Whisky

GlenDronach Peated

Reviewed by: Ted

Glendronach Peated

You know when you take one thing that is really good (like heavily sherried whisky) and combine it with another really good thing (like peated whisky) and the result is a winner? Well, strap yourselves in then, because you’re going to love The GlenDronach Peated Single Malt Whisky.

The GlenDronach distillery, nestled in the NE highlands of Scotland, is famous for its heavily sherried style of whisky, utilising Pedro Ximenez and Olorosso casks in all of its core range. These whiskies are rich, fruity and sumptuous, but one element they do not usually feature is smokiness.

This lack of smoke was not always the case though. Like many other old highland distilleries, The GlenDronach (founded 1826) originally used peat to dry its malt, however over the years the practise fell out of favour through a succession of owners and the rise of cheap coal. Indeed, the distillery was one of the last in Scotland to use coal power for its stills, right up until 2005 when it converted to steam.

Bucking the current The GlenDronach flavour profile and harking back to its roots is the Peated expression. Unusually for The GlenDronach, the Peated actually starts its life in ex-bourbon barrels before being transferred into the usual ex-PX and ex-Olorosso casks for finishing.

As such, while still being full of the warm, rounded, fruity characteristics usually associated with The GlenDronach, the Peated is perhaps a touch lighter in feel than usual. The nose evokes burnt marmalade, stone fruit, leather, almond and walnut. The smoke is soft, toasty and earthy, with none of the strong coastal elements that drive Ileach and Island peated whiskies.

The mouth presents a mixture of juicy sweet yellow and white stone fruits, honey, Turkish delight and toffee. The lighter flavours likely derive from the bourbon casking while the heavier ones draw from the sherry casking. The smoke lingers gently at the back of the throat on the finish.

The GlenDronach is an excellent example of how well peating can complement the rich flavours of sherried whiskies, particularly because the smokiness is well balanced in the dram. Peat-heads and sherry-bombers alike will find something to entertain and interest them and will likely keep being drawn back to sup from this particular fruit’n’smoke chalice time and time again.

★★★

Glen Moray 16 Year Old

Reviewed by: Nick

Glen Moray 16

Different people look for different things in a whisky. Some people desire a smooth and easy drinking drop. Others want something to excite and challenge them. Others still want something to mix with their coke. There are many, many reasons, so naturally, there are people whose sole criterion when selecting a bottle is the desire for it to come in a shortbread tin. If that applies to you, look no further than the Glen Moray 16 Year Old!

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I know, I can hear you all now – I’ve made some ridiculous claims on Whisky Waffle but this one takes the biscuit! The biscuit! No? Well, I admit, I may be selling this drop a bit short(bread). There are, in fact, a number of reasons to pick this one up. Glen Moray is a reliable distillery if you’re after a decent bourbon-matured quaffing scotch. Their bottles are always good value: this one can be found for around $65 in Australia, which, believe me, is a great price for a 16 Year Old Whisky. And on top of all that – the tin features an endearing array of the uniforms worn by the Scottish Highland Regiments, including a man sporting ‘The Black Watch’, who, rather controversially, is not wearing a skirt!

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Ok, so while I can crap on about the tin all day, you guys really want to know if it tastes any good… in my opinion. And in my opinion, it does. It’s a considerable step up from the 12 Year Old and while it is still light and easy drinking, it contains a silky layer not found in younger Glen Moray releases.

On the nose are standard notes of honey and vanilla alongside sweet biscuits and pineapple. The palate is gentle with toffee and banana prominent. The finish is short but pleasant with a faint herbal linger.

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Different people look for different things in a whisky. But everyone looks for one which they’ll enjoy. The Glen Moray 16 Year Old is as close as any out there to a dram that can be enjoyed by everyone – whether for the flavours on the inside – or the shortbread tin on the outside.

★★★

Whisky Waffle host Christmas drinks at the Chapel

Posted by: Nick and Ted

Night 3 Christmas Drinks

Tis the season to be ‘jolly’!

Christmas is coming up faster than Jim Murray to a Rye tasting… and there could be no better time to open a few bottles to keep our Christmas spirits up!

Whisky Waffle is holding a Christmas themed tasting session on Sunday the 17th of December at the Chapel in Burnie starting at 3.30. Guests will be treated to six Christmas-y Single Malt whiskies plus some delicious home-made boozy Christmas pud.

