Ironhouse Release Tasman Whisky

Posted by: Ted

Whisky Waffle IH Launch book

With Tasmanian Whisky Week just around the corner, it is only fitting that another distillery has joined that ever-growing band of Tassie producers offering mature whisky to the people. East Coast outfit Ironhouse Brewery & Distillery recently launched into the scene with the first release of their ‘Tasman Whisky’ label.

Better known (currently) for their Ironhouse beer range, the brewery and distillery (brewstillery?) is located at White Sands Estate, just north of Bicheno. Brainchild of head brewer and distiller Michael “Briggsy” Briggs, the distillery came into existence as a way to utilise excess wash generated by the brewery. According to Briggsy “we had a plan to sell our excess wash to whisky producers, but we hit a load of roadblocks along the way, so in the end we said ‘bugger it, we’ll just make our own!'”

Whisky Waffle IH Launch Briggsy

Whisky Waffle recently had the chance to sample the fruits of that decision at the North West leg of the official launch series, luckily held in our hometown of Burnie. Burnie might seem an odd place to host a whisky launch for an East Coast outfit, but this is Tasmania, and there is always a local connection to be found.

Craig ‘Spilsy’ Spilsbury, Ironhouse Brand Ambassador and Briggsy’s right-hand man, grew up in Burnie and was excited to be able bring his new baby back to his old stomping grounds. “I got most of the scars on my head working at the Beach Hotel in Burnie back in the 80’s,” he quipped to the crowd assembled upstairs at the historic APPM paper mill building at South Beach. The venue was fitting in the context of local connections, as Briggsy revealed that his in-laws had met at the paper mill, while both fathers of the Whisky Waffle lads were employed there in the past too (and no doubt a good chunk of the audience could claim similar connections).

Whisky Waffle IH Launch crowd

Our hosts were keen not to waffle on too long though (good thing we weren’t hosting) and instead let the whisky speak for itself. Briggsy revealed that the decision to brand the spirit as ‘Tasman Whisky’ rather than Ironhouse came from the intimate connection they share with the Tasman Sea, which provides the spectacular coastal setting for the brewstillery.

The Tasman Whisky first release consists of three different vatted cask expressions: bourbon, sherry and port, all bottled at roughly 47% ABV. We agreed that the bourbon cask, a light, sweet drop with a bit of a spearmint/menthol prickle, was quite Scottish in nature, with hints of its American heritage popping through occasionally.

The quirky sherry cask would have been at home in a sweet shop, sporting a fruit, malt and dark Lindt chocolate nose (milkshakes anyone?) and a fruity mouth reminiscent of red snakes and wine jelly. The winner for us, and most others too when a vote was held at the end, was the port cask. Much more classically Tasmanian in nature, the port was robust and spicy with fat fruity jam notes across the palate.

Not only does the Tasman Whisky range taste good, but it also looks good, thanks to the use of some rather *ahem* novel packaging. The box has been designed to look like a book, complete with first page, and will make an elegant addition to any collection. A rightfully smug Briggsy informed us that “it’s all about the story, about where we came from, hence the packaging looking like a book.” Spilsy chipped in with a useful bit of advice, noting that “it’s also useful for sneaking it past the trouble & strife”.

The evening concluded in a somewhat dramatic fashion, with Whisky Waffle’s own Ted trying to execute a dance move, in memory of attending a paper mill dance at the venue with his dad when he was 5, and instead managing to do a pretty comprehensive job of breaking his leg. Luckily the Tasman Whisky proved to be an excellent source of pain relief and kept spirits buoyed as the hours spent in the emergency department wore on.

For those looking to use Tasman Whisky recreationally rather than medicinally, bottles will begin to be released to the public in the next few weeks. Briggsy and Spilsy have always intended their whisky to drunk by humans rather than hidden away within the glass cabinets of collectors, and the price is therefore thankfully within reach of we regular people.

Tasmania’s whisky history is becoming richer and more storied with every passing year. It is with great pleasure that we officially welcome Tasman Whisky: the start of a brand-new chapter.

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The North Unites for Tasmanian Whisky Week

Posted by: Nick and Ted

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The South of Tasmania has traditionally been the heartland of its whisky industry. Lark. Overeem. Sullivans Cove. Redlands Old Kempton (and more). Big names that have dominated the stage since the early days.

