Tasting notes

Highland Park 12 Year Old

Reviewed by: Nick

Single malts. They’re a varied lot. Some people like peat monsters. Some like sherry bombs. Others enjoy their whisky light and floral. Others still prefer their drams sweet with hints of vanilla. Pleasing everyone with one drop, however, is a much harder task. Unless, of course, you happen to have a bottle of the Highland Park 12 Year Old on your shelf. This bottle truly is the great all rounder of Scottish whisky.

Highland Park also has the distinction of being Scotland’s northernmost distillery, located on the largest of the Orkney Islands, pipping its neighbour Scapa by under a mile. As the island group was settled long ago by Vikings, it should come as no surprise that the flavours on offer are a veritable smorgasbord.

Up first comes a nose with many varied elements: a whiff of grapes and malty biscuits. There is chocolate, so dark it is mostly cocoa, mingling with notes of pear and bubblegum. Finally is the smoke: far subtler than anything from Islay. It brings to mind smouldering vegetation, an attempt to create a fire from damp leaves on a drizzly day.

The palate is equally varied. It initially suggests a roast meal: beef, parsnips, even gravy, before giving way to mandarin, brown sugar and chocolate milk. The smoke lingers gently, now mostly burnt out and close to charcoal. Finally this all gives way to a long spicy finish with salt, tobacco and mint combining with flashes of caramel.

The Highland Park 12 Year Old is unlikely to be anyone’s number one whisky. It is not weighted in a particular direction to please one group of whisky fans over another. Instead, it sits squarely in the middle, a dram to be enjoyed by everyone no matter their preferences. This is a whisky that brings people together, and if that is not a glowing endorsement, I don’t know what is!

★★★

Waffling at Whisky Live

Posted by: Nick and Ted

That’s right, we got Whisky Waffle shirts!

“If you love whisky, it’s the place to be”, said Colin, whisky enthusiast and fellow drunkard. It was 4pm. We’d been imbibing the amber nectar for three hours. To be honest, conversations about the merits of whisky were not exactly hard to come by at this end of the afternoon. We, the Whisky Waffle boys, knew that we had come to the right place. And where was that you may ask? It could only be Whisky Live 2015, Melbourne edition.

As semi-amateur whisky journalists (just go with it, ok!) we were keen to make it to Australia’s premier whisky event, despite Jetstar’s best efforts to delay us. Oh, and Public Transport Victoria didn’t help us much, either. As a consequence, it was remarkable that we wandered into the St Kilda Town Hall a mere 10 minutes late.

We were greeted with green shoulder bags, complimentary Glencairns and more whiskies than you could poke a valinch at (it’s a whisky thing, look it up). Our first port of call was to familiar faces: we kicked off our whisky journey sampling some new make spirit with Dean Jackson (and soon-to-be-solo distiller Robbie) from Redlands Estate and sampled some glorious Lark Classic Cask with Tas Whisky Tours’ Brett Steel. Good to hang out with the boys from back home.

Nick, admiring Brett’s beard

We then hopped across the pond to visit Greg Petry, whose strong North American accent clearly revealed that his product was made by the NZ Whisky Company. Go figure. Incredibly, his youngest single malt was a mere 23 years old. After lamenting that we could not combine the initial flavour of the Doublewood with the finish of the 27 year old, we jetted off once more, this time landing in Japan. Here we learned how to pronounce Hakushu (Huck-shoo), and impressed a man in comedic Japanese sushi bar attire that we actually were interested in trying the Suntory Kakubin neat rather than in its traditional highball form (soda water, lemon, ice).

