Wine

2015 Waffle Awards

Posted by: Nick and Ted

Welcome one and all to the most prestigious imaginary awards ceremony in the world of whisky writing. The Waffle boys have ignored the Australian summer heat and donned their black tie to present a group of worthy winners with an assortment of atypical accolades. All winning whiskies have been sampled by the lads in 2015 for the first time – although surely (hopefully) not the last. So, ladies and gentlemen, please find your table, help yourself to the canapés and sit back and enjoy: the 2015 Waffle Awards.

The Isle of the Drammed Award for the best Tasmanian Whisky

Yes, we are a Tasmanian-based whisky blog, so why not include an award to showcase drams made in our fine state? Especially when they are this good! So with no further ado, we are proud to announce that the Isle of the Drammed award goes to:

Heartwood: The Good Convict

We don’t often see eye-to-eye with Jim Murray. But in the case of this cask-strength monster from the genius independent bottler Tim Duckett, both the Wafflers and the Whisky Bible writer are unanimous in our praise. I mean, what’s not to like about a 15 year old Sullivans Cove French-oak port barrel matured whisky at a humble 71.3%? It is stunning.

The Tartan Slipper Award for the best Scottish Whisky

Scotland is the spiritual home of whisky (see what I did there?). So it seems only fair to dedicate an award to it. Plus, then no cheeky English distilleries can take it away from them! The 2015 Tartan Slipper Award goes to:

Balvenie 21 Year Old Port Wood

We make no bones here at Whisky Waffle Central that we love all things Balvenie, but they’ve really outdone themselves with the 21 Year Old Port Wood. Smooth, sensual and with a refined complexity that hits all the right buttons, this is definitely no every day drinker (unless you’re rich that is. Slosh down whatever takes your fancy m’lord.), but a perfect dram for celebrating that special occasion with the ones you love.

The Pocket Pleaser Award The perfect pick for the parched penny pincher

Our bank accounts know all too well how expensive buying bottles of whisky can be. This award celebrates the bottles which we turn to time and time again because – well – we can afford to. It is not the best tasting whisky in the world. But likewise it is far from the worst. This year, The Pocket Pleaser Award goes to:

Glen Moray 12 Year Old

“Dear Whisky Waffle, I want to impress my friends by drinking single malts, but I am a poor uni student with only a blend budget to spare. What can I do?” Never fear, we are here to help. Meet your new best friend, the Glen Moray 12 Year Old, as far as we can tell the cheapest single malt Scotch going around. For less than the price of a bottle of JW Black Label you can have a bottle of bonafide Scottish single malt. Full of honey, butterscotch and gentle spices, it’s pleasant and easy to drink, perfect for the Scotch novice and budget-conscious drammer alike.

The Weirdsky Award for the most WTF whisky

The Weirdsky Award celebrates, unsurprisingly, weird whisky. The more bizarre the better. Trust us; we are always on the lookout for some unusual drams. But in 2015 the one that took the cake was:

New World Projects Ginger Beer Cask

What on earth would whisky taste like if matured in ginger beer barrels? This was the question that we asked ourselves when purchasing this New World Projects creation on a whim. The answer, it transpires, was simple: ginger-whisky (gisky?). It is unlike anything we’ve ever tried, and we love it! We take our metaphorical hats off to the makers of Starward for their mad-scientist-like experimentation!

The Bill Lark Award for service to the Tasmanian whisky industry

Named after the godfather of Tasmanian whisky, The Bill Lark Award is not presented to a bottle but instead to a person who has worked tirelessly to make the whisky scene here in Tassie as special as it currently is. It gives us great pleasure to announce the 2015 winner of The Bill Lark Award is:

Peter Bignell

“Renaissance man” seems to be the phrase that gets bandied about when talking about Peter Bignell, founder of Belgrove Distillery, but it’s well suited. A seriously talented individual, Pete has a true knack for innovation. “Hmm… who wants to make boring old barley based whisky, why not make it using rye? Or oats? May as well just grow it myself too, and dry it in this old tumble dryer I found. But instead of using electricity from the mains, I’ll power it using biodiesel that I’ll make myself out of cooking oil from the local takeaway shop. Should I build the stills myself too? Yeah, why not, and I can power them using the biodiesel. Coopering my own barrels, that doesn’t sound too hard, give it a crack eh? Simple. And just to keep things interesting, in my spare time I’ll be a world class sand sculptor.”