In comparison, the north of the state has been something of a wasteland whisky-wise, with Hellyers Road the sole torch-bearer for far too many years. But no more! In 2019 the North is fighting back and has assembled a heroic band of new distilleries, each armed with a grain-based spirit that has spent at least two years in a barrel!

Launceston Distillery, Adams Distillery, Fannys Bay Distillery, Corra Linn Distillery, Ironhouse Distillery and of course Hellyers Road Distillery have whisky and they’re not afraid to drink it. And they want you to have a dram too!

These Northern warriors will join forces, alongside new-kid-on-the-block Turners Stillhouse, on Tuesday 13th of August as part of Tasmanian Whisky Week festivities. The event will be held at Cataract on Paterson in Launceston, commencing at 6:30pm.

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The evening will feature tastings from each distillery, probably the first time in history that such a range of whisky produced north of Campbell Town will be on offer at one event, with each dram presented by the team that created it. The ticket price includes a superb menu of canapés designed by the venue featuring fine local Tasmanian produce. The evening will be hosted by yours truly, the Whisky Waffle boys, so we’d love to see a big turn-out of fellow Wafflers!

Tickets are $80 and can be purchased at https://taswhiskyweek.com/eventbrite-event/northern-night/ Yes, we know it’s a Tuesday night and you probably have to get up for work the next day, but gosh darn it, this is an opportunity that cannot be missed!

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What: Northern Night

Where: Cataract on Paterson, Launceston

When: Tuesday 13th August @ 6.30pm

Cost: $80 (a bargain for 6 rare Northern Tassie drams plus canapés and great company!)

Why: Because you’d like to be part of a historical night!

Whisky Waffle Podcast Episode 11

We’re back with another semi-drunken rambling… I mean podcast!

This episode contains:
– The Waffle, where we discuss gear! That is, distillation gear!
– The whisky, where we look at a fancy blend which we don’t know how to pronounce; and
– Mystery Whisky where Ted guesses every location except for the one the whisky is actually from!

 

Dalwhinnie Lizzie’s Dram

Reviewed by: Ted

Mama, just killed a dram,
Put a glencairn against its neck,
Poured it out, now the bottle’s dead…

Avid Whisky Waffle followers may remember that I was recently musing about how I needed to bite the bullet and finish off a bottle of Dalwhinnie that I’d had sitting around for far too long. Well, you’ll be pleased to know that the world is now minus one bottle of Highland single malt. Just not my bottle…

So, I was visiting friends last night and at the end of the evening the host whipped out a bottle of Dalwhinnie he bought in Scotland recently-ish and declared an intent to finish it off between the group. Naturally, everyone declined (you’ll need to install a sarcasm filter to read that properly).

The bottle in question was the interestingly named Lizzie’s Dram, a limited edition distillery exclusive non age statement release. No, the Lizzie in question is not the Queen, but instead one Elizabeth Stewart. Working at Dalwhinnie for over 30 years, she was apparently a trailblazer for women in an historically male-dominated industry as one of the first female Scottish malt distillery operators. After her retirement in 2018, Diageo, owners of Dalwhinnie, chose to honour her contributions to the whisky industry by creating a special release in her name.

Lizzie’s Dram is aged exclusively in selected refill American white oak bourbon cask and released at 48% as a limited run of 7500 bottles. The colour is darker than you’d perhaps expect for refill bourbon casks, but then this is Diageo we’re talking about, who are quite fond of going to town with the E150a caramel colouring.

The nose is pure Dalwhinnie – very first thing I detected was that classic smell of apples. My companions at the table, more casual whisky drinkers than me, were quite effusive in their agreement and thankfully I was backed up by the bottle notes. See? We don’t always talk rubbish (mostly). Also to be found are lemons, straw, vanilla and green sapwood. The addition of a couple of drops of water also draws out some caramel. All in all quite a pleasant olfactory experience.

The mouth is a different kettle of fish. It’s very sharp for some reason, with a metallic, Myer lemon body going on. The whole effect is very bright across the palate, with a lingering finish. I think it’s kind of like sword swallowing – it’s pretty difficult and can impress your friends who don’t know the trick, but in reality it’s uncomfortable in the mouth and you’re glad when it’s over. A couple of drops of water soften the blow, but then annoyingly a bit of the pizzaz and drama disappears. A difficult dram indeed.