Using the stars, we returned to the New World to discover… cocktails? That’s right, the Lads from Starward were making Old Fashioneds, although it was their single malt we had come to try. Despite their wine cask being aimed at ‘real’ whisky drinkers, we both agreed that we still preferred the apera cask. Shows what we know (we’re semi-amateurs remember!). We then had a ‘Rich’ conversation with our friend from William Grant and Sons about the Balvenie. Ted was pleased about knocking back some 21 Year Old Port Wood without lowering the level of his own bottle! Fred, Independent Beverage Consultant at large, talked us through the range of Glenfiddichs and produced, to gasps of awe, a bottle of 26 Year Old from behind the bar. Yes please, we said. Our new friends Adam and Adam spied the gold lettering from the other side of the room and were more than happy to join us for a nip!

26 year old whisky is best enjoyed in the company of Adams

Never being ones to turn down a free feed, we relined our stomachs to see us through the rest of the afternoon. Our next destination: India, and the distillery of Paul John. We mentioned our India-based whisky writing colleague, the Whisky Lady, to master distiller Michael John D’Souza – India’s a tiny country, not many people – they’re bound to know her, right? (Yeah right). “You mean Carissa?” he replied. The whisky world is a small place indeed.

The newest converts to the Paul John phenomenon.

The whisky itself was a revelation. In fact, it was brilliant! Particularly the aptly named Brilliance, which tasted like nothing else that day. The peated varieties also tickled our fancy, which unfortunately could not be said of the Dry Fly wheat whisky, makers of the infamous Washington Wheat. Admittedly we spent as much time waffling as tasting at this end of the afternoon, the lubricant effect of the whisky loosening our tongues somewhat.

The moment of truth arrived. It was time to try the Glenlivet Founders Reserve, the replacement for our beloved Glenlivet 12 Year Old. And it tasted… well… decent. Maybe there’s hope yet. The rest of the range impressed us, too, in particular the Naddura Oloroso (plus: “they have dried banana here!” enthused Ted). We moved down the line to the mysterious Finlaggen, the dependable Bowmore and the classy Auchentoshan (where Nick drunkenly confessed his undying love for the distillery… repeatedly: “when I went there…” “…my FAVOURITE 12 year old…” “…did I mention I’ve been there?” etc etc).

Ted then whisked him away to attend a master class with master tweed wearer Dan Hutchins-Read to talk about the merits of a whisky that has definitely impressed us recently: the Glenrothes. As there were only four attendees to the session, we had ample time to wax lyrical and Ted may have fallen into the same trap as Nick (“I’ve written a lot of nice things about Glenrothes…” “…I love how you’re all about the vintages…” “…did I mention I’ve written a lot of nice things about you?” etc etc).

Fashionable as our WW shirts were, we couldn’t match Dan for style!

After Nick had calmed Ted down, we staggered off on a mission to find the dram we’d been waiting all day for: the Laphroaig 15 Year Old. To our dismay, we were informed by Australia’s number one whisky fanatic, Dan Woolley, that they had long since run dry. But after seeing our sad little faces, he took pity and muttered that if we were to come back straight after the session finished he might be able to find a little something for us. We consoled ourselves by pairing a glass of Laphroaig 10 year Old with some oysters and a meeting with legendary bourbon distiller and maker of Russell’s Reserve: Eddie Russell. We may have been a little enthusiastic at this end of the day, but Eddie was a true southern gent and took us in his stride.

4.30 ticked over. The bottles began to vanish from the stalls. We wandered around dodging the polite requests of the security guards to leave. We had a mission to complete: and boy was the 15 Year Old worth it.

Laphroaig’s man of steel, Dan Woolley

As we stumbled out of the St Kilda Town Hall amongst hordes of whisky fanatics, en route to the closest pub, we mused about our day. We had come to Whisky Live expecting to find many great whiskies and we had not been disappointed (46 times over, in fact!). But to be honest, the real joy of the day was to celebrate whisky with a bunch of fellow wafflers. That in itself was worth the price of admission.

Whisky Live. Good times.

Whisky Live to Hit Melbourne This Weekend!

Posted by Nick and Ted

Scores of whiskies, two boys, one room… sounds like a decent weekend!