To be honest, Pete doesn’t just win the Bill Lark Award for the excellent whiskies he makes, his contribution to the Tasmanian industry or his stellar environmentally responsible ethos, but for just being a sterling example of a human being who we can all look up to. Good on ya mate!

The Golden Dram for the best dram whisky in the world

I don’t think anyone would be surprised to hear that we tasted a heck of a lot of whiskies in 2015. So choosing one that stands out as the best would surely be a nigh-on impossible task. Not so. There was little doubt in our minds as we sampled this dram that we had found the 2015 Golden Dram. Drum roll please. The winner of the Golden Dram in 2015 is:

Bruichladdich Aramone Cask 9 Year Old Micro-Provenance Series

I (Ted) would like to start by quoting myself from the day we tried this epic dram: “This is one of the best things I have ever put in and around the vicinity of my face!” You just know instinctively when you meet one of those rare drams that make the stars align in the heavens. When sampling it we described it as a nose-masseuse, as wine-maturation as it should be done, and with an once-tried-never-forgotten finish – thanks in no small part to the 57% bottling strength. All credit to Bruichladdich for crafting such a well balanced, interesting and delicious whisky. It certainly made our year. Find a bottle (if you can track down one of the 500 that was made) and try it. Your face will thank you.

Honourable Mention: We couldn’t fit it into the awards but we have loved the Aussie port-monster that is the New World Projects Lui’s Bar release. Expect a review in 2016!

Dishonourable Mention: To keep things fair we included a dishonourable mention for a dram that deeply disappointed us throughout the year. And this year, unquestionably it was the Glenlivet Founders Reserve. Glenlivet – what were you thinking??? #SaveThe12

What did you think of our awards? Some good picks? Or are we totally full of it? And to what would you have awarded the Golden Dram? Let us know in the comments – it’s always a fun discussion!

Benromach Sassacaia Wood Finish

Reviewed by: Richard

This one was recommended to me by a friend who knows my fondness for sweeter whiskies… So first up – a little bit about the distillery:

Benromach is a Speyside distillery founded by Duncan McCallum and F.W. Brickman in 1898 and currently owned and run by Gordon and Macphail of Elgin. It is situated near Forres in Morayshire and is fed with spring water from the Chapelton Springs in the Romach Hills beside Forres.

And now – on with the review:

This has been matured in a Sassacaia barrel, so an introduction to the wood is in order!
Sassicaia is one of the most sought-after Cabernet Sauvignon wines in the world and made history recently, being the first single wine to be granted its own DOC (Denominazione di origine controllata – quality assurance label for Italian food products, especially Italian wine and cheese)
The Sassicaia estate is located at Bolgheri and lies in the Province of Livorno in Tuscany, Italy.

So, shut up, tell us about the whisky…

This is a 2006 distilled expression and bottled this year – there’s an older 2005 release, a 2004 release and a few older bottlings.
All I can find out is that it’s put in an ex bourbon barrel for around 7 years, and then put in a Sassacaia barrel for around 29 months – just over 2 years.
The colour is golden pink! Well lightly pink – if the sun hits it just right…

Nose: It’s got a real soft nose – dry toasted oak, vanilla, fruity, toffee, nutmeg, and that definitive wine note.
The nose is right up my alley – really sweet and bold, but not sickly…
Now to stick it in my mouth!