Look, this is a NAS we’re talking about, so it’s likely that a good chunk of the release is made with relatively young whisky. I suspect that some of the jaggy edges on the mouth would have been smoothed out if the barrels had been allowed to work their magic for a bit longer. It’s a shame really, because I enjoyed what was going on with the nose and wish it could have translated across the entire experience.

Thumbs up to Diageo and Dalwhinnie for celebrating the undeniable achievements of one of their own, thumbs down for not backing it up with an entirely worthy dram. Of course, this is just me grouching with my Whisky Waffle hat on. In the moment, with good company and a dram in hand, we killed that bottle like a cadre of smiling assassins. When it’s someone else’s bottle and they’re pouring generously, one should not protest too hard.

Any way the whisky flows…

**

On killing bottles

Posted by: Ted

There’s a bottle I need to kill. Actually, there’s a number of them, but this particular one is an old bottle of Dalwhinnie 15. It’s been sitting around on the shelf with about a good dram’s worth left in the bottom for at least a couple of years now. I have a suspicion this may turn out to be a problem.

Killin’ me slowly with his dram…

People tend to think of whisky as being very durable. When it’s aging in the barrel all sorts of funky interactions are happening of course, but stick it in glass, that delightfully chemically stable substance, and it’ll stay unchanged forever. Maybe… although that theory does seem to have been challenged recently by the number of very old, rare whiskies that have been tested and found to have somehow magically changed themselves into much, much younger, inferior whisky that is most definitely not (‘we are so sorry to have to break this news to you sir’) that phenomenally expensive 1880’s Ardbeg you bought as a sure-fire investment. Hmm, quite.

Getting back to the point though, nearly-empty bottles left to their own devices just never seem to taste as good (or at least not the same). The flavours are diminished and changed somehow. Oxidation, causing changes to the molecules through increased oxygen interaction, gets bandied around a bit, but sources on the repository-of-all-knowledge indicate that this may not actually play as much of a role as I previously thought. Another theory that I quite like is that because alcohol and other molecules in the whisky are volatile, evaporation and dissipation occurs every time the whisky is poured, meaning some of the flavours are lost and the balance of components is changed (a more detailed explanation here care of the excellently anorak-y Whisky Science blog).

That being the case, why don’t we just finish of all those damn dregs and move on to pastures new? The thing is, psychologically it can be quite hard to bring yourself to kill the bottle. Back when it was full, we splashed the contents around with great abandon, sharing it generously with friends and pouring stoaters without care. Once the level drops below the plimsol line though, you start to think ‘gosh, that’s getting low. Better go easy… maybe I’ll save it for a special occasion’. It can be even worse when you’re a somewhat slack whisky writer: ‘Oh man, I should really get around to reviewing this. Sometime. Hmm, I better leave some in there… I’ll definitely get around to it soon’.

To kill or not to kill…

Sentiment plays a part in prolonging the life of a bottle as well. The attachment of a particular memory to a particular bottle means that we can cling even harder to the remains, fighting against our natural urges as top predator in the whisky food web. For example, I bought that bottle of Dalwhinnie as a present for my dad over six years ago. When he died in 2013, I inherited it. The stupid thing in this case is that there isn’t any particular sentimental value attached to it. It wasn’t his favourite whisky, we didn’t spend a magical night bonding over it, or a wild night getting shit-faced on it.

Yet for some reason I haven’t been able to force myself to do the dirty deed and finish it off. It just sits there gathering dust and, stupidly on my part, potentially diminishing in quality and strength. Look, if I’m forced to dig deep for an honest reason for my reticence, I think I’ve just been using the tenuous sentimental value to put off having to write a review about it. Which come to think of it, is definitely the reason that I’ve been hoarding the last slick of my Nikka Yoichi 15 for too many years. Ugh, motivation, why are you such an indolent mistress?

Pity it’s not a full bottle these days…

Perhaps it’s just an excuse to keep buying new bottles?

So what is the point of this rambling musing? I think we need to be brave, to step up to the crease and face down that last dram before it’s too late. Sometime you’ve got to kill the things you love. It’s the kindest thing to do.

Just, some other time maybe…

Scotland 2018: The Ultimate Whisky Adventure – Part Four

Posted by: Nick

In July 2018 I realised the ultimate Waffler’s dream and spent nine days travelling whisky’s motherland. I did not waste a moment.