That’s right, the Whisky Waffle boys are making their way across the pond to the Melbourne leg of Australia’s premiere whisky festival. The session features whiskies from and home and and away, ranging from the Glenlivet Founders Reserve, the Hibiki 17yo and the new Laprohaig 15yo to the Starward Wine Cask Edition 1, the Dry Fly Straight Wheat Whisky, and the NZ Whisky Co 1987 27yo Single Malt. The boys are also very excited for the opportunity to meet Eddie Russell of the Wild Turkey distillery and Russells Reserve fame.

Stay tuned for increasingly creative tweets as the day wears on, and give us a shout out via Twitter or Facebook (or the blog) if you want a personalised on-the-spot review or musing about something on the day. We will be attending the (sold-out) Saturday (25/7) afternoon session starting at 1pm, although we believe there are still tickets left for Friday (24/7) and Saturday (25/7) evenings (don’t quote us on that).

For more information, including the full whisky list, you can visit the official event website here.

See you on the floor when the Whisky goes Live!

Navigating to the New World Distillery: meet the purveyors of Starward

Posted by: Nick

Behold, the New World of whisky!

The New World Distillery is a whisky-making establishment like no other. Equal parts industrial warehouse, hipster bar and mad scientist’s laboratory, stepping through the door I felt like I had slipped down my very own rabbit hole into whisky-wonderland.

Located in Melbourne’s north, the distillery is just a stone’s throw away from the bustling international airport. This is appropriate as the building is a vast refurbished aircraft hangar. The huge room is separated into partitions by rows of whisky barrels – a particularly novel bond store! In one corner of the room is a classy-looking bar with shelves bearing a massive range of the whiskies made on site – each with a premise more curious than the last. It was clearly going to be a good evening.

Is that a pumpkin spiced gin amongst that lot?

Before settling in at the bar for an extended tasting session, there was the small matter of the tour. My guide on this adventure around the immense room was Paul, a man who I discovered was no stranger to a bit of whisky waffling. While the whisky production at his distillery was covered in detail, we also got sidetracked with conversations about peat, barley farming, excise tax and wood-smoked barley.

New World Distillery has been operating since 2010, releasing their main product under the label Starward. While Starward was originally exclusively Apera matured spirit, they have recently released a second variety aged in ex-Barossa Valley Shiraz casks. These aren’t the only bottles being created here however. The people at New World enjoy pushing boundaries; if not breaking the rules, certainly bending them a little. The most successful of these are released as a special range known as ‘New World Projects’ and well worth checking out.

The tour is engaging and informative: in particular Paul’s analogies likening making wort to brewing a cup of tea and charring barrels to burning sugar, explaining these obscure concepts effectively. I also got a generous swig of the new make spirit which I found light and fruity without losing its typical high-alcohol warmth. All in all it was one of the more (dangerously) easy-drinking new makes I’ve tried.

Whisky always tastes better when wearing a high-vis vest

New World also came across as one of the hardest working distilleries going around. With a staff of only five on the floor and three behind the scenes (and Dan), they still manage to conduct three distillations a day. This is achieved by long shifts, late finishes and shared responsibilities, as well as a basketball hoop to keep the staff sane. This hard working approach is one of the biggest factors in ensuring their product is one of the most affordable Australian whiskies going around.

Starward score a three pointer!

After the tour I took a seat at the bar near a toasty gas heater and sampled the products I had just learned about. First was a comparison between the two Starward bottlings: the Apera cask and the wine cask varieties. While the Apera matured whisky was syrupy and raisiny, the Shiraz aged drop was more savoury with oaky tannins. I still confess to preferring the original Starward release, but my friends who accompanied me on my visit unanimously favoured the wine cask.

Different constellations for different casks

From here I moved onto the bar’s extensive range of New World Projects bottles. These ranged from the sublime – two magnificent port matured whiskies – to the ridiculous – a perfectly clear three year old whisky with all the coloured components of the drop removed. There was also a wonderful 56.3% ‘doublewood’ bottle which had been matured in both the wine and Apera barrels, and a Heartwood-esque whisky with an alcohol percentage in the sixties known as the ‘Smoke and Mirrors’.