Palate: Cherries, raspberries & vanilla, spices, subtle smoke, malty toffee, and wine!
The palate is quite dry, which I find a lot with red wine finishes for some reason… tannic influence maybe? I find they make my mouth water a bit…

Finish: A medium-long finish with hints of fruit and another whiff of smoke.

This is a session whisky (if there’s such a thing) for sunny afternoon, sitting under a tree, in the shade, with some olives, sourdough, semidried tomatoes, cheese and some good friends…I’m amazed at the influence the wine has made, the light smoke and the fruit notes. I’ve tried the standard 10yo Benromach, which is one of my favourites – this is better, not by a lot, but still, better, and juicier…
A bloody fine whisky to add to any collection!

★★★

Longrow Cabernet Sauvignon Cask

Reviewed by: Nick

As the abundance of sherry barrels diminishes, whisky makers are forced to look elsewhere for maturation options. The obvious solution, of course, is using the barrels of another grape flavoured product – no, not hubba bubba bubblegum – wine. Wine cask maturation is being used by distillers worldwide: some as a novelty but others as a serious addition to their main range.

The wonderful whisky makers of Longrow are no strangers to experimentation. One of their more intriguing bottles is the Cabernet Sauvignon Cask – aged for seven years in refill bourbon hogs heads and a further four years in Cab Sav barrels sourced from my very favourite wine region: South Australia’s McLaren Vale.

Warning: this is not a beginners whisky. Nor is it an easy drinking whisky. Nor, I believe, could I describe it as a ‘nice’ whisky. But it sure is a fascinating one. On the nose I detected, well, heaps. Initially a gentle smoke, reminding you that yes, Longrow do peat their barley. Once the smoke clears notes of grapes, banana and burnt orange rind flow through. Over all, it is complex and delicious.

The palate is a bit of a shock. Initially it is sweet with fizzy sherbet complimenting the peat. The red grapes make a return, along with other fruit such as melons and apricots. And then the spirit transforms. The finish is long, though not necessarily because of the slightly higher percentage of alcohol. It’s a little… soapy? This is a tasting note I (and seemingly I alone) seem to find in many wine-matured whiskies. There are other, nicer elements: smoked ham, salt, fish, bonfire ash, general seaside senses. This whisky is from Campbelltown, after all!

In no way do I regret buying this whisky. There’s a lot to like and a lot to discuss. But I didn’t love it. And that’s ok.

★★

Linkwood 20 Year Old Côte-Rôtie Finish

Reviewed by: Mooresy

There are a lot of distilleries out there many people have never tried because all their wonderful product is being snapped up by the blenders. This is a remnant of a bygone era where single malt – especially single cask – was rough and dirty. Blenders swooped in to save the day by watering down the volatiles and mixing young and mature scotches together to smooth it all out. However single malt and single cask only taste bad if the distiller doesn’t know or care about what is going into the bottles at the end of the process. If it’s all about getting drunk, why would anyone go the extra distance for a fine product.

Fortunately, people are changing and the market is changing. Single malt is here to stay, and single cask releases are the bastion of exclusivity and discernibility. This has allowed some of the bigger whisky families to experiment every now and again with small amounts of their product and sometimes that creates a pretty special drop. The Linkwood Côte-Rôtie fits this bill for two reasons. First, it is a distillery owned by the global secret council of big whisky owners and is predominantly used in blends, including as a nice addition to Johnnie Walker’s vatted malt, which means there are specific flavours that are not usually separated and given their own podium. Second, it has been bottled independently by Gordon & MacPhail, so the final product has been selected by people whose primary expertise with whisky is casks and maturation. There is going to be something unique coming from that combination.

This one has also been finished in a very specific type of red wine cask giving it a rich and fruity smell with something very special coming from the grape influence. There are caramels and sugary honey but dominated by the smell of wine and vine mixed in with the actual wood itself, which I assume is European Oak unless the spice of the fruit is engaged in deception and subterfuge.