9 days: 20 distilleries.

PART FOUR: Islay – the east and the north

WW 0 still

If I were to be completely honest with myself, I would admit that three of my top five distilleries in Scotland are just outside of Port Ellen. If I were to be even more completely honest then I would revise that to three of top three. And these three, the holy trinity of Islay, were to be my destination on my final full day in Scotland. As all three were within a short walk of one another I coined this day as ‘the world’s greatest pub crawl’. The only question was, where to start? Due to a combination of tour times and proximity to my accommodation (a three-minute walk, no less) I began my epic day at Laphroaig.

WW 1 Lap

The tour was in-depth and the tastings phenomenal – three barrels were lined up ready to be valinched into our glasses – the first a quarter cask on steroids, the next a 14 Year Old bourbon cask, before finally, the pièce de résistance, a 52% 14 Year Old whisky which had spent it’s time equally in bourbon and Amontillado sherry. I was fortunate enough to take home a 200ml bottle of the latter, and my colleague was suitably impressed. I also claimed the rent for my square foot of land and learned to pronounce Cairdeas (hint: think Steve Macqueen).

WW 2 casks

Fifteen minutes up the road was Lagavulin, a crucial distillery in Whisky Waffle history and I wasted no time ensconcing myself in their new tasting centre. While there are not many varied Lagavulin releases on the market, if you find yourself at the distillery then you’ll be treated to a range of rare special editions created for Feis Isle celebrations and Jazz festivals. The pick was the 54% Double Matured Distillery Exclusive. At this point of the day my tasting notes were starting to get creative. I have noted: “like sitting in a cart pulled by a noble steed. Or in a palanquin carried by muscular Persians sweating in the Arabian sun”.

WW 3 Laga

Unbelievably, the best was yet to come. Several things influence one’s enjoyment of a tour: the quality of the distillery (and therefore the whisky), the engagingness of the guide and the friendliness of the people on the tour with you. Well, once in a while the stars line up and you get all three, and that was the case with my Ardbeg ‘tour at two’, commencing, funnily enough, at two o clock. And it was one for the ages. Our guide, wee Emma (apparently there are two Emma’s who work at Ardbeg and we got the smallest – and the best!) was friendly and knowledgeable about peated whisky – an islander through and through. The tour itself was thorough but individualised – it didn’t feel like a re-tread of all that had come before. And the group was amazing. We settled ourselves down in a bond store for some tastings and when the drams started flowing (Grooves, Alligator and any number of single cask releases) we took it in turns to chat about our backgrounds, favourite drams and that first bottle that opened our eyes to whisky. We could have stayed there longer – but a knock on the door to the warehouse by the production boys alerted us to the fact it was 5 o clock and the tour was meant to have finished an hour ago. “Sorrynotsorry” was everyone’s response. It was a magical experience and one I feel truly reflects a wonderful distillery. I can say, hand on heart, it was the best tour of the trip and remains a fond memory in my Waffly heart.

WW 4 Ard

I woke the next day with a heavy heart. Partly because of the number of drams I’d consumed the previous day, but also because it was my final day on this spectacular island. My ferry left at 3pm which gave me just enough time to fill in the gaps I’d left. Despite feeling a little tender I could not resist tasting a few distillery exclusives at Caol Ila. I wasn’t sure what to expect from this giant distillery but what I found was a warm welcome and delicious whisky.

WW 5 CI

My welcome was just as warm at Bunnahabhain, who, despite building work preventing me from touring the distillery, gave me an extensive tasting (which I was able to transfer most of each glass into small bottles – my liver thanked me later) and fantastic conversation. It was one of the friendliest distillery experiences I’d had in the previous eight days and I cannot wait to go back and visit these guys again.

WW 6 Bunna

Then, before I knew it (after a sneaky couple of photos at Ardnahoe), I was back on the ferry and leaving Islay.

WW 8 Ard

I can say with certainty that my visit to Islay had been the pinnacle of my whisky journey. The people, the scenery and the peat gave it the edge, but despite the size of some of the operations it just felt like I was on a tiny whisky-centric island which hadn’t changed much since the first dram had been distilled there. Sitting on a small rise of land across the road from my Airbnb looking out at the view (Port Ellen on one side, Laphroaig distillery on the other) I felt as connected to a place as I ever had. The pun writes itself, but I truly mean it when I say it was a spiritual experience.