One day all this will be mine… if I save up enough money to buy every barrel.

I left the giant hangar at the end of the night inspired by the products made in my home country. I was once again amazed by the vast contrast in flavours that can be created within a drink which only contains three ingredients. There are some great things happening in the Australian whisky industry and the guys at New World Distillery are right at the forefront.

The New World Distillery is open for tastings and tours at their site at Essendon Fields on Fridays from 6pm and on Saturdays between 2pm and 6pm.

Starward Single Malt

Reviewed by: Nick

Regular readers of this blog would be forgiven for thinking that all of Australia’s world class whisky is produced in my home state of Tasmania. While I’ll still claim that most of it is, I will readily admit that some stellar drams are being produced on that tiny island up north, which some refer to as the Australian mainland.

One of the most exciting up-and-coming distilleries in the New World of whisky making is the appropriately named ‘New World Whisky Distillery’, which has been releasing whisky since 2013 under the name Starward. And there is a lot to like about it.

For a start, there’s the location. New World is based in Melbourne, the cultural hub of the country (sorry Sydney), and with a bar onsite at the distillery the city has gained a wonderful venue to sample spirits straight from the metaphorical horse’s mouth.

Secondly, there is the label. Starward is an alluring name for a whisky and the gold constellations streaking across a black background capture this image perfectly.

Thirdly there is the price. Australian whisky has the reputation for a remarkably full-bodied flavour, although at an equally remarkable full-bodied price. Starward bucks this trend, providing a local drop that will not break the bank (although perhaps dent the wallet a bit).

Finally, and unquestionably most importantly, there is the flavour. On the nose it is lively: this is a young whisky, but it is far from immature. There are notes of oranges, chardonnay and toffee. No doubting the country of this whisky’s origin.

On the palate there are certainly notes of the raisiny flavours emparted by sherry barrel maturation, although technically speaking, the barrels contained Apera: sherry made in Australia not Spain. Sweetness spreads across the tongue and the orange returns, this time with chocolate, giving a jaffa-like taste. I also picked up elements of glacé cherries and raspberry shortcake. As you do.

The finish is short, but not disappointingly so. There are hints of oak to be found as well as spicy, peppery elements. It is certainly pleasing enough to encourage a second sip!

While the Starward is not the most subtle or nuanced whisky you are ever likely to come across, it is undoubtedly really pleasant to drink. The distillery itself sums it up best with its claim: “Just like the country in which it is made, Starward is youthful, rich and bright”.

It is also just across the water. Whisky Waffle may have to pay it a visit sometime…

★★★

‘Big Peat’ or ‘The Perks of Random Conversation at the Bar’

Reviewed by: Ted

This story begins, as so many great stories do: m’colleague and I were at the bar. Admittedly not an unusual state of affairs. On this particular night we were chatting to our barman mate, and a friend of his that he’d just introduced us to. For the purposes of this story, let’s call him Doug. Doug was feeling in a rather celebratory mood as he’d just scored himself a job working as a pharmacist in sunny (and I mean that in the most ball-of-thermonuclear-fire sense of the word) Alice Springs, which is pretty much smack bang in the centre of Australia. Quite a change from little old Burnie on the NW Coast of Tasmania, which can occasionally be sunny if it really makes the effort.

After the usual necessary social preamble was out of the way, the conversation happily turned to that most mysterious, complicated and variable of subjects… women! No, wait, I meant whisky! Doug, as it turned out, was quite the connoisseur (and not just of whisky. On a side note he very charitably bought us a glass of Cognac from the highest extremity of the top shelf, an interesting experience to say the least). We all shared a common passion for peated whiskies, particularly those from what is arguably the spiritual home of the smoky dram: Islay.