On drinking this whisky for the first time I thought this will be the one I tell everyone to try. And while I still will tell everyone to try it, on reflection I’m sure it’s not for everyone. Which brings me nicely to the point regarding the cask. The more whisky someone drinks, one of two things happens; either the person will get closer and closer to deciding the one whisky they want to drink at the expense of all the others – what I like to call “the wrong thing” – or they get more and more adventurous and inquisitive about different types and flavours. A batch of a well-known favourite finished in an unusual cask is a great way to see how important aging really is.

This one has spent two and a half years in its finishing cask, which is quite a long time in absolute terms. It is also well matured in general and you would expect a higher level of wood as a result. On the palate, the Côte-Rôtie has a lot of wood. I think that’s a good thing and that it really works for this particular drop. Those who like the simpler and sweeter whiskies will probably think this one has too much tannin, which is often the result of red wine finishes and long oak maturations. Surprisingly though it has not lost some of that underlying sweet complexity. The honey and caramel transfers through with some tart apple and cinnamon/nutmeg in the background.

A vino bomb is not for the immovable whisky drinker who has found the one flavour they want and doesn’t like anything else but, for the intrepid explorer who wants to backpack through the Rhone Valley and pop the bung on a nice red every couple of hours, sit back and quaff with a woody wonder.

★★★★

Navigating to the New World Distillery: meet the purveyors of Starward

Posted by: Nick

Behold, the New World of whisky!

The New World Distillery is a whisky-making establishment like no other. Equal parts industrial warehouse, hipster bar and mad scientist’s laboratory, stepping through the door I felt like I had slipped down my very own rabbit hole into whisky-wonderland.

Located in Melbourne’s north, the distillery is just a stone’s throw away from the bustling international airport. This is appropriate as the building is a vast refurbished aircraft hangar. The huge room is separated into partitions by rows of whisky barrels – a particularly novel bond store! In one corner of the room is a classy-looking bar with shelves bearing a massive range of the whiskies made on site – each with a premise more curious than the last. It was clearly going to be a good evening.

Is that a pumpkin spiced gin amongst that lot?

Before settling in at the bar for an extended tasting session, there was the small matter of the tour. My guide on this adventure around the immense room was Paul, a man who I discovered was no stranger to a bit of whisky waffling. While the whisky production at his distillery was covered in detail, we also got sidetracked with conversations about peat, barley farming, excise tax and wood-smoked barley.

New World Distillery has been operating since 2010, releasing their main product under the label Starward. While Starward was originally exclusively Apera matured spirit, they have recently released a second variety aged in ex-Barossa Valley Shiraz casks. These aren’t the only bottles being created here however. The people at New World enjoy pushing boundaries; if not breaking the rules, certainly bending them a little. The most successful of these are released as a special range known as ‘New World Projects’ and well worth checking out.

The tour is engaging and informative: in particular Paul’s analogies likening making wort to brewing a cup of tea and charring barrels to burning sugar, explaining these obscure concepts effectively. I also got a generous swig of the new make spirit which I found light and fruity without losing its typical high-alcohol warmth. All in all it was one of the more (dangerously) easy-drinking new makes I’ve tried.

Whisky always tastes better when wearing a high-vis vest

New World also came across as one of the hardest working distilleries going around. With a staff of only five on the floor and three behind the scenes (and Dan), they still manage to conduct three distillations a day. This is achieved by long shifts, late finishes and shared responsibilities, as well as a basketball hoop to keep the staff sane. This hard working approach is one of the biggest factors in ensuring their product is one of the most affordable Australian whiskies going around.

Starward score a three pointer!

After the tour I took a seat at the bar near a toasty gas heater and sampled the products I had just learned about. First was a comparison between the two Starward bottlings: the Apera cask and the wine cask varieties. While the Apera matured whisky was syrupy and raisiny, the Shiraz aged drop was more savoury with oaky tannins. I still confess to preferring the original Starward release, but my friends who accompanied me on my visit unanimously favoured the wine cask.