WW 7 Bunna

And thus my whisky journey was at an end. Despite Islay’s dominance in my writing, every aspect of the trip was phenomenal. As a whisky fanboy, the range of flavours across one little country inspired me. But the biggest impact was made by the people behind the scenes, making and promoting the drams I loved so much. Their warmth and generosity (and patience with all my questions) was a credit to the industry and made this Waffler very happy multiple times over.

So would I go back? Oh, you bet I would – in a heartbeat. I’d probably stick the anticlockwise trajectory – like the best tastings you’ve got to start with Speyside and end with Islay. I hit up some amazing distilleries and crossed off a few bucket list items, though left a few remaining (I’m looking at you Campbeltown, Orkneys and Edradour). If you’re about to embark on a trip to the motherland I absolutely recommend the anticlockwise direction and all of the establishments I found myself at – though I’m sure there are some wonderful places I missed (if so please let me know!). However, sitting on the train taking me towards Glasgow (Prestwick) airport I was a contented Waffler with a heart full of fulfilled dreams.

Crossroads WW

Read PART ONE here

Read PART TWO here

Read PART THREE here

Complete distillery list:

Glendronach

Balvenie

Glenfiddich

Aberlour

Glenfarclas

Cragganmore

Glenlivet

Macallan

Glen Moray

Benromach

Talisker

Oban

Bowmore

Bruichladdich

Kilchoman

Laphroaig

Lagavulin

Ardbeg

Caol Ila

Bunnahabhain

(Ardnahoe)

Glenlivet Nἁdurra Oloroso

Reviewed by: Nick

Glenlivet Nadurra WW

Speyside: home to smooth, elegant, subtle and well-balanced whiskies. Whiskies that represent the graceful and sophisticated flavours that this Scottish spirit has to offer.

And then there’s this one.

The Glenlivet name their cask strength range ‘Nadurra’, Gaelic for natural. While they have made bourbon-aged versions, the one that is most widely available is matured in first fill Oloroso casks and it has rapidly carved out a niche in the market previously dominated by Aberlour A’bunadh and Glenfarclas 105. This is possibly because The Glenlivet, being a huge distillery even by Scotland’s standards, can put out a good quantity of bottles at a reasonable price. What this means, however, is that the product released is quite young and… um… what’s the opposite of subtle?

If most Speyside drops are a Haydn violin concerto, the Glenlivet Nadurra is the Arctic Monkeys first album. It’s like bringing home to meet your mother that guy with tattoos, piercings and parole conditions.

The nose is probably the most refined aspect of the whisky; grape notes dominate alongside butter, apricots and leather car seats. It smells like it could be a cheap brandy, although having had very few expensive brandys in my life, I suppose it could smell like them, too.

The palate is where you get kicked in the face. The sherry is clearly the biggest factor at play here with rich dark fruits coating your tongue while elements of chocolate fudge, liquorice and oak try in vain to keep up. The finish is long, spicy and full of fire, and contains stewed apple flavours and a bitter piney note.

“So we get that it’s rough,” I hear you cry “but check the label, you berk – it’s freaking 60.3%! Surely a drop of water will fix this?”. I did try, fellow wafflers, I promise – and it actually didn’t help much. It lessened the burn, sure, but it was still heavy and volatile, confirming my suspicions about the youthful nature of the whisky.

Having read all the way through this review, you are probably expecting me to give it a fairly negative score. But, in a shocking Christie-esque twist, I’m actually not. I definitely think there is a place for an angsty teenage whisky on my shelf. It’s doesn’t skimp on flavour, it warms your entire insides, and goes well in a hipflask on a fishing trip (or cricket match if you’re sneaky enough). Although it’s far from being objectively good, there’s something to like about it. It’s a cheeky puppy that is so adorable that you don’t mind when it won’t come when it’s called. Don’t kid yourself that it’s a work of art – just drink it…

…in small doses.

★★★

The bottle I reviewed was part of Batch OLO615

Fossey’s Single Malt Whisky: Port Cask F1 49.3% & Peated Sherry Cask FP1 57.6%

Reviewed by: Ted

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It’s always cool dropping by a whisky bar and finding something interesting that you’ve never tried before. Recently while I was in Melbourne, I stopped by Whisky Den on Russell St for a nightcap after a trip to the theatre.