Tickets are available HERE! via Try Booking or at the venue. Get in fast or you may find nothing in your stocking but a lump of peat.

Our guests have seemed to love our previous waffle sessions and this one promises to be particularly ‘merry’! See you on the 17th!

What: Whisky Waffle’s Christmas Drinks at the Chapel

When: Sunday the 17th of December at 3.30

Where: The Chapel, Burnie

Why: because Christmas is as good an excuse as any for an afternoon tasting session!

Who: our very merry fellow Wafflers (you guys!)

How much: $35 for 6 drams and Christmas treats!

A very waffly Christmas

anCnoc Peter Arkle Limited Edition: ‘Bricks’

Reviewed by: Ted

anCnoc Bricks

Can whisky be Art? To be clear, I am not talking about the art of whisky making here, that semi-magical process where the unique personality and knowledge and skills of the distiller combine during the creation of the spirit to imbue it with the essence of that particular distillery. Nope, I mean the regular, picturey type.

Bottles and tubes usually have some sort of artwork on them, but that’s not Art right? That’s just advertising. Special edition releases containing very old and rare whisky often have striking, elegant and beautiful bottles and cases… but really, that’s just advertising for the sophisticated (and rich) buyer.

What then if you commission a renowned illustrator to produce the artwork for a special edition series of bottlings (even here, there seems to be conjecture as to whether illustration counts as Art. Anyone care to put forward a position?). anCnoc (pronounced ah-nock), produced by Knockdhu Distillery, did just that, recruiting Scottish born, currently New York based illustrator Peter Arkle to create artwork for a special set of limited edition releases. The name and artwork of each bottling in the series reflects a different aspect of the distillery, such as ‘Ingredients’, ‘Casks’, ‘Warehouse’ and ‘Luggage’ (a travel retail exclusive).

The bottle I possess is called ‘Bricks’… which rather does what it says on the tin to be honest. The artwork on the tube features a wall of bricks adorned by a bright yellow warning sign announcing ‘Remarkable Liquid’. anCnoc says that the release pays homage to their dunnage warehouses, wherein the walls are adorned by signs such as ‘Danger, Explosive Atmosphere’ and ‘Flammable Liquid’ (and probably more importantly, ‘No Smoking or Naked Lights’), reminding the occupants of the powerful forces at play.

The whisky in each edition has it’s own special twist; in the case of ‘Bricks’ that means a mixture of Spanish oak ex-sherry butts and American oak ex-bourbon barrels bottled at 46% abv. Straight up on the nose you can smell the sherry; this isn’t the heavy leather and dark wood drawing room vibe you get from some sherried drops though, but more like eating a packet of chocolate coated raisins on a sun lounge on the patio. At the back there’s also a delicate splash of grapefruit, pear and cinnamon.

I have come to the conclusion that my official tasting note for anCnoc is ‘dusty’, because I’ve found the same thing in every one that I’ve tried so far. It’s kind of like walking into a wood-work shop and breathing in that light dusting of wood powder that’s everywhere. Or perhaps walking down a forest track in summer with a light breeze stirring up dust from the earth and the vegetation. The spirit coasts lightly across the tongue, not like a brick at all, and ends with a delicious, crisp burst of citrus and raisins that lingers on for some time.

I can’t really speak for whether the ‘Bricks’ constitutes Art or not, but I rather suspect it lies in eye of the beholder and the value you place on such things. There is certainly one aspect of the work that I can give a definitive answer on though: it is indeed Remarkable Liquid. The Bricks possess the bright, summery lightness of other anCnoc’s that I have tried, but the addition of sherry introduces a complexity that takes it to a whole other level and I think perhaps that is where the real artistry lies. It does look rather spiffy on the shelf though. Perhaps I shall have to collect the whole set and contemplate the matter more deeply.

★★★★

anCnoc Bricks label

White Oak Tokinoka

Reviewed by: Ted

Tokinoka

Japanese whisky is meant to be the best thing since sliced sushi right? A freshly caught blue fin tuna at the fish market would blush at the prices commanded by even a basic Japanese dram (if it still had any blood left that is). So why the bloody hell isn’t this one any good?

I suppose I shouldn’t be surprised, as I have a history of being disappointed by releases from White Oak Distillery. On my previous tasting attempt I found the Akashi NAS to be a forgettable cup of blah, while the 12yo had this weird sulphuric, mineral hot-pool vibe going on.