Different constellations for different casks

From here I moved onto the bar’s extensive range of New World Projects bottles. These ranged from the sublime – two magnificent port matured whiskies – to the ridiculous – a perfectly clear three year old whisky with all the coloured components of the drop removed. There was also a wonderful 56.3% ‘doublewood’ bottle which had been matured in both the wine and Apera barrels, and a Heartwood-esque whisky with an alcohol percentage in the sixties known as the ‘Smoke and Mirrors’.

One day all this will be mine… if I save up enough money to buy every barrel.

I left the giant hangar at the end of the night inspired by the products made in my home country. I was once again amazed by the vast contrast in flavours that can be created within a drink which only contains three ingredients. There are some great things happening in the Australian whisky industry and the guys at New World Distillery are right at the forefront.

The New World Distillery is open for tastings and tours at their site at Essendon Fields on Fridays from 6pm and on Saturdays between 2pm and 6pm.

The Glenrothes 1995, 1998 and Select Reserve Box Set

Reviewed by: Ted

Vintage. It’s not really a word that you associate with whisky. For the overwhelming majority of drams the process is to lay down some spirit in a barrel, let it age for a pre-determined number of years and then bottle it as, say, a 12yo or an 18yo. The whole concept of releasing the product of one particular year, a vintage, is smack bang within the realms of the wine makers, hence generally seeing wines labelled with the year they were made.

However, there is one whisky maker that has very firmly gripped the concept of vintaging by the proverbial horns and run like mad with it. The Glenrothes distillery, founded in 1878 and located in the Speyside whisky region (and not in the Scottish Lowlands town of the same name), has carved out a niche for itself by taking this unusual approach to aging whisky. Perhaps we should not be too surprised by this as The Glenrothes is owned by Berry Bros. & Rudd, one of the oldest and most respected wine merchants in London.

While only around 2% of its stock actually goes towards the making of vintages, with the majority of production helping to create blends such as Cutty Sark and Famous Grouse, The Glenrothes distillers make no bones about the fact that the single malt range represents the apex of their art. One of the inherent problems with releasing product from a single year is that it can lead to inconsistency, as one release in all likelihood will taste different to the next. Not necessarily a negative, just that it’s not like purchasing a 12yo and then buying another later on and knowing that what you get will be exactly the same regardless of the year of production.

The Glenrothes counters this idea by claiming that whisky is in reality just like wine and should be allowed to mature at its own rate, with bottling only occurring when the spirit has reached, in The Glenrothes own words, its ‘peak of perfection’ rather than at a pre-selected age. As you might imagine, The Glenrothes crew take a very active approach to checking their casks, determining the readiness of a vintage by looking for a unified ‘personality’ across a range of casks from that year.

Speaking of casks, The Glenrothes has a very strong wood policy and the deepest of respect for their barrels. They say that the effect of the wood on their spirit is far more important that the length of time it spends aging, and that the careful selection of cask sizes and timber types is vital for achieving perfection. The Glenrothes use a mixture of first and second fill bourbon and sherry woods, and carefully marry them together to create the unique flavour profile for a vintage.

For this review we will be sampling not just one, but three releases from The Glenrothes! Their marketing team has very helpfully created a box set containing 100ml bottles of three of their more accessible drams: the 1995 and 1998 vintages, and their Select Reserve, a vatting of casks from different years created to be the holotype of The Glenrothes flavour profile. But wait, there’s more! The box set also contains three mini Glencairns monogrammed with The Glenrothes logo, a handy set of info booklets and cards describing the range, and of course the box itself, elegantly crafted from sturdy buff and copper coloured cardboard.