These days people mostly talk about Islay in terms of its single malts, but historically the island’s distilleries injected popular blends with some much needed character (and they still do!). However, there is a theory that history works in cycles, and what was once old becomes new again (which probably explains the questionable return of scrunchies and chokers). Interestingly enough, what was getting Doug excited that evening wasn’t the single malts from one of the hallowed Islay distilleries, but a blend. An all-Islay blend. “It’s fantastic! You should track it down”. Fateful words readers, because a few cheeky drams relaxing the mind and the heady world of internet shopping instantly at ones fingertips is a dangerous combination. Let’s just say that I didn’t take much convincing, and moments later I was the proud owner of a bottle of this curious beastie.

Cut to a few weeks later and m’colleague and I were staring with anticipation at a large post box that we had dubbed ‘The Bunker’. With no little ceremony (mostly involving the humming of the tune from the start of ‘2001: A Space Odyssey’) we cracked open the box, and were greeted by one of the coolest bits of tube artwork this side of Eilean Mhic Coinnich. Meet the Big Peat, an all-Islay blend purporting to contain ‘a shovelful’ of single malts from the distilleries of Ardbeg, Caol Ila, Bowmore, and Port Ellen. The aforementioned artwork is a brilliant graphic-style picture of a hirsute gentleman standing in front of what I can only assume is the Rhinns of Islay lighthouse on a beautiful island day (which is to say that the sky is the colour of tea, and our man has his face squinched up against the wind, which is trying its best to blow his hair away).

Chuckling with glee we popped the top and unsheathed our prize from its scabbard. Gasps of surprise met the sight before us (don’t worry, we hadn’t been ripped off and sent a bottle of JW Red instead). You see, normally we would picture the drams of Islay as being dark and brooding in hue, but the Big Peat was filled with bright spirit the colour of pale golden straw. Some people just like to mess with your mind. Of course, there was only one sensible recourse to meet the conundrum before us, and it wasn’t hiding under the table. Bust out the glasses and crack that sucker open good sir!

A generous splash of whisky later and we were ready to begin uncovering the secrets of the Big Peat. There was no denying that it lived up to its name. The smoke was there as soon as we poured it into the glasses, infused with plenty of dark chocolate, malt, rich earth and those medicinal notes that Ileach whisky is famous for. We were in no doubt about the heritage of the spirit sitting before us, whatever the colour. A closer snort revealed thick sweet notes and perhaps a bit of overripe fruit, like a squashy banana. We eyed each other off; curious, but not too bad a start.

Slurp! Hot, woody, ashy smoke poured into our mouths and then… not much else. Sure, there was a light, sweet after-taste, but it was gone in a flash, and all that was left was spicy, medicinal smoke coiling around the tongue. It was like being on the edge of a bush fire; plenty of smoke getting all up in your face, but no blazing heat to go with it. Hmmm…

We could see what Douglas Laing & Co, the makers, were trying to get at; surely crafting a vatted blend out of the great single malts of Islay should be as awesome a combo as haggis with tatties and neeps! Yet somehow they’d got a wee bit over excited with the whole BIG PEAT malarkey and forgotten that it isn’t just the smoke that makes an Islay dram exceptional, it’s the bricks and mortar and the shape of the fireplace too. The way that sweetness melts into savoury, medicinal tang challenges the tastebuds, dark flavours are shot through with light, seaside elements help wash everything across the palate, and then finally the smoke that sits over them all. It’s a complex ecosystem that requires careful balance to work well.

Sitting back we mused upon the Big Peat. By no means did we think that it was a bad dram, far from it, just that somehow it deserved to be better. Perhaps the mix wasn’t quite right, maybe a dash of Bruichladdich or Bunnahabhain could have rounded out the flavours working underneath the smoke. Who knows? What we did know though, was that the Big Peat had challenged us, and that a random discussion in a bar can lead to interesting and unexpected places. So go on, strike up that conversation, you might just find something new.