Needless to say, I set my bar very low when it came to trying the Tokinoka and it met my expectations with aplomb… by which I mean it would be a definite contender for winning a limbo competition, if you get my drift.

The nose is distant and it takes a really good deep sniff to actually capture anything. The eventual effect is like a walk past an orchard in summer… if the orchard was on the side of a volcano. That weird sulphury thing from the 12yo makes an unwelcome return as well as a whiff of hot metal. The palate is actually quite spicy… for about two seconds, after which you are left with a vague oiliness. It’s not terribly satisfying and the finish hints of glycerol (which I’m sure is not in there, but that’s what it feels like).

Hard-core Japanese whisky otaku may as well give the Tokinoka a try for the lolz. Everyone else, just grab yourself a good cup of green tea, you’ll feel a lot better afterwards.

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Catto’s Blended Scotch Whisky

Reviewed by: Nick

Catto's Blended Scotch

I’m not going to lie to you, fellow Wafflers. I bought this bottle of distinctly bottom-shelf blended scotch for numerous reasons – none of which concerned actually drinking the whisky. Firstly, it was the most Aussie sounding bottle I’ve ever seen (try saying it in an Australian accent – it’s very satisfying); secondly, you can’t look past a $30 price tag; and lastly because there was a sick masochistic part of me hoping I could label it the ‘worst whisky in the world’!

I was left rather disappointed. For the first time in my life I was disappointed that a whisky was better than I had thought. Instead of being completely putrid, it was merely rather awful.

Sweet honeyed notes accompany the alcohol burn on the nose while vanilla toffee struggles to break through. The palate is rough; spicy and leafy with flavours of barley sugar amid the burn. The finish is unpleasant and too long for my liking with a lingering sweetness that I found myself longing for it to dissipate.

There you have it folks. Who would have thought, a blend called Catto’s is simply dreadful rather than being soul-destroyingly disgusting. And despite all my criticism and complaining, if you have a look at the photo, you’ll see the bottle is nearly empty. Sometimes a bit of rubbish bottom shelf is exactly what you need.

Deviant Distillery: this is not whisky

Posted by: Nick and Ted

Launch poster

Deviant (diːvɪənt): departing from usual or accepted standards

John Hyslop would like it to be known that he has not set out to destroy the Tasmanian whisky industry. In fact he is a big fan of Tasmanian whisky, having worked for a year at a well known Tasmanian distillery, and he respects the craftsmanship and skill that goes into its creation. However, he felt that he couldn’t look past the environmental impacts of the traditional method of producing whisky and so he set out to find a solution.

Drawing on his background as an industrial chemist, John has developed a truly envelope pushing method to create his product. In fact, a fully mature bottle of spirit from Deviant can be made in just 10 weeks… wait, what? 10 weeks you say? But surely that means it’s not legally whisky?

That’s right, it’s not whisky, which in Australia must be aged under oak for a minimum of two years. John makes no bones about this fact, with even the Deviant labels announcing ‘This is not whisky’ in bright lettering. It is not his aim or intention to pass off his product as a corner-cutting Tasmanian whisky, instead he is looking to create an entirely new product. Based on its strictly legal definition, he has elected to call it a ‘Single Malt Spirit’.

That’s not to say that it tastes completely different to an aged whisky. The spirit actually starts life in much the same way as a traditional whisky does, however John then uses the technology that he has developed to rapidly mature the product to a point where it shares many of the characteristics of an aged dram.

The benefit of this process is the efficiency and the lack of waste produced. John is very ethically driven and claims that his method can make 150-200% of the product in 2% of the time with less than 10% of the waste compared to many distilleries. It is his hope in the future to make Deviant carbon neutral, utilising technologies such as solar and bio-energy, converting waste into fertiliser and purchasing carbon credits to offset any shortfalls.

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One of the other advantages of his process is that he can release product at a much lower price point and rapidly expand into new markets. He acknowledges that there will always be a place for premium barrel aged whisky and he is not looking to displace that. Instead he is aiming to capture those who are potentially put off by the relatively high price point of whisky and produce a bottle of Tasmanian spirit that the average consumer does not have to save up for, a point which he feels will particularly appeal to the 24-36 year old demographic.