After I’d spent a good amount of time polishing the bottles with my eyes (and probably corroding the text away by the end), the barmen started throwing around some potential choices. Most I’d had before, until: “Have you tried the Fossey’s stuff yet?” “Nope! Never heard of them?” “Really new stuff from a crew in Mildura. Well worth a try. Keen?”

“Sure, lets do it!”

I was presented with two single cask bottlings, F1, a port casking at 49.3% and FP1, a curious peated sherry casking at 57.6%, both aged between 2-4yrs. Putting my body on the line in the name of scientific inquiry, I bravely made the decision to sample both (what a hero, I know).

Good decision – the Fossey’s are great! Both were very Australian in their character, that hot, rich small-cask/high-temp/short-aging profile you get in a lot of our new world whiskies.

On the nose the port cask is meaty and fruity, with stewed apricots and peaches topped with buttery crumble, followed by prunes, muscats, orange rind, cocoa nibs, leather and old timber polished with beeswax. It’s a satisfyingly dark and rich smell. In comparison, the peated sherry starts with a note that I have coined as ‘peat-nut butter’, a smoky, oily, nutty sort of vibe. The peating is fairly light and nicely balanced, sitting over warm honey and raisins. There’s also a feeling of hot, ash-coated chimney bricks and smoked fish.

On the mouth, the port cask is dry and spicy, with honeycomb and cinnamon wandering through. The body starts meaty and low before getting warm and crackly on the finish. All in all a very savoury dram. Unsurprisingly, the sherry cask starts off ashy, before launching into this funky cherry syrup taste and ending with a relatively thin, lingering finish.

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Later I decided to go looking for some more info about the distillery and what I had been drinking, but the Fossey’s website is currently devoted to their well-established gin brand, so I got in touch with Steve Timmis Esq, Master Ginnovator at Fossey’s Distillery.

Turns out the whisky is a collaboration between Steve and long-time mate Brian Hollingsworth, of Black Gate Distillery fame (whose name appears as the distiller on the Fossey’s Whisky bottles). While based in Mendooran these days, Brian used to live a mere 300km up the road from Steve in Broken Hill (as opposed to over 800km away now). The two guys bonded over racing Harleys against each other back in the day and have been friends now for over 30 years.

Currently they have been using 100L barrels cut down at Andrew Stiller Cooperage in Tanunda from externally sourced casks, but due to the expansion of the industry it is becoming increasing difficult and expensive to acquire high quality casks in Australia. In response to this problem, Steve says they have taken the bold step of laying down thousands of litres of their own port, allowing vertical integration of supply within the business and enabling consistency of flavour and style moving forward.

Another problem with aging spirit in Australia, particularly when you get to inland areas like Mildura, is the high summer heat. Steve says that winter is perfect, down to low single digits most nights and up over late teens to low 20s during the day, allowing the barrels to do plenty of breathing. In summer however it gets pretty hot, meaning they need to insulate the cellar and try to protect it as much as they can from the extreme heat, otherwise the angels can get pretty greedy and drink most of the whisky.

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When I asked Steve about the Fossey’s philosophy and the meaning of the tagline on the bottle, “Mellowed to perfection”, he responded that it’s all about doing things your own way and having a crack: “We mellow [the whisky] until its perfect (in our view) – maturing whisky in the Australian outback has its challenges, but like all of the things we do, Gin etc, we do it to satisfy our own palates, and not too much by the rule book. For example, whisky matured here is exceptionally good at 2.5 – 3 years, if it wasn’t, we would leave it in [for longer]. You’ll never never know if you never have a go. Our guiding philosophy is old school quality, the best we can produce, use local stuff wherever we can.”

While the whisky is hot off the press, Steve tells me the ‘jump’ from gin to whisky was about five years in the planning and he has plenty more good stuff to come. Australian whisky fans should keep an eye out over the next 18 months for more straight and peated single malt Fossey’s releases, as well as a solera-cask single malt. Apparently there are also plans for a sub $100AUD 40% ABV blend, as well as some interesting experimentation with locally grown barley and red-gum coal smoking instead of peat… watch this space!

Moral of the story here I think is, get into a decent whisky bar from time-to-time, you never know what you’ll find!

Thanks to Steve and Brian for making the whisky and the staff at Whisky Den for the solid recommendation. Alice, if you’re reading this, I hope you figured it all out.