★★★

The Glenrothes 1995, 1998 and Select Reserve Box Set

Reviewed by: Ted

Vintage. It’s not really a word that you associate with whisky. For the overwhelming majority of drams the process is to lay down some spirit in a barrel, let it age for a pre-determined number of years and then bottle it as, say, a 12yo or an 18yo. The whole concept of releasing the product of one particular year, a vintage, is smack bang within the realms of the wine makers, hence generally seeing wines labelled with the year they were made.

However, there is one whisky maker that has very firmly gripped the concept of vintaging by the proverbial horns and run like mad with it. The Glenrothes distillery, founded in 1878 and located in the Speyside whisky region (and not in the Scottish Lowlands town of the same name), has carved out a niche for itself by taking this unusual approach to aging whisky. Perhaps we should not be too surprised by this as The Glenrothes is owned by Berry Bros. & Rudd, one of the oldest and most respected wine merchants in London.

While only around 2% of its stock actually goes towards the making of vintages, with the majority of production helping to create blends such as Cutty Sark and Famous Grouse, The Glenrothes distillers make no bones about the fact that the single malt range represents the apex of their art. One of the inherent problems with releasing product from a single year is that it can lead to inconsistency, as one release in all likelihood will taste different to the next. Not necessarily a negative, just that it’s not like purchasing a 12yo and then buying another later on and knowing that what you get will be exactly the same regardless of the year of production.

The Glenrothes counters this idea by claiming that whisky is in reality just like wine and should be allowed to mature at its own rate, with bottling only occurring when the spirit has reached, in The Glenrothes own words, its ‘peak of perfection’ rather than at a pre-selected age. As you might imagine, The Glenrothes crew take a very active approach to checking their casks, determining the readiness of a vintage by looking for a unified ‘personality’ across a range of casks from that year.

Speaking of casks, The Glenrothes has a very strong wood policy and the deepest of respect for their barrels. They say that the effect of the wood on their spirit is far more important that the length of time it spends aging, and that the careful selection of cask sizes and timber types is vital for achieving perfection. The Glenrothes use a mixture of first and second fill bourbon and sherry woods, and carefully marry them together to create the unique flavour profile for a vintage.

For this review we will be sampling not just one, but three releases from The Glenrothes! Their marketing team has very helpfully created a box set containing 100ml bottles of three of their more accessible drams: the 1995 and 1998 vintages, and their Select Reserve, a vatting of casks from different years created to be the holotype of The Glenrothes flavour profile. But wait, there’s more! The box set also contains three mini Glencairns monogrammed with The Glenrothes logo, a handy set of info booklets and cards describing the range, and of course the box itself, elegantly crafted from sturdy buff and copper coloured cardboard.

All three expressions are quite light and spicy on the nose, which is probably in part thanks to the very tall stills and long distillation times used by The Glenrothes. The Select Reserve is quite broad and fat, with notes of fudge, old leather (from a classic car say), orange and almonds. In comparison the 1998 (bot. 2014) has caramelised pear, boiled caramel sweets and, rather oddly, perhaps a touch of engine grease (that’s not a bad thing. It’s a nostalgic smell that reminds you of your father working on a car when you were young). Finally, the 1995 (bot. 2013) is filled with hot, spicy and slightly sour grain mash, clover honey and curiously, a bit of melon.

The very first touch of the Select Reserve on the lips is creamy, and then it bursts in a big ball of heat and spice inside the mouth, probably helped by the 43% used for all three of the drams. There is a hit of marzipan on the follow-through, while the finish is tangy and lingers gently on the tongue. In contrast the 1998 is smooth and creamy, and slides evenly across the tongue. The finish is fairly short and has a slight floral air to it. Again, the 1995 is sour and fruity, with green apples, pears and plums, finishing up with a nice fresh herbal zing at the end.