Naturally Deviant has ruffled a few feathers in the Tasmanian whisky industry and even we Wafflers have our reservations about how the process will affect our beloved whisky scene. When it comes down to it, what will really make or break ‘Single Malt Spirit’ is the taste. Regardless of how ethically the spirit is produced compared to traditional whisky making, if it fails to capture the interest of the market then it will go down in history as just another failed experiment. Having said that, the technology could also succeed and go on to provide an interesting new option for consumers.

The only real way to find out what Single Malt Spirit is like is to try some. Fortunately Deviant Distillery is launching its product next Saturday night at The Chapel in Burnie. The evening will include four tastings of various Deviant products, behind-the-scene knowledge from John and witty banter from the Whisky Waffle boys (that’s us!)

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Tickets are $20 and are available at: www.trybooking.com/RWJC, but hurry, spaces are limited.

Spending Time at Sullivans Cove

Posted by: Nick

Sullivans Cove Whisky Waffle 1

If you’ve only heard of one Tasmanian distillery, chances are that distillery is Sullivans Cove. Based in Hobart and formerly known as Tasmania Distillery, this founding father of Tassie whisky has a chequered and yet ultimately inspiring past and, as we Waffle boys discovered when we visited their site recently, an extremely promising future.

Sullivans Cove is one of Tasmania’s most visitor-friendly distilleries. The viewing platform looking out across the bond store is a proper money-shot (see above!) and in keeping with the establishment’s status as Tassie’s poster-child distillery. This honour was thrust upon Sullivans Cove in 2014 when a bottle of their French Oak Cask won the prestigious World’s Best Single Malt at the World Whiskies Awards and changed the face of Tasmanian whisky forever. But as our generous host, Strategy Manager Fred Siggins, was keen to point out, there is so much more to Sullivans Cove than barrel HH525.

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Consistency in flavour is a difficult task for the fledgling Australian whisky scene. Due to the size of the industry (or rather the lack thereof) most releases are the product of one barrel and therefore the flavours vary from bottle to bottle. While some distilleries choose to conveniently sweep this issue under the carpet, Sullivans Cove embrace it, hand labelling each bottle with a sticker informing the purchaser exactly which cask or casks are contained within. The result is that a dram of one French or American Oak bottling will be unlikely to taste identical to a previous one.

While this approach ensures Fred is continually explaining to customers why their new bottle tastes slightly different to their old one, it also forms one of the most exciting aspects of the distillery. During our visit we were lucky enough to sample not one, but two of the French and American Oak expressions. Had they not featured the distinctive blue and black labels we may not have picked them as the same bottling.

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In each case one dram was smooth and easy drinking and the other vibrant, fresh and zingy. Excitingly, we could not work out which of each we considered to be the better drop – instead deciding that we would prefer one over the other depending on the mood we were in. Fred agreed and recommended that Sullivans Cove customers leave a small amount in one bottle before opening the next, to really appreciate the difference.

The other exciting aspect of the distillery is the age of the whisky in the bond store – and in their bottles. Sullivans Cove head distiller Patrick Maguire has been creating whisky since taking over the company in 1999 and giving it a much-needed new lease on life in the process. This means that some of the barrels are now pushing 18 years old, an incredible age for an Australian spirit.

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Both the French and American Oak releases are usually aged for anywhere between 10 and 17 years while the entry level Double Cask release, a marriage of 2 to 4 American Oak barrels and one French Oak barrel, contains a cross section of particularly mature whisky, unheard of in any other Tasmanian release.

The only drawback of this premium method of whisky creation is the premium price. Sullivans Cove make no bones though about the fact that they make a premium product and are not looking to change that any time soon. Fred did point out, however, that there is a lot of new Australian whisky coming into the market currently demanding a similar (or greater) price to the Sullivans Cove Double Cask. While this new stock is exciting, the whisky is likely to only be 2 to 3 years old. When compared with the potentially 17 year old whisky found in the Double Cask, it really paints the Sullivans Cove price point in a positive light.

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Sullivans Cove is now one of the most recognisable brands in the New World spirits scene, an achievement which is a true testament to the work put in by Patrick Maguire all those years ago. For a very long time, his whisky creation was a labour of love, an unprofitable venture fuelled by passion rather than profit. The rules have now changed, however, and currently there are over twenty distilleries in operation in Tasmania – with more on the way. It is certainly no overstatement to say that this reality may not have come to be if not for Sullivans Cove Distillery.