All three expressions are quite light and spicy on the nose, which is probably in part thanks to the very tall stills and long distillation times used by The Glenrothes. The Select Reserve is quite broad and fat, with notes of fudge, old leather (from a classic car say), orange and almonds. In comparison the 1998 (bot. 2014) has caramelised pear, boiled caramel sweets and, rather oddly, perhaps a touch of engine grease (that’s not a bad thing. It’s a nostalgic smell that reminds you of your father working on a car when you were young). Finally, the 1995 (bot. 2013) is filled with hot, spicy and slightly sour grain mash, clover honey and curiously, a bit of melon.

The very first touch of the Select Reserve on the lips is creamy, and then it bursts in a big ball of heat and spice inside the mouth, probably helped by the 43% used for all three of the drams. There is a hit of marzipan on the follow-through, while the finish is tangy and lingers gently on the tongue. In contrast the 1998 is smooth and creamy, and slides evenly across the tongue. The finish is fairly short and has a slight floral air to it. Again, the 1995 is sour and fruity, with green apples, pears and plums, finishing up with a nice fresh herbal zing at the end.

The ‘ready when it’s done’ approach works out well for The Glenrothes. Each of its vintages is skilfully crafted and captures some special quirk that entered the distillation for that year. The clever and considered use of barrelling no doubt also helps to imbue each expression with its own character. Drinking a dram of The Glenrothes is a bitter-sweet thing; a happy encounter, but all the time you know that one day the vintage will run out, and never again will you meet that particular personality. So go, find that experience and capture it in your memory before it is too late.

1995 ★★★

1998 ★★★

Select Reserve ★★★

Tasmanian Whisky Tours: a story worth telling

Posted by: Nick

Before there were convicts there was whisky.

But before there was Tasmanian Whisky Tours, there was a distinct lack of access to Tasmanian whisky distilleries.

Enter Brett Steel, a man with a vision. He realised that Tasmania was entering a “golden age” of whisky creation and wanted to give the public a chance to travel to these distilleries, meet the people that make the whisky and hear their stories. Thus Tasmanian Whisky Tours was born.

I caught up with Brett to find out a bit more about the tours.

“From my first visit to Tasmania in 2008 I fell in love with the place”

Brett grew up, not among whisky makers, but instead with a strong wine background. This is hardly surprising, as he lived near the great wine region of McLaren Vale. He moved from South Australia to Hobart in 2011 with intentions of starting up a bar selling Tasmanian whisky, assuming that once he was in the state there would be easy access to the distilleries making the product he intended to sell. However, he quickly found this was not the case.

As more distilleries opened up, Tasmania rapidly became a join the dots puzzle. The state suddenly had a whisky trail! And Brett? Well he had a car! He realised that no one in their right mind wanted to drive themselves to distilleries and now there was a real touring opportunity. So Brett took the plunge and decided to become… a professional designated driver!

There is, of course, more to it than that. Brett is a man after our own hearts. He is a waffler. As well as tasting the flavours of the drink, he was passionate about hearing the tales told by the people behind the whisky.

“I wanted this to be about storytelling, as much as whisky”

Brett’s aim for the tours is not so much to give an educational and scientific description of how whisky is made. Instead he is more interested engaging with the people who make the product and hearing about the struggles and adventures they have had along the way. After all, the whisky-makers are just ordinary people doing something they love and they certainly have a tale or two to tell. Brett believes that whisky and story-telling are “perfect bed-fellows” and his guests, after meeting the story-tellers themselves, cannot help but agree.

“The trick is to try to cater to all levels and not to have anyone feel excluded”

Brett’s first tours began running in early 2014 and the business has been growing in popularity ever since. The rise in profile of whiskies made in the state has given the business a boost, and Brett has found himself chaperoning journalists, whisky experts, and even cartoonists!

The tours run on Wednesdays, Fridays and Sundays and visit a wide range of southern distilleries – and also get to taste some from further afield. Sessions begin at 9am at the Lark cellar door, and proceedings commence by reclining in comfortable chairs and chatting about the history of Tasmanian whisky. Guests are then loaded into the van and driven around the beautiful Derwent Valley or Tasman Peninsula.