The ‘ready when it’s done’ approach works out well for The Glenrothes. Each of its vintages is skilfully crafted and captures some special quirk that entered the distillation for that year. The clever and considered use of barrelling no doubt also helps to imbue each expression with its own character. Drinking a dram of The Glenrothes is a bitter-sweet thing; a happy encounter, but all the time you know that one day the vintage will run out, and never again will you meet that particular personality. So go, find that experience and capture it in your memory before it is too late.

1995 ★★★

1998 ★★★

Select Reserve ★★★

Talisker 57˚ North

Reviewed by: Nick

Whenever I pour one of my non-whisky drinking friends a wee dram (watching in amusement as they splutter noticeably and their face flushes a conspicuous shade of red) I tell them to picture themselves in a small rugged hut on the west coast of Scotland as a fierce Atlantic storm batters the walls and ceiling. That, I proclaim, is the ideal location to enjoy whisky. While a fireplace may sufficiently heat your extremities, a dram of whisky will warm you from the inside out. And if I were huddled in this rugged hut on such a night, the drop I would turn to first is the Talisker 57˚ North.

This whisky, made on the Isle of Skye’s sole distillery, is named for two reasons: firstly (and I may be biased, but I would claim foremostly) because the spirit is bottled at a practical 57%. Secondly (and perhaps more poetically) because the town of Carbost, home to Talisker, is found at 57˚ North of the equator. In this part of the world, your insides are quite often in dire need of warming.

To put it into perspective, Canada’s 2010 Olympic Winter Games host, Vancouver, is situated at a mere 47˚North while my often freezing home state of Tasmania is at just 42˚South. Talisker Distillery is only two degrees further south than notoriously icy Scandinavian capitals Stockholm and Oslo. So it stands to reason that a warming dram or two is created there.

On the nose, there’s no doubting this is an Island whisky. Smoke wafts liberally out of the glass, although possibly more subtly than some Talisker expressions. Other elements are noticeable too: pepper, chorizo, and cured meats. It is like inhaling deeply at a gourmet barbecue.

There is certainly a woodiness about this whisky on the palate – although not reminiscent of your standard oak notes. Instead the flavours are dustier, earthier, more akin to a tree’s bark than the wood underneath. Elements of honey and marmalade hint at typical Talisker sweetness, though it is more toned down than the 10 Year Old. Instead, wonderful new flavours are present such as bacon and buttery toast, as well as some less pleasant bitter sappy elements which give the impression of burning wood that is slightly too green.

The good news is, this whisky leaves the best until last: the finish is undoubtedly the highlight of the dram. It is long – so very long – and hot and lively. After the spiciness fades, the smoke returns gently, bringing your tasting full circle.

Drinking this whisky, I find that I take my own advice. I close my eyes and picture the howling gale, the bucketing rain and the crashing thunder. Scotland is no stranger to wild weather. And in the eye of the storm, the Talisker 57˚ North is the dram you need.

★★★★

5 Whisky Waffle Winter Warmers

Posted by: Ted

I said, brr, its cold in here, there must be some… low pressure systems, high precipitation rates and perhaps even the formation of snow caused by the seasonal polar tilt of the earth away from the sun, creating wintertime meteorological phenomena in the atmosphere. What, you weren’t expecting ‘Bring It On’ were you?

Yes folks, it’s winter in the Southern Hemisphere, and while for the most part that may not entail quite the same level of bone aching crazy cold that our Northern kin have to endure, it’s still enough to send us shivering. Well, what better way to beat the winter chills than a nice warming dram of whisky? And there’s one class of the amber stuff that does it better than any other: cask strength. So without any further ado, here are five cask strength whiskies that will help spread a warm glow inside your belly this winter:

5. Glenfarclas 105

If you need to get warm in a hurry, then why not have a giant gorilla sit on you? Well, not really, but that’s what the experience of drinking a drop of the Glenfarclas 105 is like. Bottled at 60%, this family-owned drop from Speyside is big, bold and will cause you to beat your chest like a silverback as its powerful sherry-driven flavours rampage through your veins. Drink while entertaining thoughts of scaling tall buildings.