Sullivans Cove will be open for tours seven days a week, starting in September! Tours depart hourly and can be booked at the Sullivans Cove site.

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Ardbeg add An Oa to the Family

Posted by: Nick

Ardbeg An Oa Whisky Waffle

We’re big Ardbeg fans here at Whisky Waffle so you can image the look on our excited little faces upon hearing the announcement that our equal favourite Ileach distillery is adding a brand spanking new release to its core range. Joining the ever reliable 10 Year Old, the bonfire-in-your-mouth Corryvreckan and the serious contender for world’s best dram Uigeadail will be the An Oa.

Similarly to the other two impossible to spell bottlings, the An Oa is named after a local landmark, in this case the Mull of Oa, a peninsula in the island’s south famous for the iconic (and possibly a little bit phallic) American Monument. The biggest mystery, apart from the pronunciation, is what will this new release taste like?

Early indications suggest it may be lighter on the peat that other Ardbeg bottlings. The distillery describes it as being “singularly rounded whose smoky intensity is softened by a delectable smooth sweetness”. Rounded is probably a good call when you consider the An Oa is a vatting of a vast array of barrel and char types (basically whatever Dr Bill Lumsden has floating around in his back room) married together in Ardbeg’s intriguing sounding Gathering Room.

The other mystery, of course, is why? Ardbeg are famous for putting out more bottlings than any blogger can keep up with while remaining relatively sober. And yet here comes another one. We can only hope that it doesn’t spell the end of the Corry or the Oogie or push their price to unobtainable extremes. Although perhaps these fears are unfounded and the An Oa will prove to be a worthy addition to the range. After all, we can never have too much Ardbeg, can we?*

Find out more about the An Oa at the Ardbeg website.

*This question is rhetorical. Of course we can’t.

 

Waffling at Southern Wild: Tas Whisky Week comes to the North West

Posted by: Nick and Ted

TWW Logo

Who’d have thought 25 years ago that Tasmania would have over 20 distilleries and an entire week dedicated to whisky made in Australia’s southern-most state. Yet here we are in 2017, bearing down fast on nine days worth of events celebrating the art and craft of the Tasmanian distilling scene, with a host of tastings, tours and talks (not to mention lavish, decadent dinners) featuring the folk responsible for crafting Tasmania’s fine cask-aged grain spirits.

However, up here on the North-West Coast, we can’t help but feel a little left out. Tasmania is nothing if not parochial, with most events being held in Hobart and a few in Launceston. Even the dinner run by Burnie’s very own Hellyer’s Road Distillery is being held just outside Launnie.

Luckily, on Thursday the 10th of August, Devonport’s Southern Wild Distillery is stepping up to bring Tasmanian Whisky Week 2017 to the good, whisky loving folk of the North West. Rather excitingly for us, they asked the Tasmanian whisky blogging scene’s answer to Hamish and Andy to host their event (that’s us!).

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This photo is like ‘Where’s Wally’ for Wafflers

Southern Wild, founded by local lad George Burgess, may seem an incongruous venue for TWW’s first NW event, seeing as they are yet to release their own whisky. However, rather than being held back by this fact, Southern Wild have chosen to embrace it as the theme, entitling the event ‘The Birth of Tasmanian Whisky’.

Guests will be guided through a tasting of some of Tasmania’s most renowned drams, led by the witty banter of the Whisky Waffle lads and the industry know-how of George. Each whisky will be expertly paired with gourmet cheese provided by local fromager Euan Wiseman from the Devonport Hill Street Grocer. Additionally, guests will also be provided with two whisky-based cocktails and platters of canapés and light nibbles.

The mouth-watering whisky line-up for the evening will feature Lark Classic Cask, Sullivans Cove new-make spirit and Sullivans Cove Double Cask, Belgrove new-make spirit and Belgrove 100% Rye, and Hellyers Road Peated.

The event promises to be an unforgettable evening, full of laughter, fellowship, conviviality and most importantly of all, whisky (waffle?). Of course, these evenings don’t happen unless there are people coming along to support, so please help us to make it a roaring success and show the rest of the state that the North West coast is just as passionate about whisky as them.

See you there.

Tickets are available at: http://taswhiskyweek.com/events/southern-wild-distillery/

SW 6 Whisky Waffle