There are many highlights on each tour for Brett: the picturesque setting at McHenry’s Distillery in Port Arthur, the paddock to bottle experience at Redlands Estate, and the unforgettable yarns spun by “renaissance moonshiner” and “champion sand-sculptor” Pete Bignell at Belgrove.

Of course, much like everyone has a favourite whisky (or gin, or brandy, or apple schnapps – which are also sampled on various tours) everyone has a favourite stop, and you won’t know which is yours until you travel there.

“To me whisky is the perfect social lubricant”

I absolutely adore this quote and cannot agree more wholeheartedly. Brett believes, as we do, that whisky is a very social experience, and when presented with context, such as the people who create it and the processes they use, guests will get so much more out of every sip.

He says that sharing the narrative of Tasmanian whisky, past, present and future, is half the experience of the tour. The characters that are met along the way and the real passion they exhibit, gives true meaning to the boutique hand-crafted product that we at Whisky Waffle love.

Brett, like all of us, confesses to loving Tasmanian whiskies and their rich flavour. But he is also fascinated by the history and stories behind each of the distilleries.

“When you put the two together and add the dynamic of a mix of different people, it’s pretty hard to beat that experience – no matter where in the world you travel.”

Find out more about Tasmanian Whisky Tours at their website.

Photos by Andy Wilson at Everything Everything.

The coming of age of a non-whisky drinker

Posted by: our newest guest reviewer Stretch

Growing up watching spy movies and idolising heroes like James Bond, I have always thought there was something quintessentially cool about asking for something from the ‘top shelf’. Suavely asking the bartender for just that satisfied the wide-eyed nine year old in me, even if I didn’t know what I was talking about! Such is the reverence that whisky has earned ever since we managed to distil that liquid nectar, and with a little help from popular culture, propel it into the pure essence of class.

As a lesser mortal who does not drink whisky, I have never quite grasped how much was involved with drinking it. Having tried it on a number of occasions over the years, I can say that drinking whisky has never been the most pleasurable of experiences for me. Being first introduced to it as a young lad on a fishing trip with my father, he told me that this was what kept him warm at night. “It’s like a fire in your belly,” he would say, and standing next to him freezing my toes off, it sounded like a pretty good thing he had going on. After burning my throat and recovering from the subsequent coughing fit, I quickly determined that I did not like whisky and would stick to my hot chocolates for keeping warm.

Years later, and after numerous attempts to drink whisky, I still couldn’t acquire the taste. Maturing my taste buds to the refined flavours of (good) coffee, beer, wine and accompanying foods, I had come to appreciate the finer side of life and all it had to offer. Except for whisky. As with everyone, there will always be a flavour to your palate that you will not enjoy. However, as is the case with many things in life, you need to grow accustomed to them and this is how I approached whisky. If I could come to like wine and beer, drinks I detested in the past, then I could like whisky too. With a push from the Whisky Waffle boys, my plan slowly became a reality.

The first step was to work out where I had gone wrong in the past. Drinking cheap run-of-the-mill blends was a likely culprit. Johnny Walker Red, Ballantine’s so-called ‘Finest’ Scotch Whisky or Chivas Regal 12 Year Old didn’t necessarily provide the best starting point for my whisky tastes. Nick and Ted soon solved this. With the two boys being proud Tasmanians, and myself an interstate import, we started with the island’s up-and-coming industry. If you’re going to do something, do it properly and start with the good stuff, something which Lark, Nant and Sullivans Cove offer in droves. The Tasmanian distilleries provided me with a taste I had not experienced before. It still burnt my throat, but it also had a nice after-taste to it. Whisky, which had for so long been terrible, became a little less than terrible. And it was at this point that I decided I no longer hated whisky, I just did not appreciate it enough. With some help from my whisky friends, who knows, in time I too may begin to waffle.

Star rating for whisky in general (★★ 1/2 stars)

Find out more about Stretch at his bio.

