. daaah…. daaahhh…. Ba BAAAAAAHHHH!!!!!! bom bom bom bom bom bom…

With a wild cry of ‘Bourbon is the new king!’, the blogger struck the critic a terrible blow and smote him to the ground, while the other wordsmiths hammered on their keyboards, hooting and gibbering in excitement. The blogger stood panting for a moment, then turned and strode away from the great amber monolith, his companions trailing behind their new leader, a sudden sweet, rich, punchy sensation pervading their minds.

Finally, the only thing left in the dying light was the monolith, the mysterious energy surrounding it holding a sensation of waiting, of expectation and anticipation, like somehow it knew that one day this would all happen again…

Fin

(To find out Jim Murray’s other decrees for his 2018 Whisky Bible, head over to The Whisky Exchange blog)