4. Glenlivet Nàdurra

Meaning ‘Natural’ in Gaelic, this 16yo dram from Glenlivet is the logical solution for warming up on a frosty night. Indeed, I can vouch for its efficacy, as I sipped a dram of it while watching a meteor shower on a cold, clear night (the shower was a bit of a damp squib, but the whisky was certainly good). The Nàdurra is taken from the barrel at a 54-55% strength guaranteed to put a rosy glow in the cheeks. Drink while pondering the natural order of the cosmos.

3. Nikka from the Barrel

Japan certainly sees its share of cold weather, but not to worry, the gods saw fit to create a dragon spirit to fight the frost. It may come in a small package, but the Nikka from the Barrel packs a big dragony punch. Bottled at 51.4%, this fiery little blend is packed with hefty dollops of sweetness and spice backed up with a wicked sherry kick. Drink while watching ninjas fight in a snowy forest (well, at least it will keep you occupied as you fail to spot any of the combatants).

2. Talisker 57° North

Want hot coals to smoulder and smoke away inside you? Then what you need is some peated whisky, and what could be better than a ‘special strength’ release out of the wind-and-rain lashed Isle of Skye? As its name hints, the Talisker 57° North is bottled at… well… 57% and is full of Talisker’s trademark mixture of sweet and maritime flavours. Drink while wearing a blue knitted fisherman’s turtleneck in front of an open log fire.

1. Lark Port Wood Cask Strength

Need to feel your toes again on a chilly Tasmanian night (which to be honest, can happen in high summer. Thanks maritime climate!)? Well, how does drinking hot, spiced orange sound? That’s certainly what it feels like sipping some of Lark’s 58% Port Wood release. If Lark can revive the Tasmanian distillery industry, then it certainly shouldn’t have any trouble getting you back on your feet. Drink while huddled in a wooden hut in the Tasmanian highlands.

Slàinte mhath!

Overeem Port Cask Matured

Barrel Number: OHD-067

Reviewed by: Nick

Whiskies so often seem to reflect their creator. Bruichladdich whiskies display the passion and local ethos displayed by Jim McEwan. Variously finished Glenmorangie drams showcase that experimentation possessed by scientist Dr Bill Lumsden. Whiskies made at the Old Hobart Distillery, much like their creator, Casey Overeem, have true character. And much like Casey, this character is very likeable.

Old Hobart Distillery releases their whisky under the label ‘Overeem’ and is part of a growing collective of whisky makers from southern Tasmania consistently churning out a high standard of products. Overeem, like Lark and Sullivan’s Cove, use French Oak ex-port barrels cut down to 100 litres to mature a percentage of their whisky. The flavours created by this process, similarly to its contemporaries, are equally extraordinary. But there’s something a little extra special about the Overeem. It has an element of ‘handmade’ about it, something that suggests this whisky is crafted instead of distilled.

The nose is light but enticing. There are notes of berries and stewed apricots alongside faint traces of ginger and fennel. There are also some gloriously Tasmanian woody notes which call to mind a home-workshop stocked with Huon Pine.

The palate is richly flavoursome and offers many layers to discover. It is initially sweet and spicy, offering fizzy orange sherbet notes with a dash of pepper preventing it from becoming too sweet. There is also a degree of citrus and maltiness, combining to give the impression of a freshly baked sponge cake with lemon curd. The finish is lengthy and contains faint raisiny and caramel notes: finally, the much-vaunted fruitcake has made a subtle appearance!

This is a fantastic example of a Tasmanian Whisky in more ways than just flavour. It is the perfect illustration of a micro-distillery whose focus is on creating a well-crafted product. This is not done simply as a business venture, but instead as a way for one man to create the spirit that he loves. And Casey Overeem’s intent is certainly apparent when drinking the whisky which bears his name.

★★★★