Glen Moray 10 Year Old Chardonnay Cask

Posted by: Nick

Finished in ex-Château Rayas casks: sounds impressive. Six years in French Oak Bordeaux wine barrels: sounds fancy. Maturation spent in Margaret River Shiraz casks: ooh I’d like to try me some of that! Ten years in Chardonnay barrels: wow, that sounds… wait did he just say Chardonnay?

When you consider all the premium ex-wine casks left behind by wineries across the world, maturing whisky in humble Chardonnay barrels seems like an incongruous thought. But that’s exactly what Glen Moray have done, producing a dram with flavours which live up to the curious nature of its creation.

The Glen Moray 10 Year Old Chardonnay Cask (or as we Australians at Whisky Waffle chose to label it: ‘Cardy Cask’) spends its entire 10 years of maturation in white wine barrels. And the flavours imparted certainly sets it aside from other Glen Moray expressions.

The first and perhaps biggest clue is on the nose. It is creamy and sweet – more fudge than caramel – and contains a hint of vanilla, giving it the impression of creaming soda. There is also a strong hit of acidity, reminiscent of not so much pineapple, but pineapple cream desserts.

With many drams, it is easy to predict the whisky’s taste after smelling it, but this is not the case with the Chardonnay Cask. The palate is vastly different to the nose; it is darker, with nutty elements immediately present: hazelnuts, pecans, even marzipan. More can be detected when the spirit is swirled in the mouth including notes of honey and a certain degree of woodiness.

The finish packs a surprising punch: sour citrus notes linger well after the liquid is gone, leaving a tangy, spiciness to contemplate.

Glen Moray has long held a reputation for providing reasonable whisky at a more than reasonable price. The Chardonnay Cask is no exception, and while it is easy to drink, it comes with the added bonus of containing many intriguing flavours to muse over. And all of this from a humble ‘Cardy Cask’!

★★★

Overeem Sherry Cask Matured

Barrel Number: OHD-067

Reviewed by: Ted

Norway. Not the first place you might guess for providing the spiritual origins of a whisky hand-crafted in southern Tasmania. Yet it was in the home of the Vikings that inspiration first struck the hero of this tale. Casey Overeem was introduced to the art of distilling in the early 1980’s while visiting relatives in Norway who happened to have a still in their cellar. Impressed by what he saw, Casey was driven to experiment back in Tasmania over the following years, culminating in the founding of Old Hobart Distillery in 2005.

Casey’s main partner in crime at Old Hobart Distillery is his daughter Jane, who has become a well-known face in the Tasmanian whisky scene and an inspirational figure for women in a largely male dominated industry. Together with their crew they fuse fine Tasmanian ingredients together with their passion for the art to create the eponymous Overeem whisky.

Old Hobart Distillery cuts down its barrels (in this case French oak sherry barrels) to create quarter casks, which allows their spirit to develop far more character over a short timeframe. Once the distillers are satisfied with the level of maturation (min. four years) single barrels are selected for bottling, meaning that each release is unique.

The Overeem Sherry Cask sampled for this review comes from barrel OHD-067. The view in the beautifully shaped bottle is pleasing, with the 43% spirit glowing a bright syrupy ginger in colour. The nose is rich and relatively intense, oozing with delicious sun dried raisins, vanilla, mixed peel and candied ginger. The tastebuds are engaged by a sensation of mulled wine, like hot oranges and shiraz, followed by a faint tang of bitterness and burnt sugar. The spirit is dry and very smooth, and the flavours are level and constant throughout the experience.

The Overeem Sherry Cask is a triumph of the exciting new whiskies making their way out of Tasmania, one that is well worth jumping into your longship and questing across the windswept oceans to find. Come to think of it, Casey Overeem’s own journeys in Norway seem to have added a certain something to his dram, as it is no great stretch to imagine mighty Viking warriors feasting in their long halls and supping on rich, warming Overeem to keep away the chill of a cold northern winter. Skål!

★★★