Peated Sherry ***

Port ***

Whisky Waffle Podcast Episode 10

We return to the airwaves with another whisky-fuelled ramble about the big topics in the whisky world – specifically: what’s in our glass!

This episode contains:
– The Waffle, where we discuss how to actually make the spirit we love!
– The whisky, where we look at a new Aussie whisky with a specific tasting note; and
– From the Spirit Sack, where we consider entry level whiskies from a variety of countries

Whipper Snapper Project Q Batch 1 46.5%

Posted by: Ted

What does a South American superfood with a weird name have to do with WWII bomber pilots? Well, in a round-about way: whiskey. Before we get into why though, let’s take a slight tangent.

Project Q is part of the new Dalek masterplan

By definition, whisk(e)y is a grain based spirit. In terms of the most common grains that are used, the holy quaternity is barley, corn, rye and wheat. Alone or in combination, these four star in the vast majority of whiskies. Beyond that, there is a whole panoply of random grains that rarely (if ever) get a look-in due to reasons such as rarity, expense and difficulty of use.

One such grain is quinoa. You know, the one that you think is pronounced ‘kwinoa’ until some posh git swans by and says “no no, it’s ‘keeen-wah’ daahling”. A staple native grain in South American, quinoa can now be found lurking in expensive salads in the West. To be fair, it is very good for you. Turns out it has other uses beyond feeding hipsters though.

Most of the established whisk(e)y distilling cultures wouldn’t dream of going anywhere near something like quinoa. Tradition is tradition after all. You need to go somewhere where the industry is fresh and young and willing to experiment with new things. Like Australia for example.

Whipper Snapper Distillery, based in Perth, Western Australia (WA), is an outfit that is not afraid to mess around. The roots of the distillery go back to WWII, where an Aussie and a US pilot bonded over a love of bombers and making whiskey. Vic, the Aussie half of the duo, took the recipe they had developed home and continued to distil in his back shed. The recipe was eventually passed onto his young neighbour Al and his mate Jimmy and thus Whipper Snapper was born. Keeping with the American connection, the distillery’s flagship release is the Upshot, a bourbon-style whiskey with an Aussie twist.

Sounding rather like a top-secret WWII program, Project Q is Whipper Snapper’s experimental quinoa-based whisky, only the second ever quinoa release world wide (the other is from Corsair Distillery in America). We first heard about it here at Whisky Waffle HQ a few years ago when they released an early test version, but sadly we were never able to get our mitts on a sample. Fast forward to 2019 and the lads have refined their process and unleashed their first official batch on an unsuspecting world.

Made using a mash bill of 65% quinoa, 25% corn and 10% malted barley, all the grains are locally sourced from WA. The Project Q is aged for just under three years in the distillery’s own ex-Upshot barrels and bottled at (at least for Batch 1) 46.5%.

Flavour-wise, the Project Q is like no other whisk(e)y I have ever tried. I sprang it on m’colleague blind and he almost broke his brain trying to work it out. The first guess was rye, which actually wasn’t entirely ridiculous as there is an earthy, nutty (quinoa-y?) quality to the nose that remindes me a bit of Belgrove’s Brown Rye. Beyond that though, there’s this weird combo of rose-water and what I can only describe as tobacco-infused old car. It’s like leather and oil and ciggies and sun-aged dash. My dad’s old MKII Jag or my 1985 BMW 325i.

The mouth has tannic sweetness underneath that I reckon comes from the corn, while over the top sits this ashy, spicy grain layer. The finish is fruity, a distilled cherry/plums/grapes feel that kind of brings to mind brandy or cognac. There is a lingering wisp of incense that coils around the tongue for a little while after.

Batch 1 people, get in quick for some quirky quinoa action

To be honest I’m not really sure what to make of it. The Project Q is definitely not a beginner’s whiskey, that’s for sure, with its complex melange of flavours. Due to the high cost and relatively low local production levels of quinoa, the Project Q is unlikely to be anything more than a quirky rarity, but one I think is worth tracking down to experience something unusual. It won’t be to everyone’s taste for sure, but I certainly think it still deserves its moment in the sun. I hope Whipper Snapper, and others, continue to experiment with new grains and flavours that challenge our palates and minds.

FYI, it’s still totally kwinoa.

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